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Nightfall

  • 1988
  • PG-13
  • 1h 23m
IMDb RATING
2.7/10
812
YOUR RATING
Nightfall (1988)
Far across the cosmos from our world lies a planet bathed in perpetual daylight. Soon nightfall will come and bring with it tremendous destruction.
Play trailer1:07
1 Video
7 Photos
MysterySci-Fi

On a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as dar... Read allOn a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.On a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.

  • Director
    • Paul Mayersberg
  • Writers
    • Isaac Asimov
    • Paul Mayersberg
  • Stars
    • David Birney
    • Sarah Douglas
    • Alexis Kanner
  • See production info at IMDbPro
  • IMDb RATING
    2.7/10
    812
    YOUR RATING
    • Director
      • Paul Mayersberg
    • Writers
      • Isaac Asimov
      • Paul Mayersberg
    • Stars
      • David Birney
      • Sarah Douglas
      • Alexis Kanner
    • 62User reviews
    • 8Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    Trailer
    Trailer 1:07
    Trailer

    Photos6

    View Poster
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    + 3
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    Top cast25

    Edit
    David Birney
    David Birney
    • Aton
    Sarah Douglas
    Sarah Douglas
    • Roa
    Alexis Kanner
    Alexis Kanner
    • Sor
    Andra Millian
    Andra Millian
    • Ana
    Starr Andreeff
    • Bet
    Charley Hayward
    • Kin
    • (as Charles Hayward)
    Jonathan Emerson
    • Architect
    Susie Lindeman
    Susie Lindeman
    • Boffin
    Russell Wiggins
    Russell Wiggins
    • Zol
    Larry Hankin
    Larry Hankin
    • Desert King
    Ronald R. Burns
    • Aton's Man
    Bernard J. Garsen
    • Aton's Man
    Dan Wells
    • Architect's Assistant
    Bradley Reid
    • Trader
    Stephen D. Nathenson
    • City Dweller
    James Barry Blakely
    • Narrator
    Lee Michael Walczuk
    • Nomad Dancer
    Dayna Beilenson
    Dayna Beilenson
    • Nomad Dancer
    • Director
      • Paul Mayersberg
    • Writers
      • Isaac Asimov
      • Paul Mayersberg
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews62

    2.7812
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    Featured reviews

    1curlew-2

    Absolutely Wretched!

    Somewhere . . . somehow . . . one of the finest short SF stories ever to be penned was brutally transmorgrified into a mishmosh of New Age symbolism heavily overlaid with bad acting. Asimov's original story was a well crafted tale of slowly consuming fear over a natural event. Mayersberg's film version by rights should have been a major genre event. Instead we find veteran character actors such as Sarah Douglas and Alexis Kanner (who should've known better) trying to shore up one of the worst David Birney performances ever filmed. Only two things can be recommended about this film: an interesting poster, and the fact that it was filmed in and around Paolo Soleri's "Arcosanti" architectural project out in Arizona.
    belroyce

    A waste of videotape

    If you did not know the story line is about a planet surrounded by suns and knows no darkness but every couple thousand years an eclipse occurs and pure anarchy breaks out but this movie turns the story into a New Age Northern California Greek play set in the Arizona desert with people running around doing performance art.

    David Birney is in this as a leader/astrologer or something that is never quite explained. Sarah Douglas is his former wife who left him for a religion or the religion's leader. Believe me you won't care. But it is nice to see her as something other than a villainess and this the only good I can say for the 'movie.' There are terrible sets, if you can call them that, terrible acting, editing, writing, and music that might have seemed advant- garde for 1979 but is just noise now

    The most hilarious scene in the movie is the assassination attempt on Birney, it is something straight out of Ed Wood with the brute assassin foiled by the glare of some quartz or crystal that Birney picks up or it might be the performance art piece that the desert people put on or the performance art that the daughter does after killing someone or Douglas getting her eyes taken out by pet crows or...

    If you are expecting a movie based on the Asimov story forget it but if you are a Northern Californian New Ager wondering what might have been then you might like this movie. Not Really.
    Loadmaster

    83 minutes of soul-sucking I'll never get back

    Having read the classic sci-fi story by Asimov, I was, of course, expecting something better. In this case, seeing two wheelchair-bound spasmatics fighting each other with brooms and a bucket of manure would qualify as "better". This film was even worse than "A Boy and His Dog", another sci-fi semi-classic rendered horribly on film.

    After being told about this film, Asimov reportedly told everyone he could that he had nothing to do with making the film, and to avoid it at all costs. He's probably rolling over in his grave right now just thinking about it.

    The filmmakers attempted to portray a primitive society on the brink of technology, but what it looks like instead is that they simply raided the wardrobe closet of a low-budget renaissance festival. All the sets are little more than tents erected in the middle of a desert. Their astronomical "sounding" instruments are seashells and string glued to pieces of wood. (Yes, seashells - I wish I were making this up, but I'm not.)

    My only regret is that I actually stayed to see the end of the film, in the hopes that the film might redeem itself with a climactic ending. Nope.

    Take my word for it, if you don't like the first five minutes of it (and you won't), stop right there.
    Jordan_Haelend

    A film based on a short story by filmmakers who obviously never read the story in the first place.

    And my summary line sums up this movie. This is easily one of the worst adaptations I have ever heard of.

    What was so hard about trying to actually stick with Asimov's classic story? Did they think it would be boring? What they created is not simply boring, it's virtually incoherent as well.

    In the world of science fiction, the long night has, metaphorically, always been with us. This film is a Black Hole that extinguishes the light of the original tale, sucks it in and imprisons it.
    mtn

    Truly, an atrocious film.

    This film has great value as establishing a clear example of what a very bad piece of cinema looks like.

    I had the misfortune of seeing this film in its brief theatrical release. I had talked my wife into seeing it by emphasizing the Asimov source material,and that the director, Paul Mayersberg, had done "Merry Christmas, Mr. Lawrence," and "The Man Who Fell to Earth." I cannot explain what happened to Mayersberg between the time he made these films and the time he made "Nightfall," other than to say that whatever it was, it wasn't good. That he was given the chance to make other films subsequent to this stinker argues strongly against the prevalent stereotype of Hollywood being heartless. Clearly, pity must have played a role in providing him with an additional opportunity.

    My impressions: the locations appear to have been Topanga Canyon (although the IMDB lists Arcosante, Arizona), and the costumes (wigs and all) look like they came right out of the Ten Commandments' propman's trunk--probably the first time they'd seen the light of day since gracing Mr. Heston & company's loins.

    If Isaac Asimov's surviving kin have any respect for him, they should seek to have his name removed from the credits; whatever the legal cost might be to achieve this, it would be worth it.

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    Related interests

    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)
    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Isaac Asimov was never consulted in the making of the film based on his short story, and completely disowned the finished film when it was released.
    • Quotes

      Aton: Why?

      Kin: Cause it has to be.

      Aton: What has to be?

      Kin: We are in a dream, Aton! You, Ana, myself, all of us. We can't change the dream. It has to be. And when we wake, we die. It's simple.

    • Connections
      Featured in Cult-Tastic: Tales from the Trenches with Roger and Julie Corman: Future Worlds (2019)

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    FAQ16

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    Details

    Edit
    • Release date
      • April 15, 1988 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Black Nightfall
    • Filming locations
      • The Domes, Casa Grande, Arizona, USA
    • Production company
      • New Horizons
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 23m(83 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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