Buster

Buster (Phil Collins) is a petty thief with some skill. If he wants a new suit, he just breaks a store window and makes off with a mannequin. If the baby needs supplies, Buster sneaks into the chemist's at night and picks out what is needed. His wife June is getting a bit tired of this and would love to have a place of their own, not a rental. Therefore, Buster arranges a major train robbery (THE Great Train Robbery in the early sixties). The plot is almost successful but Buster does not remain anonymous and is a hunted man, post robbery. Will he ever see his family again? This is a very likable movie about an unlikely charmer. Buster does not want an honest job to support his family but one just can not help liking the guy. Collins is quite good as this amusing thief. Julie Walters, as his wife, is also sweet and attractive. The plot is amazing when one realizes these events actually took place. Part love story, part cat and mouse game, this film is a fun view. Anyone who sits down to Buster will be laughing in short order, leaving the sometimes somber world behind.

This is one good movie! This is a good movie for Phil Collins fans such as myself. Phil Collins is not only a great singer and drummer, hes also a great actor. This is a good movie to watch on a Friday night if you don't have anything else to do. You won't be sorry.

'Buster (1988)' is mainly notable for starring Phil Colins and being the reason he created some of his most famous songs (such as 'Two Hearts', which plays over the credits). Inspired by the true story of "The Great Train Robbery" of 1963, in which a group of criminals robbed a Royal Mail train and made off with £1,000,000, this sort of romantic comedy spends most its time focusing on the aftermath of its infamous inciting incident. It follows Ronald Christopher "Buster" Edwards as he goes on the lamb and hides from the law, eventually finding a way to smuggle himself and his family out of the country. It's pretty much a family drama, more concerned with the dynamic between its protagonist and his wife than it is with the mechanics or ethics of his actions. Apparently, the feature was subject to controversy at the time of its release, with its most vocal critics claiming it glamourised - or, at least, downplayed - the supposedly vicious crime on which it is based (I say "supposedly" because it seems quite gentle as depicted here, although I'm sure some liberties were taken with it). I don't think such a response is particularly warranted, especially given the eventual outcome of the characters' actions; it's a typical case of conservative exaggeration in the hopes of cinematic censorship. However, the flick does depict its central character as a lovable rogue just doing what he can to get by. Although he isn't exactly the best husband, with behavioral tendencies that aren't just necessitated by current circumstance like he insists they are, he's ultimately portrayed as a harmless and big-hearted romantic with unrelenting love for those close to him. It's not so much a problematic interpretation as it is a surprising one, as the material doesn't exactly cry out for the light-hearted, almost rom-com treatment it receives. This is a sappy, sentimental affair with a beating heart and a romantic outlook, the opposite of the gritty gangster drama it so easily could have been. It's all just rather mild and, in many ways, it doesn't feel like it makes good use of the true story on which it's based. When it reaches its midpoint, it starts to stagnate after a change of scenery basically necessitates a change in pace. It basically spins its wheels while also feeling sort of xenophobic in some ways, even if being homesick isn't inherently the same as feeling superior to your current surroundings, and it loses what steam it initially had. It isn't bad, but its melodrama never quite connects as much as it should and it also isn't particularly funny. Still, it's consistently watchable and is relatively well-made. Collins is likeable enough as the leading man, and Julie Walters gives a good performance while somehow feeling vaguely overqualified for her role. The 60s period setting is believably recreated, with the grime of London's streets being enhanced by the damage to the film stock itself. It's basically a well-produced TV movie in style and tone, which isn't necessarily a bad thing. It's quaint, almost a relic of a lost era. It isn't great, nor even all that interesting, but it's enjoyable enough for what it is.

With the title "Buster" given to this film starring Phil Collins in the title role, this movie directed by David Green is all about the 1963 Great Train Robbery when a gang of robbers carried out the biggest robbery in criminal history for £2.5 million was big money for 1963 prices. Worst, the train driver Jack Mills sustained head injuries during the attack and later died from leukaemia. For a reason why Phil Collins made this film was that he maintained close contact with one of the robbers Ronald "Buster" Edwards. The 1960s scenes are well put together on film here but it's very underrated. Larry Lamb looks almost strikingly like one of the gang leaders Bruce Reynolds. Well, the film has been criticised for glorifying the robbery. There is nothing glamorous about the robbery as it was a vicious crime. Phil Collins might steal your heart but not on this film while some of the robbers have returned to their criminal haunts and it now seems to be that many years after the robbery, most of the gang members have long since disappeared just like most of the money and in 1994, Buster Edwards struck down by depression,hanged himself in a disused garage near London's Waterloo Station where he traded as a flower seller.

Played light but there's genuine feeling. Strong cast, Phil Collins works well in this role, as does he and Julie Walters as the hub of the movie: honest with the right touch of romance. She is great in this, as she usually is. There's naturalistic period detail: ketchup, grubby kitchens etc. First half is well-paced with real tension to the train robbery, much like a western but with just the right touch of London humour. Second half lags a little with some silly moments (drunken antics) but it's all the so-called dream heading for the inevitable reality check. Surprised it took this long for me to see it but being 13 when it came out it wasn't cool back then especially with it's music being so overplayed. Seeing it now in 2023 it feels familiar yet innocent and stronger as a UK crime movie than I'd expected. Even the music has become pleasing in a nostalgic way, 'Two Hearts' gave me goosebumps (that key change!).