On a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as dar... Read allOn a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.On a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Charley Hayward
- Kin
- (as Charles Hayward)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Oh, the humanity!
There must've been a budget for this, but it must've been used for advertising! The sets are boring, akin to filming in someone's backyard with no attention to detail. The acting? Well, it's just not really. Continuity of story? Must've taken a vacation that day. Were the filmmakers ambitious? Maybe, but it was a heartless attempt to tell a story with film.
It's not Asimov's fault, rather these film-makers lacked vision.
The other reviews here I can truly say are valid, since I sat through this turkey in the theater, hoping desperately for it to get better. I mean, it had to didn't it? Alas, it never did...
Skip it, go watch the Georgio Moroder version of Metropolis again instead... Or read Issac's story, either way you'll be happier, trust me.
There must've been a budget for this, but it must've been used for advertising! The sets are boring, akin to filming in someone's backyard with no attention to detail. The acting? Well, it's just not really. Continuity of story? Must've taken a vacation that day. Were the filmmakers ambitious? Maybe, but it was a heartless attempt to tell a story with film.
It's not Asimov's fault, rather these film-makers lacked vision.
The other reviews here I can truly say are valid, since I sat through this turkey in the theater, hoping desperately for it to get better. I mean, it had to didn't it? Alas, it never did...
Skip it, go watch the Georgio Moroder version of Metropolis again instead... Or read Issac's story, either way you'll be happier, trust me.
Having read the classic sci-fi story by Asimov, I was, of course, expecting something better. In this case, seeing two wheelchair-bound spasmatics fighting each other with brooms and a bucket of manure would qualify as "better". This film was even worse than "A Boy and His Dog", another sci-fi semi-classic rendered horribly on film.
After being told about this film, Asimov reportedly told everyone he could that he had nothing to do with making the film, and to avoid it at all costs. He's probably rolling over in his grave right now just thinking about it.
The filmmakers attempted to portray a primitive society on the brink of technology, but what it looks like instead is that they simply raided the wardrobe closet of a low-budget renaissance festival. All the sets are little more than tents erected in the middle of a desert. Their astronomical "sounding" instruments are seashells and string glued to pieces of wood. (Yes, seashells - I wish I were making this up, but I'm not.)
My only regret is that I actually stayed to see the end of the film, in the hopes that the film might redeem itself with a climactic ending. Nope.
Take my word for it, if you don't like the first five minutes of it (and you won't), stop right there.
After being told about this film, Asimov reportedly told everyone he could that he had nothing to do with making the film, and to avoid it at all costs. He's probably rolling over in his grave right now just thinking about it.
The filmmakers attempted to portray a primitive society on the brink of technology, but what it looks like instead is that they simply raided the wardrobe closet of a low-budget renaissance festival. All the sets are little more than tents erected in the middle of a desert. Their astronomical "sounding" instruments are seashells and string glued to pieces of wood. (Yes, seashells - I wish I were making this up, but I'm not.)
My only regret is that I actually stayed to see the end of the film, in the hopes that the film might redeem itself with a climactic ending. Nope.
Take my word for it, if you don't like the first five minutes of it (and you won't), stop right there.
Everything about this film is bad: a pathetic adaptation, a boring screenplay, absurd sets, a soundtrack that is worse than my dog's barking and acting that can only be described as perpetrated.
There is not one single redeeming quality in it, and it is completely useless except maybe as a textbook example of how NOT to make a movie.
Bad as it is on its own, it is all the more painful if you are familiar with Isaac Asimov's classic short story, on which this absurdity is allegedly based - even though any similarity... no, there are no similarities.
If IMDb allowed negative scores this film would deserve one. A chimpanzee with a home video camera could (and would) have made a better film than this on the first try. Just skip this junk.
There is not one single redeeming quality in it, and it is completely useless except maybe as a textbook example of how NOT to make a movie.
Bad as it is on its own, it is all the more painful if you are familiar with Isaac Asimov's classic short story, on which this absurdity is allegedly based - even though any similarity... no, there are no similarities.
If IMDb allowed negative scores this film would deserve one. A chimpanzee with a home video camera could (and would) have made a better film than this on the first try. Just skip this junk.
And my summary line sums up this movie. This is easily one of the worst adaptations I have ever heard of.
What was so hard about trying to actually stick with Asimov's classic story? Did they think it would be boring? What they created is not simply boring, it's virtually incoherent as well.
In the world of science fiction, the long night has, metaphorically, always been with us. This film is a Black Hole that extinguishes the light of the original tale, sucks it in and imprisons it.
What was so hard about trying to actually stick with Asimov's classic story? Did they think it would be boring? What they created is not simply boring, it's virtually incoherent as well.
In the world of science fiction, the long night has, metaphorically, always been with us. This film is a Black Hole that extinguishes the light of the original tale, sucks it in and imprisons it.
There may be worse films, but I've never seen them. When I saw this movie in the theater the ticket seller actually warned me that a lot of people didn't like it and that I could have my money back if I left in the first 15 minutes.
Unfortunately I watched the whole thing, thinking to myself that it just *had* to get better. It didn't.
The only way that I'd watch this movie again is if my other choice was bamboo under the finger nails.
Unfortunately I watched the whole thing, thinking to myself that it just *had* to get better. It didn't.
The only way that I'd watch this movie again is if my other choice was bamboo under the finger nails.
Did you know
- TriviaIsaac Asimov was never consulted in the making of the film based on his short story, and completely disowned the finished film when it was released.
- How long is Nightfall?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content