Arthur 2: On the Rocks

Tedious sequel to the hit of 1981 has Dudley Moore losing all his money and Liza Minnelli desperately wanting children. The film is just disgraceful to its predecessor. The death of the original's director (Steve Gordon) is way too much to overcome as it is made quite clear that the characters seem lost under a different writer and director. Even John Gielgud, who died in the original, makes an appearance in a dream sequence. A sequel we didn't need. 2 stars out of 5.

The original Arthur was pretty much a cartoon where there was no consequence to behaviour, so Arthur could remain permanently sozzled, drink and drive, insult people and create havoc with impunity. In Arthur 2, he enters the world of adult responsibility. I guess that it is this element of reality, the drunk as a pitiful creature, which makes fans of the original hate the sequel. Those expecting more of the same were sadly disappointed.

The premise of a man being forced to fend for himself after a lifetime of privilege is vastly more interesting to that of a drunken playboy and the film, for the most part, rises to this. The ensemble performances are much stronger than in the first film which relied heavily on acerbic one liners and Dudley's comedy drunk routine. Here the interaction between Minelli and Moore is more fleshed out and is delightful. It reminded me somewhat of Jane Fonda and Robert Redford in Barefoot in the Park. The comedy throughout is more subtle and more satisfying than the original.

Unfortunately certain cartoon elements from the first film are introduced. Moore's previously innocent ex-girlfriend turns up as a Cruella Deville character before strangely reverting to her former self at the end. And her father hounding Moore wherever he goes is rather silly, it makes him seem like Gargamel. The denouement is especially feeble, with the sudden unexplained character change just mentioned and suddenly every-thing's alright. This terrible finale is the reason I cannot give this a higher mark, although I do consider it a genuine improvement on Arthur 1.

It is a pity that this, even more than the original did not follow the courage of its convictions and end with him being poor but following his heart. Now that would be a lesson worth learning.

Sequels are difficult. In many cases, it's just impossible to catch the lightning in the bottle the second time, no matter how hard they try. In this case, it looked like they plain flat mailed it in, hoping that everyone who loved the original Arthur would flock to the theaters to see this mess. The only motivation I could see for this movie was to make more money. Every aspect of the film was embarrassingly bad. We watched the 2011 Arthur (quite good in its own interpretation of the story), the original Arthur, and then this during one sitting. This was so bad we couldn't finish the viewing. Obviously money can be more important than pride.

"Arthur 2: On the Rocks" is the story of how Arthur (Dudley Moore), the drunken title character, loses his $750,000,000 fortune and sobers up so he can adopt a baby. It starts out very good and right on target, but towards the last 45 minutes the film loses not only all credibility, but also all sense of cohesiveness. It's as if the writer wrote himself into a wall and tried to cut through it with a spoon. I'm not sure if that analogy was any good, but it's a bit better than the end of the movie.

Of course, I haven't seen the original Oscar-winning "Arthur" (1981), which may be a part of the reason I enjoyed the first half of "Arthur 2" (1988). I still remember when I first saw "The Fly"--I had read all the positive reviews, I was really pumped up and after the credits started to roll I just sort of sat back and let out a sigh. But I had already seen its sequel, aptly named "The Fly II," and I had enjoyed it. Why? Because prior expectations can truly ruin a great movie. If I had gone into "The Fly" expecting nothing, I probably would have come out of it satisfied. But, in hindsight, I expected too much. And I hadn't expected anything going into "The Fly II," which may amount to why I prefer it to the first film, despite its goofy nature and campy effects.

Maybe that's why "Arthur 2: On the Rocks" didn't seem so bad when I watched it. I didn't find a single positive review of the film on the Internet. IMDb's average user rating is currently 3.6, and a year ago it was lower. Rotten Tomatoes' rating is 0%, with not a single positive thing to say. And I can understand why people might not like this movie, but if they think it's one of the worst films of all time...they've got another thing coming.

Arthur and his wife, Linda (Liza Minneli), are living freely. They own five homes in and around New York City, and Arthur's only worry in life is that he may get some. Linda, on the other hand, has a single worry: she can't have children, and she wants some. So they visit an adoption agency downtown, run by Mrs. Canby (Kathy Bates), who promises she'll do her best to fix them up with a kid. Joy!

But then Burt Johnson (Stephen Elliot) buys out Arthur's family company, promising to sell out if Arthur is cut off from the family fortune -- all 750,000,000 dollars. Johnson's scheming is because he wants his daughter, Susan (Cynthia Sikes), to be happy -- and she still wants to marry Arthur. If Arthur divorces his true love, Linda, and marries Johnson's snobby daughter, he can get his money back. But soon Arthur learns that money isn't the most important thing in life.

This is an interesting premise, of course, but the fact that the entire character of Arthur is one built upon the sole theory that there's nothing to worry about in life is contradictory. If "Arthur" were a television show, it would have been a decent half hour of laughs to see him hit the streets in an attempt to sober up. But as a 107-minute film, "Arthur 2's" premise just isn't "Arthur," as far as I can tell. At the end, Arthur cleans up and gets sober, and -- without spoiling how -- wins the day (like there were any doubts as to whether that would happen). But the lasting image of a sober Arthur is far from the central idea of the character in the first place.

And I must complain about something else I noticed -- something more disturbing than anything else in the film. At the very end, Kathy Bates delivers an adopted baby to the couple as they reunite on the street, only for Linda to announce on the spot that she's pregnant. Wouldn't Mrs. Canby (Bates) take the baby back and give her (the baby, that is) to a couple that can't have children? No, she just smiles and stands back from the scene. This is an example of poor scriptwriting.

"Arthur 2: On the Rocks" is a hilarious film in its first half, and a bumbling message-driven snoozer in its second. If only all comedies could sustain laughs at a steady pace throughout. I can't necessarily say that "Arthur 2" is a very bad movie, but I can't necessarily say I can recommend it, either.

2.5/5 stars.

• John Ulmer

This has got to be one of the most under-rated and under seen sequels in history. Arthur 2 is not as good as the film that preceeded it but it is NOT a bad film. Arthur 2 if anything gives us the film that Dudley Moore and Steve Gordon were trying to back in 1981. One of the main criticism's is that it gives out a bad message the alcoholism is good. The film does nothing of the sort, Arthur strives through out the film to change his drinking ways and succeeds in the final part of the film. The film itself is not as funny as Arthur was, but you hardly notice this because it tells a good dramatic story.

Bud Yorkin handles the direction excellently, and the movie contains a magical back drop of Christmas time New York. Dudley is again funny and like-able, just as he was in Arthur, allthough both the Actor and the Character have matured. Liza Minelli is again kookie as Linda, allthough she plays the role like the preceeding seven years took place within a week. Nothing changes with her performance and one is greatful. One really feels for Arthur and Linda, as they struggle with the fact of first not being able to have children, and secondly being destitute. Without spoiling the movie for those who have not seen it, there is a happy ending. Burt Bacharach's score is again heartbreaking and wonderful and the title song sung by Chris De Burgh is as good as the Chris Cross original. And finally Sir John Gielguid makes a heart breaking and beautifull return as an Obi Wan Kenobi like Hobson. A christams ghost if you will.

A Beatifull film. One ready for re-evaluation. Lets raise our glasses to Arthur and Linda.