The Big Blue

The Big Blue is a story mainly centred around Jacques Mayol (Jean-Marc Barr), a free diver. Free diving is a sport where people dive as deep as they can with a single breath, and no equipment other than a rope and a weighted mechanism to take them to the required depth. Although to say the story of Big Blue is just about free diving does not do it any justice. The story starts in Greece with Jacques as a child, then moves forward to "present day". In the story we also have Enzo (Jean Reno), Jacque's lifelong friend and nemesis who motivates him to free dive in competition (so he has some competition) and also gets him work in other areas of diving. During this work Jacques meets an insurance investigator Johana (Rosanna Arquette), and a romance starts (albeit mostly from her). The story continues as Jacques struggles with problems in his past, present and future.

The Big Blue is an unusual movie. There is some silly (but arguably funny) humour. Also there are some serious levels including romance, and how we deal with problems from our past, our existence, and our future. The film is also quite long (in the aptly named "version longue") at about 2 hours and 40 minutes. Fans of Jean Reno would certainly love this movie.

I really enjoyed this film. The main story is very light and thinly stretched, so to really enjoy it I feel you have to look deeper at the characters and read between the lines. I also really enjoyed the humour, which was silly but fun and was a good counterpoint to the serious scenes. Jean-Marc Barr was absolutely stunning as Jacques, bearing in mind the number of underwater sequences that were required as well. It's a real shame that we don't see Jean-Marc in more leading roles. Jean Reno was also extremely good, and although for me an irritating character Rosanna Arquette put in a reasonable performance. The cinematography is another lush element of the film, with the beautiful locations and underwater sequences (especially those with the dolphins). Eric Serra's soundtrack is pretty good also, although sounds a little dated. As mentioned, this review is based on the "version longue". 5/5

Le Grand Bleu is the true story of famous French diver Jacques Mayol who challenged death.Jacques and Enzo were always passionate about sea and this passion gave rise to their spirited rivalry.Enzo will never give up as he doesn't want to be beaten at all by anyone.They approve the widespread notion that one who goes for a thing will get it not the one who saw the thing.Mayol's character portrayed by Jean Marc Barr reminds one of celebrated Jacques Yves Cousteau who advocated the philosophy of profundity by making underwater his home.Le Grand Bleu's strength lies in its wonderfully shot visuals as well as catchy musical score by Eric Serra.Even,Jacques Mayol offered his indispensable contribution as a technical consultant on this film.The film was a massive hit among youngsters throughout Europe attracting nine million viewers in France.Luc Besson created one of the best films of his career featuring impressive underwater images.The film's success proved that the aesthetic quality can only save the cinema which is facing tough competition from television.

THE movie that made Besson go down in history. A key-movie that divided the French public between the ones who saw on it, only a tedious documentary about the ocean and the others who acclaimed this passionating movie. As far as I'm concerned, I rank in the second category. "Le grand bleu", it's simply a periphrase with a tinge of euphemism to design the ocean, a universe that always inspired to men fear but also fascination. The two main characters, Jacques Maillol and Enzo Molinari are fascinated by the sea but for different reasons. If Reno devotes all his energies to diving so as to access to success and glory, the sea is more than this for Jacques. He was born with it, he swears by it (so much that he neglects Johanna's love) and the sea will lead him to death. A place of athletic competition, an ideal place for rest and entertaining where dolphins are his real and sole friends, finally the eternal heaven, the ocean epitomizes all this to Jacques. "le grand bleu" also ranks among the movies that you must watch rather than telling it. Of course, there isn't almost any plot, dialogs are short and rare but pictures are gorgeous enough to create an entrancing climate supported by Eric Serra's mesmerizing music. The movie's technical qualities can only arouse admiration: a shiny photography that perfectly reflects the color of the sea, the blue and a fluid making sometimes clever: Jacques' childhood is made in black and white. Besides, the movie enabled to discover two outstanding actors: Jean-Marc Barr and Jean Reno but oddly if Reno became one of the most popular French actors, it wasn't the case with Barr. In spite of a promising debut, he has never be able to make a movie that could have got back him in the saddle. Maybe was he so elated at the bottom of the sea, in heaven where everything is fine...

47. THE BIG BLUE (adv.-romance, 1988) Mayol (Jean-Marc Barr) is determined to dethrone current world-free diving champion Enzo (Jean Reno). Childhood friends, they share a fierce rivalry that, nonetheless, has kept their friendship alive. Both of them share an almost spiritual affinity with the sea, especially Mayol who lost his father. His love for his sport, however, is put on hold when he meets Joanna (Rosanna Arquette). But as Mayol and Enzo's competition become more fierce, Joanna slowly feels herself drifting away from Mayol, as his fascination with the sea takes on an obsessive turn.

Critique: Marvelouslly filmed underwater adventure from master-Frenchman Luc Besson, who has specialized on action films. This is his most personal work to date, thus taking on a uniquely surreal quality. The exquisite camera-work is very special, at times almost documentary in quality.

This mix of 'art' cinematography and romance made it a big money earner all over Europe but, not surprisingly, only gained critical acclaim elsewhere. Adding to its failure is a somewhat downbeat ending that, I think, complements the film's mythic storyline.

Besson's 'epic masterpiece' has yet to reach many viewers who would embrace his visionary talents.

I thought the friendship was genuine and interesting and so was the romance. The movie wasn't about diving or competition.

Many critics get the 2 main male characters wrong. Interpreting them as unlikable. Reno's character is arrogant and conceited. Barr's character is withdrawn, aloof, and madly unresponsive to Arquette's obvious affection.

The magic of the movie is all about the characters imperfections and their respective bonds. It's about imperfect people and their perfect bond with each other.

I find all 3 characters genuine and likable. Their flaws are what make them genuine and interesting. The arrogant conceited Reno is pationate and deeply involved in his family and close relationships. Barr is an introverted self-contained personality, perhaps further withdrawn into himself by tragedy that leaves him without family other than dolphins and the sea. The unbreakable bond between Barr and Reno started with the tragic accident to Barr's father and witnessed by Reno.

I got this movie when it was released on VHS and watched it 20 times. I always liked the movie, but haven't seen it in around 30 years. My VHS is long gone, but I want to see this movie again. There are not many movies I watched 30 years ago and want to see again.

The critics run wild over this movie. They certainly did when it was released. I don't mind liking a movie more than the critics do, especially after reading their reviews. Diving is boring, they don't get it.

I was prompted to write this review after reading a review saying the movie was about undiagnosed mental illness. Well, only if everyone has an undiagnosed mental illness. Actually, maybe, everyone is a little mentally ill. Nobody is perfect and imperfect characters are the most interesting.