Your Face

There is no story in this animated short: just wild and crazy contortions drawn on a face who is singing a song about "your face." As he sings, almost every conceivable oddity occurs, such as facial parts changing position, head being twisted, cut, pulled inside-out, being chopped into pieces and reforming and so many things you can't describe.

This really is a three-minute piece showing the imagination of the artist. It kept me riveted to my seat, wondering what crazy thing will I see in the next few seconds. Basic, but fascinating material. It was up for an Academy Award.

You can see it on the DVD called "Plympton: The Complete Early Works Of Bill Plympton."

I love the song more so than the animation They work well together though

While this isn't one of Bill Plympton's best cartoons (it's way too "normal" compared to many of his shorts), it is amazing to watch--especially when you notice that this is all done with what appear to be colored pencils--a rather labor-intensive process. I really liked his insurance ads from a decade ago more--they were very violent yet charming--but still, this is pretty good stuff. Plus, after seeing the PLYMPTOONS DVD, I realize that it's the first film he made that is the classic Plympton style.

The concept is simple: a guy's face and upper body are all you see and rather annoying operatic-style music plays as his face begins to do mega-strange things. His lips pop off and move about, his face repeatedly turns inside out, etc. Also, oddly enough, I thought the guy looked a lot like President Lyndon Johnson.

Very captivating and deceptively simple. You just can't stop watching the weirdness once it begins despite there really being no plot.

The beauty of "Your Face" is in the way Plympton got a very simple idea--How many ways can you morph a face?--and then elegantly and effectively hand-illustrated the frames to bring that creative idea to rampaging life on the screen.

It took the short animation scene (via the old Tournee) by storm; an immediate fave of one and all!

One of the wonders of it, as the piece proceeds, is seeing Plympton's knack for imagining and capturing the "dynamics"--a surprisingly close approximation of the behaviors of the physical system he's "modeling".

And it all couldn't have happened to a nicer guy: Met Plympton in Angouleme in 2000, and he was a pleasure to chat with about his latest (at the time) project.

This is really simple to describe. We have a central figure whose face changes over a hundred times. The faces are creative as well as photographic. The have been done with drawings and then integrated. Quite remarkable. Apparently the song we here has some significance.