Dream Demon

Sort of a send-up of "A Nightmare on Elm Street", "Dream Demon" must be the only horror flick that references the Falklands War. The plot is pretty routine - woman starts having nightmares and it turns out that they relate to her past - but I liked the gag that they pulled in the opening scene; seriously, not even the Evil Dead movies thought of that! The only cast member whom I recognized is Timothy Spall (Wormtail in the Harry Potter movies). His character got to experience the REALLY ugly stuff, and I suspect that it was fun to create those makeup effects. Overall, this movie is probably worth seeing once.

PS: at the 1988 Fantasporto festival (held in Porto, Portugal), "Dream Demon" got nominated for Best Foreign Film.

It might be strongly argued that one of the more unique British Genre films produced in horror's heady 1980s heyday was imaginative writer/director Harley Cokeliss's demonically eccentric, visually inventive, playfully outlandish, generously practical Fx-laden, deliciously unpredictable 'Dream Demon' that proved to be a Big Box VHS knockout horror-hit upon its initial release, but, sadly, the grisly, gut-churning shocker slipped into relative obscurity, and the luminous, considerably more than welcome Arrow Video 2K restoration highlighting many of the nightmare-inducing film's eye-poppingly audacious, brain-fizzingly bonkers set-pieces, pleasingly exposing a wickedly warped wealth of devilish detail once lost in the frightful fug of fuzzy analogue video. Prim, beautiful, and upwardly docile Diana (Jemma Redgrave) is a sheltered, privileged, overly timorous young debutante anxiously awaiting her imminent marriage to no less picture perfect war hero partner Oliver (Mark Greenstreet) who, perhaps, hides a nefarious secret to rival that of the delightfully ominous abode Diana has been given by her wealthy socialite parents. The wonderfully torrid text by talented Hammer alumnus Christopher Wicking & Harley Cokeliss is a zesty, neo-Gothic delight, boldly eschewing most of the misogynistic stalk and slash tropes for a richly maniacal mine of mentally tormented maleficence! The giddy grand Guignol grandeur of 'Dream Demon' succeeds where all too many other low-budget Horror Films fail, being more imaginative, and forward-thinking, not merely utilizing talented actors Kathleen Wilhoite, and Jemma Redgrave as mere glamorous knife-fodder, but as spirited, 3-dimensional characters one can empathize with, their greatly imperilled, demon-infested journey of Diana & Jenny ( Kathleen Wilhoite) making for a deeper, more rewarding experience than e might initially expect. While 'Dream Demon' clearly gleans a smidgen of inspiration from 'Nightmare on Elm Street, and 'Bad Dreams' it has a searingly sinister singularity all of its own, in an increasingly monotonous era of enervating jump-scares, and tawdrily uninspired horror remakes, its majestically malign lustre shines ever brighter today!

Diana, engaged to military hero Lieutenant Oliver, is plagued by nightmares - mostly horrible visions of Oliver abusing her. With Oliver being a local hero, Diana is being harassed by reporters Russell and Paul, enquiring not just about their wedding plans, but also intimate details.

Jenny Hoffman, who just arrived in London, comes to Diana's rescue when she fights off the reporters. As the two women become acquainted, Jenny tells Diana she believes she once lived in Diana's apartment, but can't remember. She also only recently discovered she was adopted, with very little memory of her real parents.

Diana's dreams intensifies until they eventually turn life-threatening. Diana unintentionally pulls Jenny into her dreams, endangering her life also. Wait, is this premise starting to sound all too familiar? Let's just say, if the character of Russell was replaced with Freddy Krueger, this would have been a worthy installment in the 'Nightmare on Elm Street' franchise. 'A Nightmare on Elm Street 7: Dream Demon'. Yup, definitely has a ring to it!

Just like the Elm Street movies, 'Dream Demon' is atmospheric and the transition from real life to the nightmare world is equally effective, and spooky. The film boasts very good effects, and the lighting effects are also brilliantly well done. The film looks so good with such a modern feel to it that its hard to believe this movie was made nearly four decades ago!

'Dream Demon' felt like a combination of 'A Nightmare on Elm Street', 'Poltergeist', and 'Hellraiser 2: Hellbound', yet at the same time it felt original. I also rather enjoyed Jenny's back story, and how well her story compliments Diana's story, resulting in them finding themselves in very similar situations, with both fighting for answers. Very clever indeed.

An interesting but old idea for a film is unfortunately a mixed bag. The director didn't know how to stage the scenes and the acting. The two leading ladies are certainly capable of better performances. This needs a better director with more expertise and a better written script. There are many good and spooky scenes in the film but they are interspersed with poor scenes and reactions that are clearly uncertain. Half of the movie is suspenseful but the other half lollygags due to dark humor and poor direction. As it is, the film might be improved with more crisp editing. There are too many things seen that make no sense or are old tired cliches. You are left with many questions about what you have seen at the end.

"Dream Demon" follows Diana, a Londoner about to be married to a prominent man, who is suffering from disturbing nightmares after having moved in to her new house. She soon meets Jenny, a tourist from Los Angeles who claims Diana's new home was her biological parents' last address; she has no memories of her parents or her early years spent there, but feels drawn to them. Diana's powerful and terrifying dreams begin to impact reality, and the two women begin to delve into the home's history and Jenny's connection to it.

A relatively unknown British-set offering by American director Harley Cokeliss, "Dream Demon" is in the same league as a number of over-the-top supernatural horror films from the late 1980s, such as "Night of the Demons," "Mirror, Mirror," and "Witchboard" (the latter of which Kathleen Wilhoite, portraying Jenny here, also appeared in). The distinction with "Dream Demon" is that the film has a particularly English bent to it that borders on gothic at times.

Another distinguishing element here, and perhaps the film's most interesting feature, is that it toys with narrative quite cleverly as Diana's grasp on reality begins to tunnel in on itself, to the point that she (and eventually Jenny) cannot discern waking life from Diana's lethal slumber. There are elements redolent of "A Nightmare on Elm Street" in this case--Diana's dreams begin to impact her physical environment, endangering those around her (including a pair of crude journalists harassing her). Though not the most original idea, it is orchestrated nicely here, and keeps the viewer on their toes as the two characters venture through a topsy-turvy world.

Jemma Redgrave turns in a solid and understated performance here as the tormented Diana, and Kathleen Wilhoite offers a spunky performance as the mouthy California punkster who joins her. Things start to coalesce in the final act of the film, and the fragments from Diana's dreams begin to paint a picture of why the two women have been united in the first place. Though not really a twist per se, the revelation feels appropriate and I left the film satisfied despite a few loose ends.

Overall, "Dream Demon" is worth a viewing for fans of late '80s supernatural films, as it features a similar aesthetic and premise to its peers. The English bent adds a distinct flavor, while the screenplay is clever, if not entirely perfect. Recommended for genre fans. 8/10.