The Hound of the Baskervilles

Sie Charles Baskerville is found dead with a look of pure terror in his face, is it possible thay his death was the result of seeing a monstrous hound?

For me this is still far and away the best production of The Hound of The Baskervilles, possibly because I still to this day see Jeremy Brett as the great detective, but that apart this adaptation has so much going for it. It has a fine mix of drama, suspense and even humour.

Sir Henry Baskerville is perfectly portrayed by Kristoffer Tabori, he's definitely a likeable sort of chap, without coming across as wet, it's his naivety that makes you care for him.

The production values are spot on, the sets and costumes are absolutely terrific, but the main star attraction has to be the location work, which is perfect. Grimpen Mire is an exquisite place, but as deadly as it is beautiful.

The lengthy absence of Holmes, means a greater role for Watson, and Hardwicke does a fantastic job, such an underrated performance throughout the series. Brett as always, is brilliant, he brings the character of Holmes to life. The supporting cast of James Faulkner, Ronald Pickup etc are all terrific.

Alistair Duncan is a hoot as Dr Mortimer, love his interactions with Holmes, that scene with the skull is great.

As for the hound itself, perhaps the less said, the better, they were guilty of showing it for too long, and lighting it too heavily. The final attack scene though does work, the build up and tension are well created.

Overall, it's a fantastic version, but I'm still waiting for someone to make the perfect adaptation of it, in this day and age, I don't see it coming, so this remains top of the pile.

9/10.

Jeremy Brett is as ever perfect as Holmes, so it's a shame he's not in it as much as I'd like. Edward Hardwick as Watson is his usual reliable self and manages to hold the viewer's attention. Some great scenes and first class acting aside, the production is a little slow. This will not bother anyone who has watched the Granada productions of Holmes stories before, but should be pointed out that this is a faithful retelling of Conan Doyles' original and not a fast paced, inaccurate Hollywood version. Overall the feature length episodes have never been as entertaining as the shorter series episodes, but this is still far more enjoyable than any other adaptation.

This was the only feature length entry in the Granada Holmes series that I hadn't seen, but finally caught up with it - compared to the others it isn't one of the best, mainly because the bulk of the film has Holmes absent or as a shadowy presence, a disembodied voice. I'm not knocking the performance of Edward Hardwicke as Watson, who is as good as ever, as the good doctor is sent to the wilds of Dartmoor with the quicksands and the ghostly howls, to protect the American heir to the Baskerville fortune.

When Jeremy Brett as Holmes is in this, he is superb (that first scene with Watson, and following with Mortimer; the scene in the hut; and - as so often in this series - an ambivalent attitude to the lady in distress). There was no finer interpreter of Holmes and this film, around halfway into the series, gives him a number of scenes to put across that tortured, mischevious genius.

As a completist, I'm glad to see this at last. It has the look and feel of the other episodes (the camerawork was always superb with its plethora of odd angles, reflections, and close-ups) and is perhaps the best version of 'The Hound'. Perhaps it is just simply below Conan Doyle's best, and viewers expect more than the material can give.

"The Hound of the Baskervilles' has always been my favourite Sherlock Holmes adventures. I have seen at least three movies (this one, one with Basil Rathbone as Holmes and one with Peter Cushing as the great detective) I must admit that this is the best. None of them were based exactly on the book. The only thing I can suggest is that since this is a TV series, it could be made a bit longer with more than one episode.

Firstly, my opinion towards this endeavour is quite biased by the fact that I love Jeremy Brett's portrayal of Holmes in the Granada series. He - and the whole production - made for me the ideal shift in medium between literature and television. I love the books as books, and I love the small screen version as television. I think Conan Doyle's message in Hound has been carried faithfully forward in this production, or at least as much as is possible when going to television from literature.

Yes, the production is slow at times: so is the book. And therein lies this story's particular charm; it is to be savoured, like a fine cigar with cognac, not to be devoured like a Big Mac meal. Both have their own unique charm, and are to be appreciated in their own unique way. Hound is to be savoured, to be meditated upon, its taste becomes rich and appreciated only after examination. And it is in this vein that it must be appreciated. It is, admittedly, difficult to appreciate this sort of production in our society, but at least this production brings us back to a time when the viewer must interact and work along with the production to appreciate it fully. Which is not unlike the book itself; and it is an ingenious accomplishment to take not only the raw content of the book and film it, but to take the very underlying unspoken mystique of the book, and capture that on celluloid as well.

On these counts, this production succeeds magnificiently. I encourage everyone to watch this, but not just to watch, but involve yourself in it. Beyond the genius of the film mentioned above, Holmes and Watson are depicted magnificiently, and the sets are quite good; dismal, bleak and unappealing in the country, and (what I imagine is) Victorian England come alive again in the scenes from London.