A woman worries about her nephew's spiritual education, whose life and his father's are run on their home computer.A woman worries about her nephew's spiritual education, whose life and his father's are run on their home computer.A woman worries about her nephew's spiritual education, whose life and his father's are run on their home computer.
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Magdalena Mikolajczak
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It's not necessary at all to repeat the worth and the offer of the 'Dekalog''s director in the cinema history and in the symbolic interaction. I read all the critic reviews that cover totally this part.
As the most of these reviews are written at about during the first decade of 2000's, I would like to underline the connection of this film in the 2020's. The technology steps on, but the uncertainty of the life doesn't change. This film should help us to realize that Artificial Intelligence and the digitalization of our lifes cannot transform the human nature in supernatural superiority.
"Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind'. No matter if against that the communist computer science of the late '80s or the neo-liberal AI of the 2020s is placed.
As the most of these reviews are written at about during the first decade of 2000's, I would like to underline the connection of this film in the 2020's. The technology steps on, but the uncertainty of the life doesn't change. This film should help us to realize that Artificial Intelligence and the digitalization of our lifes cannot transform the human nature in supernatural superiority.
"Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind'. No matter if against that the communist computer science of the late '80s or the neo-liberal AI of the 2020s is placed.
'Dekalog' is a towering achievement and a televisual masterpiece that puts many feature films to shame. Although a big admirer of Krzysztof Kieślowski (a gifted director taken from us too early), and who has yet to be disappointed by him, to me 'Dekalog' and 'Three Colours: Red' sees him at his best.
Episode 1 of 'Dekalog' is one of its best episodes, and not only is it of the most thought-provoking and poignant pieces of television (or any kind of visual medium) there is but it's also one of the best first episodes personally seen for any television series. Would even go as far to say that it moved and interested me more than most thought-provoking and emotional feature films double its length.
As to be expected from Kieslowski, it is both beautiful and haunting to look at, with photography that's startling in its beauty and atmosphere. All of the 'Dekalog' series is visually stunning, and Episode 1 is one of the best-looking, and here especially in the final scene the photography actually enhances the emotional wallop to a scene that is heart-breaking already. The direction is intelligent and unobtrusive, while the music is hauntingly intricate.
The story is deliberately paced but never dull, the whole idolisation of science concept is explored with great intelligence while the final 10 minutes affected me (and very deeply) more than any other film or anything television-related in a while, much of it without dialogue and more through moods and expressions. The themes and ideals are used to full potential, and the characters and their relationships and conflicts feel so real and emotionally resonant without being heavy-handed. Despite being based around one of the ten commandments, don't let that put you off, resemblance to religion is relatively scant.
Couldn't have asked for better performances, Henryk Baranowski, Wojciech Klata and Maja Komorowska give remarkably complex and nuanced portrayals. Baranowski is especially outstanding, especially in the scenes detailing the aftermath of the tragedy, but Klata shows amazing maturity and naturalness for his age.
Overall, simply brilliant. 10/10 Bethany Cox
Episode 1 of 'Dekalog' is one of its best episodes, and not only is it of the most thought-provoking and poignant pieces of television (or any kind of visual medium) there is but it's also one of the best first episodes personally seen for any television series. Would even go as far to say that it moved and interested me more than most thought-provoking and emotional feature films double its length.
As to be expected from Kieslowski, it is both beautiful and haunting to look at, with photography that's startling in its beauty and atmosphere. All of the 'Dekalog' series is visually stunning, and Episode 1 is one of the best-looking, and here especially in the final scene the photography actually enhances the emotional wallop to a scene that is heart-breaking already. The direction is intelligent and unobtrusive, while the music is hauntingly intricate.
The story is deliberately paced but never dull, the whole idolisation of science concept is explored with great intelligence while the final 10 minutes affected me (and very deeply) more than any other film or anything television-related in a while, much of it without dialogue and more through moods and expressions. The themes and ideals are used to full potential, and the characters and their relationships and conflicts feel so real and emotionally resonant without being heavy-handed. Despite being based around one of the ten commandments, don't let that put you off, resemblance to religion is relatively scant.
Couldn't have asked for better performances, Henryk Baranowski, Wojciech Klata and Maja Komorowska give remarkably complex and nuanced portrayals. Baranowski is especially outstanding, especially in the scenes detailing the aftermath of the tragedy, but Klata shows amazing maturity and naturalness for his age.
Overall, simply brilliant. 10/10 Bethany Cox
It is true that Dekalog 1 was made 20 years ago by Kieslowski.A thing that can be said about human emotions is that they will however remain same regardless of the time factor.In the last two decades,a lot has changed in Poland and elsewhere.It is also true that contemporary computers do not look the same as they looked when they were filmed for this film but a big lesson for humanity that can be learnt from this film concerns the loss of a child which is a human being's greatest loss as other losses can be recouped but one can never recover a lost person."Dekalog,Jeden" is a great film by Kieslowski as it is one of the few successful films which challenge the supremacy of science over human faith and religion.Faith and Religion have become two of the most important topics of human existence and current day kids are readying themselves to search answers about them.This is also the case with this film's protagonist,a young boy named Pawel who is torn between two extremes.His inquisitiveness forces him to ask so many relevant but unsuitable questions for kids.His love for his father forces him to think of him as his god.This is an act which requires absolute dedication As in other films of this series,there is neither denial nor avowal of god.It is not the severe cold of Warsaw's snow capped buildings which is causing the most damage,it is the coldness of feelings,coldness of human heart which is harming human relationships beyond repair.
After decades, for me, it remains the best Christian film. For symbols and impecable cinematography. For the great performances. For the eyes of young Pawel. For the icon of Mother of God from Czestochowa. For the pictures of John Paul II. For the green screen of computer. And for something who escapes to words. A feeling, an emotion, a delicate sketch of pain, a lesson about faith and trust and illusion, the loss of God and the way to him. Each episode is an admirable job but the first , for me, remains Dekalog in the most profound sense. In past, it was significant for the clash of the fall of East European communism. In present, for the great art of an unique, pure genius director. A boy, his father, his aunt and a frozen lake. And the answer of a computer. A tragedy- its roots and meanings as a kind of mirror reflection.
I've seen parts one, seven, and eight. Of the three Part One is definitely the most moving. Somehow it just seemed so realistic. It really drove the point of human logic being fallible. In fact, I was so absorbed in the movie that immediately after watching it I almost felt like I had been the one involved in the spiritual crisis.
I really appreciate how Kieslowski managed to convey the essence of the first commandment (Thou shalt have no other God before me) without being preachy. In fact, religion hardly came into play at all. This gave the film a more universal appeal, by expressing themes that are relevant to those outside of the Christian religion.
The cinematography is impressive, especially this one scene where an ink blot appears from nowhere on the main character's work. It really sets the stage for the ending.
Of all Kieslowski's works that I have seen so far, this is easily the one I appreciate the most.
I really appreciate how Kieslowski managed to convey the essence of the first commandment (Thou shalt have no other God before me) without being preachy. In fact, religion hardly came into play at all. This gave the film a more universal appeal, by expressing themes that are relevant to those outside of the Christian religion.
The cinematography is impressive, especially this one scene where an ink blot appears from nowhere on the main character's work. It really sets the stage for the ending.
Of all Kieslowski's works that I have seen so far, this is easily the one I appreciate the most.
Did you know
- GoofsIn the scene where Krzysztof is in the bathroom and looks in the mirror to see the ambulance, the top of the head of the camera operator is also visible in the mirror.
- Quotes
Computer: I am ready _
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