The rivalry between Enzo and Jacques, two childhood friends and now world-renowned free divers, becomes a beautiful and perilous journey into oneself and the unknown.The rivalry between Enzo and Jacques, two childhood friends and now world-renowned free divers, becomes a beautiful and perilous journey into oneself and the unknown.The rivalry between Enzo and Jacques, two childhood friends and now world-renowned free divers, becomes a beautiful and perilous journey into oneself and the unknown.
- Awards
- 3 wins & 6 nominations total
Andréas Voutsinas
- Priest
- (as Andreas Voutsinas)
Kimberly Beck
- Sally
- (as Kimberley Beck)
Geoffrey Carey
- Supervisor
- (as Geoffroy Carey)
7.558K
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Featured reviews
Jacques Yves Cousteau must surely have had enjoyed this film.
Le Grand Bleu is the true story of famous French diver Jacques Mayol who challenged death.Jacques and Enzo were always passionate about sea and this passion gave rise to their spirited rivalry.Enzo will never give up as he doesn't want to be beaten at all by anyone.They approve the widespread notion that one who goes for a thing will get it not the one who saw the thing.Mayol's character portrayed by Jean Marc Barr reminds one of celebrated Jacques Yves Cousteau who advocated the philosophy of profundity by making underwater his home.Le Grand Bleu's strength lies in its wonderfully shot visuals as well as catchy musical score by Eric Serra.Even,Jacques Mayol offered his indispensable contribution as a technical consultant on this film.The film was a massive hit among youngsters throughout Europe attracting nine million viewers in France.Luc Besson created one of the best films of his career featuring impressive underwater images.The film's success proved that the aesthetic quality can only save the cinema which is facing tough competition from television.
Very real..
For me the grand bleu is something unique...i have never seen a movie were everybody has the same love for the sea,and for their sport... Even if the movie is from 1988...it is still one of a kind!!! Go and see it yourself!! When i lived in France in 1989..everybody was talking about Le Grand Bleu...I still have the music.. And a poster on the toilet..
It remindes me of the good old time.. I have also the movie version long on DVD...it is so beautiful!! You will laugh and cry during Le Grand Bleu. Find out for yourself what your impression is, and you wont be disappointed!
It remindes me of the good old time.. I have also the movie version long on DVD...it is so beautiful!! You will laugh and cry during Le Grand Bleu. Find out for yourself what your impression is, and you wont be disappointed!
The Greatest Dream Movie of All Time
This movie is the most fantastic contemplation of earth paradise in existence.
First it's imperative that we notice one major difference: the short version and the "version longue" are two completely different films. From tip to toe. I only knew this film previously in its short version. Yesterday I bought the "version longue" in my local FNAC store without subtitles (it's rare these days).
And.................... I fell in love with everything about it, stunned and mesmerized, being at the same time riddled by the way that the short version lost all sense, in comparison with the "longue" version. You can think of an integral version like a way to stuff a film with pictures, but in this movie we have the feeling that the movie was intended to have 164 minutes, and not nearly two.
And you can picture the transformation that occurred in my perception of this film, as I passed from that mutilated, full-screen, mono-sound version to a full, widescreen and hi-fi version. This is why "Le Grand Bleu" passed from just a movie by Luc Besson to the greatest movie of my greatest director.
My perception is that this is the great underwater epic he always wanted to make. And he achieves it in every way, specially letting the audience identify themselves with it.
Perhaps my favorite Besson movie was "The Fifth Element" (I like them all), but after having the privilege of experiencing this fantastic, beautiful, stunning, vivid and moving film, "The Big Blue" passed from one of the medium levels to definitely the top one. The characters all gained strength, the underwater scenes all made sense, the previous movie was completely backed up, and the feeling that this movie was a contemplative journey gained finally its place.
I gave it a 10 out of 10, not for the US version (how can they even think of erasing Eric Serra's score?!?!?) which, for its mutilations, deserved a 1, but for the version longue, which is the only way the movie shall be seen. What a masterpiece! After I saw this movie, I rewinded it thinking that my only wish is that one day I get to take part on such an experience, being there, dreaming and sharing my dream with everyone who would like to share it with me. Perhaps one day, a beautiful blue day...
First it's imperative that we notice one major difference: the short version and the "version longue" are two completely different films. From tip to toe. I only knew this film previously in its short version. Yesterday I bought the "version longue" in my local FNAC store without subtitles (it's rare these days).
And.................... I fell in love with everything about it, stunned and mesmerized, being at the same time riddled by the way that the short version lost all sense, in comparison with the "longue" version. You can think of an integral version like a way to stuff a film with pictures, but in this movie we have the feeling that the movie was intended to have 164 minutes, and not nearly two.
And you can picture the transformation that occurred in my perception of this film, as I passed from that mutilated, full-screen, mono-sound version to a full, widescreen and hi-fi version. This is why "Le Grand Bleu" passed from just a movie by Luc Besson to the greatest movie of my greatest director.
My perception is that this is the great underwater epic he always wanted to make. And he achieves it in every way, specially letting the audience identify themselves with it.
Perhaps my favorite Besson movie was "The Fifth Element" (I like them all), but after having the privilege of experiencing this fantastic, beautiful, stunning, vivid and moving film, "The Big Blue" passed from one of the medium levels to definitely the top one. The characters all gained strength, the underwater scenes all made sense, the previous movie was completely backed up, and the feeling that this movie was a contemplative journey gained finally its place.
I gave it a 10 out of 10, not for the US version (how can they even think of erasing Eric Serra's score?!?!?) which, for its mutilations, deserved a 1, but for the version longue, which is the only way the movie shall be seen. What a masterpiece! After I saw this movie, I rewinded it thinking that my only wish is that one day I get to take part on such an experience, being there, dreaming and sharing my dream with everyone who would like to share it with me. Perhaps one day, a beautiful blue day...
Hynoptic Masterpiece
I have to watch this movie once a year just to calm my nerves. One of the few films to which I have also purchased the soundtrack. This film, like the sea which is its subject, hypnotizes you, seduces you, rocks you into a state of oneness with the lush scenery. Rosanna Arquette is beautiful and sexy in an uncharacteristically understated way. Barr makes the perfect beau and embodies the spirit of the film and the ocean. I fell in love with Jean Reno in this film. Unforgettable imagery, interesting premise, good chemistry between Arquette and Barr, and Reno is a joy to watch.
Masterfully directed by Luc Besson and a film to treasure.
Masterfully directed by Luc Besson and a film to treasure.
Cult Movies 47
47. THE BIG BLUE (adv.-romance, 1988) Mayol (Jean-Marc Barr) is determined to dethrone current world-free diving champion Enzo (Jean Reno). Childhood friends, they share a fierce rivalry that, nonetheless, has kept their friendship alive. Both of them share an almost spiritual affinity with the sea, especially Mayol who lost his father. His love for his sport, however, is put on hold when he meets Joanna (Rosanna Arquette). But as Mayol and Enzo's competition become more fierce, Joanna slowly feels herself drifting away from Mayol, as his fascination with the sea takes on an obsessive turn.
Critique: Marvelouslly filmed underwater adventure from master-Frenchman Luc Besson, who has specialized on action films. This is his most personal work to date, thus taking on a uniquely surreal quality. The exquisite camera-work is very special, at times almost documentary in quality.
This mix of 'art' cinematography and romance made it a big money earner all over Europe but, not surprisingly, only gained critical acclaim elsewhere. Adding to its failure is a somewhat downbeat ending that, I think, complements the film's mythic storyline.
Besson's 'epic masterpiece' has yet to reach many viewers who would embrace his visionary talents.
Critique: Marvelouslly filmed underwater adventure from master-Frenchman Luc Besson, who has specialized on action films. This is his most personal work to date, thus taking on a uniquely surreal quality. The exquisite camera-work is very special, at times almost documentary in quality.
This mix of 'art' cinematography and romance made it a big money earner all over Europe but, not surprisingly, only gained critical acclaim elsewhere. Adding to its failure is a somewhat downbeat ending that, I think, complements the film's mythic storyline.
Besson's 'epic masterpiece' has yet to reach many viewers who would embrace his visionary talents.
Did you know
- TriviaThe most financially successful French film of the 1980s.
- GoofsUnlike SCUBA divers, free divers become negatively buoyant below depths of around 15m (varies a bit depending on body type, weight belt, and wet-suit thickness).
In the final scene when Jacques lets go of the sled to swim toward the dolphin, he appears neutrally buoyant. In reality, at that depth, he would have had to actively swim toward the surface to avoid passively sinking deeper.
- Alternate versionsOriginal 132-minutes French version has a music score by director Luc Besson's usual composer, Éric Serra. The USA version is 118 minutes long and was re-scored by Bill Conti. The version released in the rest of Europe is 118 minutes long. A special Version Longue (long) director's cut released in France is 168 minutes long.
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Details
Box office
- Budget
- FRF 80,000,000 (estimated)
- Gross US & Canada
- $3,580,882
- Opening weekend US & Canada
- $1,617,462
- Aug 21, 1988
- Gross worldwide
- $3,992,246
- Runtime
- 2h 48m(168 min)
- Color
- Aspect ratio
- 2.35 : 1
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