Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.
- Awards
- 2 wins & 9 nominations total
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Featured reviews
Freddy''s Funniest Film
This doesn't have the well-known cast of the previous Nightmare 3 movie but the special effects are still good.....each very different and some of them very funny. They make this perhaps the most entertaining entry in the series.
Memorable scenes include a junkyard, a water bed, a classroom, faces in a pizza, a girl bench pressing and faces coming out of Freddy's flesh. The storyline, however, features its usual dumb and ridiculous theology and has its usual share of unlikable obnoxious teens. Their parents weren't pictured as any better, perhaps worse.
In fact, the kids and parents are so bad you wind up rooting for Freddy to do them in. Perhaps that's the idea!
Memorable scenes include a junkyard, a water bed, a classroom, faces in a pizza, a girl bench pressing and faces coming out of Freddy's flesh. The storyline, however, features its usual dumb and ridiculous theology and has its usual share of unlikable obnoxious teens. Their parents weren't pictured as any better, perhaps worse.
In fact, the kids and parents are so bad you wind up rooting for Freddy to do them in. Perhaps that's the idea!
The plot was like a cheesy TV series
A Nightmare on Elm Street 4: The Dream Master, the fourth installment in the Nightmare on Elm Street series. I was lucky enough to get the boxed DVD set of Nightmare on Elm Street series and I just finished all the sequels and while the fourth isn't a bad sequel or continuation of the story, it was pretty silly. It was cool to continue on with the dream warriors who were clever enough to defeat Freddy in the third Nightmare on Elm Street. But Freddy's back and he is more ticked off than ever and you know that's not good. But while the story was a good idea, the way it was executed, I wasn't really that into it, just the acting I think is what killed it for me. The way the movie was made was what made it feel like it was more of a cheesy TV show like on the Sci-fi Channel than an actual movie.
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
Gone down in my opinion
Freddy is resurrected from the dead when a dog takes a pee on the ground in the scarp yard in which he was buried! That kind of sets the tone for the fourth instalment.
When this first came out on VHS I was blown away by the special effects & it quickly became my second favourite in the franchise, after the first film. This was mainly due to the special effects (impressive at the time) and gimmicky way in which people die. However, 30 years on and in my opinion the film has lost some of that initial positivity, I know think that part 3 is a far better movie.
There were splashes of humour in part 3 but it still managed to also be a dark, scary horror film. But in Dream Warriors Freddy is now more of a comic, spouting corny one-liners, which is something that I personally wasn't so fond of. The special effects are the real star here. It's still a fun movie to watch but I think it was the point where the series started to go down hill. Linnea Quigley has a nice little topless part as one of the souls coming out of Freddy's body, worthy of a freeze-frame!
A Nightmare on MTV Street
Simplistic and straight to the point, The Dream Master is decidedly way more tongue-in-cheek, completing Freddy's turn from a figure of real menace to a sardonic, wisecracking anti-hero, quickly dispensing of the surviving cast of the previous film and getting right back into the swing of things. It may have been the film to signify the franchise's downfall into self-parody, but I'll be hard-pressed to say I didn't enjoy most of it. Directed by Renny Harlin with just the right amount of B-grade flair, Harlin manages to put a fresh spin on the recurring nightmare cliché and ultimately delivers some truly awe-inspiring visuals for such a short turnaround. He very much makes Freddy Krueger the star of the show, with all the characters and set pieces existing solely to service his on-screen energy. Robert Englund, receiving star billing for the first time, is delightful, delivering his gag lines with relish and making the grisly proceedings funny. However, the rest of the cast is ill-served by a script that was barely finished in time, and characters who have little depth beyond their defining traits. That all being said, the effects work is all suitably gruesome, with plenty of creative ideas being thrown around, and Craig Safan's score is effectively haunting. Topped off by a soundtrack chock full of incredibly catchy 80s power ballads, The Dream Master may lack the inherent absurdity the last instalment so readily embraced, but it's a damn fun time if you can buy into its level of goofy idiocy. This is the one where a dog pisses fire after all.
Through the blood-stained looking glass
The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
Did you know
- TriviaFirst film in the franchise where Robert Englund received top billing in the opening credits.
- Goofs(at around 22 mins) When a headphone cord is unplugged from a stereo, the stereo does not turn off. The stereos speakers would turn on.
- Quotes
Freddy Krueger: Welcome to Wonderland, Alice.
- Crazy creditsA text before the opening credits reads as follows: "When deep sleep falleth on men, fear came apon me. And trembling which made all my bones to shake" -Job IV, 13-14
- Alternate versionsThe UK cinema version was cut by 56 secs to delete footage of nunchakus from two scenes, and the cuts were expanded to 1 min 7 secs for the video release. The cuts were fully restored in the 15 rated 2001 DVD.
- ConnectionsEdited into KPDX Fox 49, Award Video: Freddy's Holiday Party Contest (1988)
- SoundtracksLove Kills
Performed by Vinnie Vincent Invasion
Written by Vinnie Vincent
Produced and Arranged by Dana Strum and Vinnie Vincent
Published by Vinnie Vincent Music/Rare Blue Music, Inc. (ASCAP)
From the Chrysalis LP "All Systems Go"
(played on jukebox in diner)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pesadilla en la calle del infierno 4
- Filming locations
- Café Laurent - 4243 Overland Avenue, Culver City, California, USA(Crave Inn Diner)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $49,369,899
- Opening weekend US & Canada
- $12,833,403
- Aug 21, 1988
- Gross worldwide
- $49,369,899
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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