In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.
- Won 3 Primetime Emmys
- 4 wins & 5 nominations total
Browse episodes
Thomas Anderson
• 1988
Dylan Baker
• 1988
Nesbitt Blaisdell
• 1988
Beeson Carroll
• 1988
David Cromwell
• 1988
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Featured reviews
A hidden treasure of non-fiction historial drama!
This was a spectacular movie. I don't know where to start. I saw this on TV back in 1988 and taped it and watched it over and over. It is a facinating true story about a Brooklyn born jewish man Leo Frank, who is accused of raping and murdering a young southern girl working in the pencil factory he manages in Atlanta.
The true case takes on epic proportions as a firery battle ensuses as political power, prejudice and fallout from the civil war, seek to destroy a man who is almost certainly innocent - and destroy anyone who tries to help him.
Even more intersting than the trial is the second half of the story. The Governor (Jack Lemon) tries to give Leo Frank a fair chance at justice and is forced to fight his lifelong friends who have political ambitions of their own - and may destroy his entire life in the attempt.
It's an excellent movie to show to children to teach them about character and doing what is right in the face of impossible odds - to show to history class and just for anyone who has any interst in history or drama!
The true case takes on epic proportions as a firery battle ensuses as political power, prejudice and fallout from the civil war, seek to destroy a man who is almost certainly innocent - and destroy anyone who tries to help him.
Even more intersting than the trial is the second half of the story. The Governor (Jack Lemon) tries to give Leo Frank a fair chance at justice and is forced to fight his lifelong friends who have political ambitions of their own - and may destroy his entire life in the attempt.
It's an excellent movie to show to children to teach them about character and doing what is right in the face of impossible odds - to show to history class and just for anyone who has any interst in history or drama!
Seek out this diamond in the rough
Wonderfully engrossing drama that is well acted and completely interesting. Is a little gem that by the look of the votes here, was missed by lots. That's a shame. If you ever come across it in the future, is worth a look. I gave it a 9.
One of Jack Lemmon's Most Unusual Roles
This mini-series captures Jack Lemmon in a strong role as a real historical figure. Governor Slaton of Georgia risked (and ultimately lost) a promising political career in his search for the truth as to what really happened to Mary Phagan. Lemmon is heroic in an understated way----very different than many of the manic-like comedy performances that conspicuously dotted his long career.
The story was filmed before in 1937 by Warner Brothers with Mervyn LeRoy directing as "They Won't Forget." This is the film that launched the career of Lana Turner as a major sex symbol. She played the very small Mary Phagan-like role when just a young teenager---and who could forget her famous stroll through town as she strutted her sexy stuff just before her murder? In "They Won't Forget," the story was changed significantly to eliminate any reference to the Leo Frank-like character as a Jew. Instead, he was depicted as a teacher (not a pencil factory manager) with apparently a Christian background.
"They Won't Forget" was a typical Warner Brothers social drama of the 1930s. It fudged on the facts but was quite gripping and engrossing. Claude Rains may have been somewhat over-the-top as the prosecuting attorney---but he commanded your attention.
On the other hand, "The Murder of Mary Phagan" stays much closer to the true story. It's interesting to compare the two films to see just how much easier it was in 1988 to tell the whole narrative of the Leo Frank case than it was in 1937.
For another source of information on this remarkable historical event, seek out Harry Golden's fine book of many years ago---"A Little Girl is Dead."
The story was filmed before in 1937 by Warner Brothers with Mervyn LeRoy directing as "They Won't Forget." This is the film that launched the career of Lana Turner as a major sex symbol. She played the very small Mary Phagan-like role when just a young teenager---and who could forget her famous stroll through town as she strutted her sexy stuff just before her murder? In "They Won't Forget," the story was changed significantly to eliminate any reference to the Leo Frank-like character as a Jew. Instead, he was depicted as a teacher (not a pencil factory manager) with apparently a Christian background.
"They Won't Forget" was a typical Warner Brothers social drama of the 1930s. It fudged on the facts but was quite gripping and engrossing. Claude Rains may have been somewhat over-the-top as the prosecuting attorney---but he commanded your attention.
On the other hand, "The Murder of Mary Phagan" stays much closer to the true story. It's interesting to compare the two films to see just how much easier it was in 1988 to tell the whole narrative of the Leo Frank case than it was in 1937.
For another source of information on this remarkable historical event, seek out Harry Golden's fine book of many years ago---"A Little Girl is Dead."
Riveting television drama
This program boasts a great cast, but more importantly it is a textbook case of how a television drama should be mounted. An intriguing but basic courtroom drama that takes on greater significance as the plot develops. Fine characterizations abound in this production. It doesn't get much better than this.
Great bunch of actors, tight script for a long one.
Not a review but my experience with the actors. I was playing piano in the lobby of the Hyatt Hotel in Richmond VA, where cast and crew were staying. For two weeks, my solo audience, 5 nights a week, was Jack Lemmon. Walking around from time to time: Richard Jordan, Robert Prosky, Paul Dooley. And there was one guy who brought his black Labrador Retriever on location. This guy kept hanging all over Jack Lemmon, when Lemmon wasn't sitting in front of me eating a small pizza, reading a magazine. That guy turned out to be Kevin Spacey. He wasn't quite a big star yet, but as Lemmon was my favorite actor, and currently Spacey is my favorite actor, I wish I'd spoken to him. I never did bother Lemmon. We just said hellos and goodbyes, but I figured he didn't need me bugging him after a long day of shooting. Plus, as I know he was an amateur jazz pianist, I was flattered that he wanted to sit there every night, listening to me. What a fun life I've had. Just thought I'd share.
Did you know
- TriviaAt one point, Lucille visits Leo in prison and tells him, "Seems like we spend the best part of our time just saying goodbye." This line is almost identical to Angela's line to George when she visits him in prison for the last time in A Place in the Sun (1951), which was directed by George Stevens, the father of this film's co-writer and producer, George Stevens Jr..
- Alternate versionsA sharply abbreviated version also exists online, cutting the running time to the standard length of a theatrical film.
- ConnectionsFeatured in The 40th Annual Primetime Emmy Awards (1988)
- How many seasons does The Murder of Mary Phagan have?Powered by Alexa
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