Bagdad Cafe

This is a love story. And in this film magical love comes to the Bagdad Cafe in the form of Jasmin, who brings meaning and purpose to the lives of the small group of people who surround her: the painter who begins to paint again and falls in love; Brenda, the harried, frustrated owner of the cafe who finds friendship, comfort and support; Brenda's children, who also benefit from Jasmin's caring and compassion. The use of the boomerang was interesting: a metaphor for what you give, you get back, and the joy of giving and receiving. The magic of Love will appear anywhere -even in the middle of the desert- as long as you have an open heart and mind.

In a world where (some) men just escape and hide, and women go ahead and start everything anew, any place becomes a good place to give new lymph to one's life: change lies in everyone's will to make it happen, and history teaches that women are far better than men in this. The director (a man!) of "Out of Rosenheim" (better known as "Bagdad Cafè") proves this simple truth very clearly and honestly.

In my still in progress search for on the road movies I bumped into this curious piece of cinema, not a road picture properly, since no physical journey happens, but certainly more than an inner journey develops. It involves the lives of some odd characters, especially Jasmin and Brenda whose lives, so distant but so similar, come to meet at the Bagdad Café, located on a "desert road from Vegas to nowhere" (quotation from the wonderful leading song "Calling you"). At the beginning it is a shabby, dirty, anonymous place, where people only pass by, run by a hysterical and melancholic Brenda, whose encounter with the impeccable "deutsche" Jasmin will turn the cafè into an amusing and happy place and will renew both lives radically. They will become friends, besides suspicion and fear, by teaching mutually how to enjoy life again. And it will turn out very difficult, almost impossible, to leave this magic place.

The cast is outstanding, the two female protagonists are perfect in their parts, but also Jack Palance, with his mixture of past glory and present melancholy, leaves the mark.The very good photography (some settings captured at sunset are really effective), together with the deeply involving and enigmatic music contribute to a significant emotional impact on the viewer, and also some very funny moments are to be enjoyed. A truly worth seeing picture.

'Out of Rosenheim' (aka 'Bagdad Cafe') is a simply executed film. There are no lavish sets, no heavy special effects and the story is just as simple. But the experience of watching this movie is magical. The film takes place in an isolated motel in desert-like Bagdad (not Iraq's capital city) in California. A young mother (and grandmother) struggles to run her motel and keep her family together. Enter an enigmatic German lady into the motel and there is magic in everyone's life.

In a way 'Out of Rosenheim' can be described as a mood piece. The visuals are beautiful, very detailed and symbolic. The colourful characters are very likable. The enigmatic song 'Calling to You' appears every now and then as though Jasmine receives her calling. The background score is just as effective. Adlon makes good use of light and climate. How the heat seemingly irritates the characters in the beginning but gradually as the characters get accustomed or as 'life gets better' the heat is no bother.

Yet, 'Out of Rosenheim' is not just a mood piece. There is a solid story but it's not easy to describe what it's about. At the centre of it lies the friendship between Jasmine and Brenda. However there is just so much more going on. Both ladies are coping with their daily lives. Jasmine finally takes some measure and, consequently comes to Bagdad where she meets all these strange characters and as a friendliness develops, she brings colour not only into their lives but also her own. Adlon beautifully unfolds the mystery of her character by revealing that she's a magician at heart. There are so many beautiful and endearing scenes but it all feels genuine and authentic rather than syrupy. In a way, the film reminded me of the classic 'Mary Poppins' and the unique and subtle presentation of 'Out Of Rosenheim' makes it more real (in contrast to the fairy tale of 'Mary Poppins').

Just like everything else, the acting is great. Marianne Sägebrecht and CCH Pounder clearly own the movie. Sägebrecht unfolds her character's layers with skill and ease. She brings a gentleness and calmness to Jasmine that excellently contrasts Pounder's Brenda. Likewise, Pounder too demonstrates her talent as the chaotic and verbally aggressive mother who's trying to keep it together. The rest of the cast perform well.

Overall, 'Out of Rosenheim' is a cinematic treat. I would love to visit this film over and over again to see if I missed anything because of the detail but also the heartfelt story and characters warrant an invitation to watch again.

A German woman had a fight with her husband and left her on the outside a motel in the middle of the desert. She meets colorful characters along like motel owner and a former Hollywood artist. Usually the plot make the movie, but the opposite is true for this movie. It is the characters that make the movie plot click together. Unlike any movie you never seen before on the screen. I recommend watching Bagdad Cafe for the excellent performances of each actor in movie. A film saying a statement without expressing a bad word.

I sat down and watched this in a rather distressed state having had a trying day. After a few minutes into the film my mood changed as I became immersed into this strange tale of a harassed owner of a cafe in the middle of nowhere and a tourist from Germany. The owner of the cafe brilliantly played by CCH Pounder is just as bemused as we are why this German tourist delightfully played by Marianne Sagebrecht wants to stay at her cafe. This is a wonderfully unpredictable film never going where most films would go. It's utterly charming and I only got distressed again when I realised it was about to end! (9/10)