A Man in Love

First of all, seeing the fuss of over post-coital fantasy pillow talk being such the focus of the discussion of this film is disturbing. There IS no "lesbian love scene". There are NO scenes of sex between two women. Jane simply describes a fantasy encounter, even editing it to his wishes, to her man. It's pillow talk. Anyone renting this for such a scene will be greatly disappointed. Okay, there's some nudity; but this isn't soft core porn. It isn't even Nine and a Half Weeks. The sex scenes are far more subtle; no humping, sorry. I don't see how anyone with realistic expectations could possibly be disappointed. It's a delightful, realistic romance.

A married man falls in love with a younger woman; who happens to be an ingénue, his love interest in the film of which he's the star. Coyote plays to perfection "The American Movie Star" filming in Europe. Set in spectacular locales, it's more than a love story between the two principal characters. It's a love story showing the director's love of the locations where it was filmed. This; and relating with the storyline of a European love affair, is what makes this one of my all time favorite films. Who could possibly complain about the music by the genius that was Georges Delerue? (the sole 80's synth-pop track aside)

And to the previous poster "wondering what Kurys was thinking" - a little research will divulge the film's semi-autobiographical nature. Look up Kurys' listing here, in her earlier years. You'll find where she worked on a film with a popular American actor (not his costar as in this film, but it's obvious enough). She wasn't just "thinking" - the fact that this is a bit of memoir makes it all that much more endearing.

This is one of the most highly UNDER rated films of all time, as underrated as Coyote is actor. But expect a romantic film (by all definitions) and watch it for what it's worth - there is beauty in its simplicity.

This film, crafted by a female writer and director, draws heavily on either her autobiographical experiences or her vivid imagination. The central dramatic element revolves around a famous actor pursued-almost haunted-by women, with a young, alluring newcomer capturing his near-exclusive attention. This dynamic mirrors the evolutionary psychology themes found in successful novels like Fifty Shades of Grey. The romance is compelling, as both lead characters are attractive, charismatic, and well-suited to the story's dramatic arc. Their chemistry is palpable, making it easy for audiences to connect with them.

However, I believe a film like this could not be made today, 40 years later. Its portrayal of a woman's unwavering devotion to the man she loves feels out of step with contemporary narratives that emphasize women as self-sufficient, autonomous, and strong in their independence.

For the life of me I have no idea what type of movie director Diane Kurys was trying to make here . It centres around the relationship between American director Steve Elliot and English actress Jane Steiner . It contains long - Too long - scenes of romantic European cities with romantic music in the background but at the same time is possibly too explicit to be a simple love story . For example Steve gets Jane to tell him an erotic lesbian fantasy " I can feel her lips on my nipples as I rub my hand between her legs ... " and there's some nudity . But the problem with MAN IN LOVE is that there's zero plot . Okay I wasn't expecting car chases or Bruce Willis crashing through windows but the story ends up going nowhere . In many ways it's like a meaningless Mills & Boon story that might strike a cord with women who have just experienced a holiday romance . No doubt French film students will think this some sort of romantic masterwork but I didn't care for it apart from the lesbian fantasy monologue

Wonderful performances and beautiful cinematography. A romantic film from start to finish. The story line is probably only that of a B movie, but there's something about this film that really appeals. Greta Scacci is an erotic charmer here. This film hasn't gotten the publicity it deserves. Peter Coyote is a bit too intense in his role, but it works, nonetheless. Jamie Lee Curtis is always great. As erotic as the film is, it's also very sad. Keep the tissues nearby; you'll need them.

Last but not least, I love the musical score, and the scenery in Italy is just heaven. There aren't really any credits given for the musical score, but I believe it's some derivative of a classical piece. Would love to know which one. I wish this film were available on DVD. I've watched this film several times on VHS, after seeing its original release in the theater.

I watched this movie many years ago before DVD's even existed. The script is a known one. Nothing new here but the ambiance is basically what this movie is about. The director was skillful at making this co-production keep up with a plausible script ( always an issue when money comes from different countries ) . The tone is definitely the big Hollywoog star versus the more bohemian people an A- lister might encounter when filming. Great casting as Claudia Cardinale makes a credible Greta Sccatchi's Mum. The french version was excellent ,reminded me of the good old days when Charles Bronson made his best ones in Europe. What can I say ...It's all about ambiance..Watch it 'till the very end !