Brain Damage

Largely ignored on its original release but subsequently gathering a loyal cult following over the years, Brain Damage will no doubt appease fans of director Frank Henenlotter's other darkly humorous and outrageously gory works Basket Case (1982) and Frankenhooker (1990). Bringing his trademark sense of humour and mixing it up with lashings of tongue-in-cheek blood-letting, Brain Damage also strives to deliver a message, and is admirable for the anti-drug theme running throughout. With America in the midst of an AIDS and crack panic at the time, Henenlotter paints a very bleak picture of a New York City in crisis, as a parasitic killer searches for unwitting victims.

Average Joe Brian (Rick Hearst) wakes up one morning feeling disorientated, finding his bed sheets soaked through with blood. He doesn't seem to be cut, but when he looks in the mirror he finds a strange parasitic creature on his person. Looking like a turd with eyes and big teeth, it also has a name, Aylmer, and speaks in a dignified foreign accent (voiced by John Zacherle). Injecting Brian through the back of the neck with a blue liquid that gives the unsuspecting goofball a drug-like sense of euphoria, Brian gets hooked on the stuff, and Aylmer exploits his addiction for food. Only Aylmer has a taste for human brains, and so Brian must spend his sober hours searching for human victims. Alienating himself from his girlfriend Barbara (Jennifer Lowry), Brian also faces the threat of the symbiote's former owners, who have been going cold turkey ever since it fled.

Cut to pieces on its original home video release but later restored, it isn't difficult to see why the ratings board demanded the removal of certain scenes. A wonderfully wince-inducing scene in which Brian pulls his own brain out of his ear for what seems like an eternity found itself on the cutting-room floor, as did the uncomfortable scene where a woman is eaten alive while appearing to be performing fellatio in an unnecessarily sexualised moment of pure exploitation that left me genuinely horrified, and not in a good way. The story and characters are engaging enough to keep the film interesting, while the obvious lack of budget means that the acting is sub-par and the special effects are often laughable, if not charming. The main strength is Brain Damage's depiction of a drug addict going to increasingly desperate measures in order to procure his fix, and Hearst is surprisingly good in the role. Fans of Henenlotter should keep their eyes peeled for the appearance of a certain man with a basket.

Frank Henenlotter's 'Brain Damage' (1987) is easily the director's best film, esp. when considering the solid performances, technical proficiency and fascinating storyline. Aylmer, a rather large, penis-shaped parasite, gives unsuspecting Brian brain damage by getting him hooked on an hallucinogenic, blue fluid that Aylmer himself produces. Oh, the colors! But the thousand-year-old worm-like parasite demands something in return for the buzz - human brains! Aylmer and his actions seem to be a metaphor for drug use and addiction and convey very graphically how substances foreign to our bodies can alter our own thoughts and actions.

Henenlotter adds context and meaning to the proceedings by creating a history for Aylmer. The parasite was sold and stolen over the centuries, until it finally ended up in the possession of Brian's neighbors. But the neighbors deprived Aylmer of his needs in order to keep him weak, and that's where the story begins. Henenlotter's films are never without heavy doses of sick humor, and the perverse highlight here is a sequence depicting a disco-whore getting her brains screwed out - literally - through her mouth. If that's not enough, the special effects in the restaurant scene, complete with spaghetti and brainballs, are particularly polished and satisfying. Ultimately, the director outplays his hand and is left with nowhere to go. Despite this weak ending, 'Brain Damage' is an odd, effective story and film, a major step up from the director's debut, 'Basket Case', but every bit as twisted. >

The first 10 minutes of Brain Damage are awful and hard to watch, as an elderly couple are trashing their apartment looking for Alymer and then we get an overlong hallucination from our main character Brian. Then we are introduced to the Zacherle voiced parasitic Alymer, with a show stopping "hi" and the film just goes bonkers and never stops. There's nothing quite like Brain Damage, a tale of a young man who gets addicted to the intoxicant that a parasitic creature injects into his brain and while running about hallucinating, Alymer feeds on unsuspecting victims brains. It's hilariously gory and thanks to the uncut version finally on the market, the brain removing fellatio sequence is intact in its full ridiculous glory. Henenlotter was firing on all cylinders while making this classic B masterpiece.

Brian (Rick Herbst) a young, handsome 22 year old is "possessed" by a talking, independent parasite (named Aylmer--NOT Elmer) which lives in his clothes and injects him with a mind-inducing drugs in exchange for brains! Brian tries to get rid of it, but realizes he's hooked on the drugs. What will he do?

Very strange, very gory horror film with obvious drug overtones (although writer/director Frank Henelotter says Aylmer represents a penis). In terms of dialogue and characterization, this is amateur night (you know next to nothing about the characters), but the film does work.

Herbst (now Herst) is very good-looking and pretty good as Brian. Also Gordon MacDonald as his brother/roommate is also very handsome and gives a very good, sympathetic performance. Also, each has scenes with their clothes off--not that I'm complaining! However, Jennifer Lowry as Brian's girlfriend is pretty lame.

This was heavily cut for an R rating back in 1987--the complete version is available on DVD. It looks great, sounds great and some incredibly sick scenes are in it--all played for laughs. It's a great low-budget horror film. Worth catching.

My review was written in April 1988 after a screening at Cine 42 on Manhattan's 42nd St.

"Brain Damage" is an overly ambitious but nonetheless rewarding low-budget horror film using the monster genre as a timely metaphor for drug addiction and its ills.

Unfortunately, pic has been poorly promoted and instead of a careful launch it preemed at the sleziest theater on 42nd Street in Manhattan.

Filmmaker Frank Henenlotter showed promise with his 1982 pic (shot in 16 mm) "Basket Case", with many of his collaborators encoroing on this 35mm followup, which includes a funny camro (with basket) byh the first pic's lead Kevin Van Hentenryck.

Rick Herbst stars as Brian, a youngster who's bitten by Elmer the Parasite (film's working title), a centuries-old eel-like monstr being kept alive on animal brains by goofball neighbors Theo Barnes and Lucille Saint-Peter. As Brian quickly learns, Elmer gives his host a periodic jolt of "juice", blue fluid injectged into the brain which provides a psychedelic high.

Brian becomes addicted to this pleasure and carrying Elmer around under his shirt gives the monster access to human victims, whose brains Elmer dines upon. Pic climaxes when Elve4r goes after the heroine, Brian's pal Barbara (Jennifer Lowry).

At every step, Henenlotter makes clear the analogy between Brian's plight and drug addiction, including going cold turkey and radical behavior changes as a tipoff to family (Brian's brother Mike, played by Gordon MacDonald) and friends, etc. Horror format is useful in this regard, heavily leavened by outbreaks of black humor.

Elmer, created by Gabe Bartalos and David Kindlon, is an admirable achievementg, a mobile puppet-like monstr that pays homage to films ranging from "Fiend Withoutg a Face" to "The TIngle". With a wisecracking voice (uncredited, but sounding like tv horror movie host Zacherly) and cute eytes, Elmer is funny as well as scary in context.

Acting is over-the-top and film could have benefited from the casting of name talent in order to cross over to mainstream audiences with its timely thematics. As it is, Henenlotter, cinematograher Bruce Torbe and their team have maintained a harsh, cheap, underground look that fis the picture's cult ambitions. Overuse of blue filters is one drawback, however. Keyboards musical score by Gus Russo and Clutch Reiser is extremely effective.