The Big Blue

I have to watch this movie once a year just to calm my nerves. One of the few films to which I have also purchased the soundtrack. This film, like the sea which is its subject, hypnotizes you, seduces you, rocks you into a state of oneness with the lush scenery. Rosanna Arquette is beautiful and sexy in an uncharacteristically understated way. Barr makes the perfect beau and embodies the spirit of the film and the ocean. I fell in love with Jean Reno in this film. Unforgettable imagery, interesting premise, good chemistry between Arquette and Barr, and Reno is a joy to watch.

Masterfully directed by Luc Besson and a film to treasure.

THE movie that made Besson go down in history. A key-movie that divided the French public between the ones who saw on it, only a tedious documentary about the ocean and the others who acclaimed this passionating movie. As far as I'm concerned, I rank in the second category. "Le grand bleu", it's simply a periphrase with a tinge of euphemism to design the ocean, a universe that always inspired to men fear but also fascination. The two main characters, Jacques Maillol and Enzo Molinari are fascinated by the sea but for different reasons. If Reno devotes all his energies to diving so as to access to success and glory, the sea is more than this for Jacques. He was born with it, he swears by it (so much that he neglects Johanna's love) and the sea will lead him to death. A place of athletic competition, an ideal place for rest and entertaining where dolphins are his real and sole friends, finally the eternal heaven, the ocean epitomizes all this to Jacques. "le grand bleu" also ranks among the movies that you must watch rather than telling it. Of course, there isn't almost any plot, dialogs are short and rare but pictures are gorgeous enough to create an entrancing climate supported by Eric Serra's mesmerizing music. The movie's technical qualities can only arouse admiration: a shiny photography that perfectly reflects the color of the sea, the blue and a fluid making sometimes clever: Jacques' childhood is made in black and white. Besides, the movie enabled to discover two outstanding actors: Jean-Marc Barr and Jean Reno but oddly if Reno became one of the most popular French actors, it wasn't the case with Barr. In spite of a promising debut, he has never be able to make a movie that could have got back him in the saddle. Maybe was he so elated at the bottom of the sea, in heaven where everything is fine...

This movie is the most fantastic contemplation of earth paradise in existence.

First it's imperative that we notice one major difference: the short version and the "version longue" are two completely different films. From tip to toe. I only knew this film previously in its short version. Yesterday I bought the "version longue" in my local FNAC store without subtitles (it's rare these days).

And.................... I fell in love with everything about it, stunned and mesmerized, being at the same time riddled by the way that the short version lost all sense, in comparison with the "longue" version. You can think of an integral version like a way to stuff a film with pictures, but in this movie we have the feeling that the movie was intended to have 164 minutes, and not nearly two.

And you can picture the transformation that occurred in my perception of this film, as I passed from that mutilated, full-screen, mono-sound version to a full, widescreen and hi-fi version. This is why "Le Grand Bleu" passed from just a movie by Luc Besson to the greatest movie of my greatest director.

My perception is that this is the great underwater epic he always wanted to make. And he achieves it in every way, specially letting the audience identify themselves with it.

Perhaps my favorite Besson movie was "The Fifth Element" (I like them all), but after having the privilege of experiencing this fantastic, beautiful, stunning, vivid and moving film, "The Big Blue" passed from one of the medium levels to definitely the top one. The characters all gained strength, the underwater scenes all made sense, the previous movie was completely backed up, and the feeling that this movie was a contemplative journey gained finally its place.

I gave it a 10 out of 10, not for the US version (how can they even think of erasing Eric Serra's score?!?!?) which, for its mutilations, deserved a 1, but for the version longue, which is the only way the movie shall be seen. What a masterpiece! After I saw this movie, I rewinded it thinking that my only wish is that one day I get to take part on such an experience, being there, dreaming and sharing my dream with everyone who would like to share it with me. Perhaps one day, a beautiful blue day...

I thought the friendship was genuine and interesting and so was the romance. The movie wasn't about diving or competition.

Many critics get the 2 main male characters wrong. Interpreting them as unlikable. Reno's character is arrogant and conceited. Barr's character is withdrawn, aloof, and madly unresponsive to Arquette's obvious affection.

The magic of the movie is all about the characters imperfections and their respective bonds. It's about imperfect people and their perfect bond with each other.

I find all 3 characters genuine and likable. Their flaws are what make them genuine and interesting. The arrogant conceited Reno is pationate and deeply involved in his family and close relationships. Barr is an introverted self-contained personality, perhaps further withdrawn into himself by tragedy that leaves him without family other than dolphins and the sea. The unbreakable bond between Barr and Reno started with the tragic accident to Barr's father and witnessed by Reno.

I got this movie when it was released on VHS and watched it 20 times. I always liked the movie, but haven't seen it in around 30 years. My VHS is long gone, but I want to see this movie again. There are not many movies I watched 30 years ago and want to see again.

The critics run wild over this movie. They certainly did when it was released. I don't mind liking a movie more than the critics do, especially after reading their reviews. Diving is boring, they don't get it.

I was prompted to write this review after reading a review saying the movie was about undiagnosed mental illness. Well, only if everyone has an undiagnosed mental illness. Actually, maybe, everyone is a little mentally ill. Nobody is perfect and imperfect characters are the most interesting.

Le Grand Bleu is the true story of famous French diver Jacques Mayol who challenged death.Jacques and Enzo were always passionate about sea and this passion gave rise to their spirited rivalry.Enzo will never give up as he doesn't want to be beaten at all by anyone.They approve the widespread notion that one who goes for a thing will get it not the one who saw the thing.Mayol's character portrayed by Jean Marc Barr reminds one of celebrated Jacques Yves Cousteau who advocated the philosophy of profundity by making underwater his home.Le Grand Bleu's strength lies in its wonderfully shot visuals as well as catchy musical score by Eric Serra.Even,Jacques Mayol offered his indispensable contribution as a technical consultant on this film.The film was a massive hit among youngsters throughout Europe attracting nine million viewers in France.Luc Besson created one of the best films of his career featuring impressive underwater images.The film's success proved that the aesthetic quality can only save the cinema which is facing tough competition from television.