Thomas Dunson is a rancher at odds with his adopted son.Thomas Dunson is a rancher at odds with his adopted son.Thomas Dunson is a rancher at odds with his adopted son.
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The last time I saw the original 1948 "Red River" with John Wayne was when I was about ten years old. I don't remember a whole lot of it other than it was a rich, enthralling Western like "The Searchers" (1956) and in no need for a remake. But, four decades after its release, it was remade
and rather poorly, which is very disappointing since its two leads were very well-cast.
Wayne's friend James Arness takes his role in the remake and Montgomery Clift's role is redone by Bruce Boxleitner. These two would later work well again in one of the "Gunsmoke" movies. And even with this mincemeat teleplay, they manage to communicate much of the spirit that the original actors did in the original film.
However, that does not make the remake of "Red River" a good movie. Rather, it's a flat and mediocre adaptation of a beloved classic. There is some nice scenery, good performances, and swell intentions, but the problem is that the screenwriters wrote this with such low enthusiasm and maybe a little too much respect for the original, as if they realized in the process of writing that they couldn't even come close to the source and didn't bother to put much effort into it. It seems like they expected all viewers to already know the original "Red River" by heart and therefore be able to close up all the holes and gaps that were being formed here. The point of a remake is to at least illuminate the original, update it, and maybe strength a few weak spots, not open new ones. There is very little character strength, no real sense of connection, gaps of logic, a completely unnecessary addition of a love triangle, and an ending that is even more rushed than the surprisingly sudden ending of the original. In short, the remake of "Red River" can be described in two simple words: boring and unnecessary.
Wayne's friend James Arness takes his role in the remake and Montgomery Clift's role is redone by Bruce Boxleitner. These two would later work well again in one of the "Gunsmoke" movies. And even with this mincemeat teleplay, they manage to communicate much of the spirit that the original actors did in the original film.
However, that does not make the remake of "Red River" a good movie. Rather, it's a flat and mediocre adaptation of a beloved classic. There is some nice scenery, good performances, and swell intentions, but the problem is that the screenwriters wrote this with such low enthusiasm and maybe a little too much respect for the original, as if they realized in the process of writing that they couldn't even come close to the source and didn't bother to put much effort into it. It seems like they expected all viewers to already know the original "Red River" by heart and therefore be able to close up all the holes and gaps that were being formed here. The point of a remake is to at least illuminate the original, update it, and maybe strength a few weak spots, not open new ones. There is very little character strength, no real sense of connection, gaps of logic, a completely unnecessary addition of a love triangle, and an ending that is even more rushed than the surprisingly sudden ending of the original. In short, the remake of "Red River" can be described in two simple words: boring and unnecessary.
A great cast for a television remake with the exception of Gregory Harrison. He couldn't sweep the floor John Ireland walked on yet alone give a performance like in the 48 version of this rugged western. Lets face it, some just aren't meant to be cowboys even if they can't surf. Boxleitner and Arness work good together and pretty much carry this production. A probable reason why they paired again for the 1994 made for television film "Gunsmoke: One Man's Justice." I'll have to admit that I kept waiting for Peter Graves to come on after commercial breaks and announce "and now, back to Gunsmoke, staring James Arness !"
Watch the original and don't waste you time on this flick. Wayne and Clift are perfectly cast, and while I always enjoyed James Arness as Marshall Dillon...he is not right for this movie. This movie re-make should have never been made. On a lighter note, I remember actor Victor Mature was offered the role played by John Wayne in the original film by actor Sylvester Stallone who was intending to play the Montgomery Clift role in the film. Mature's response was "I'll play his (Stallone's) mother for the right money!" Fortunately, somebody got this one right...and didn't to it. Truth is some classics are best served by just leaving them alone.
Red River (1988)
** (out of 4)
Watered-down remake of Howard Hawks' 1948 classic has James Arness stepping in for John Wayne and Bruce Boxleitner doing the Montgomery Clift part. Once again we see tyrant Arness taking a cattle drive 1,000 miles and battling a wide range of things. I always found it interesting when these made-for-TV flicks would come along and remake classics from the past. I think sometimes they worked to minor entertainment (STAGECOACH) but at other times you really have to wonder what the entire point was. This remake runs nearly thirty-minutes shorter and everything missing is pretty much the heart and soul to the original movie. It really does seem like the filmmakers and cast simply sat down, watched the original and then just done a cheap copy of it without trying to improve anything. Some people might give this film credit for being smart enough to not trying anything different but in the end we're left with a rather bland film without any excitement and little entertainment. I think the biggest problem is the actual screenplay, which adds very little to the original movie and what it does add doesn't get the job done. On the cattle drive there's a kid involved but this goes no where. We also have a former slave along for the ride who gets racist cowboys after him but again, this adds nothing. The entire relationship between Arness and Boxleitner has no emotion behind it and everything that worked in the original is missing here. You don't care about either men, their cattle, their journey or anything else. The entire film is just a reenactment of the original and it just isn't entertaining. Both Arness and Boxleitner sleepwalk through their roles as does Gregory Harrison as Cherry Valance. Ray Walston takes over the role that Walter Brennan originally played and he's the best thing here. RED RIVER has very little going for it and if you think it's unfair to compare the film to the remake then I'd agree. The only problem is that the film doesn't work on its own either.
** (out of 4)
Watered-down remake of Howard Hawks' 1948 classic has James Arness stepping in for John Wayne and Bruce Boxleitner doing the Montgomery Clift part. Once again we see tyrant Arness taking a cattle drive 1,000 miles and battling a wide range of things. I always found it interesting when these made-for-TV flicks would come along and remake classics from the past. I think sometimes they worked to minor entertainment (STAGECOACH) but at other times you really have to wonder what the entire point was. This remake runs nearly thirty-minutes shorter and everything missing is pretty much the heart and soul to the original movie. It really does seem like the filmmakers and cast simply sat down, watched the original and then just done a cheap copy of it without trying to improve anything. Some people might give this film credit for being smart enough to not trying anything different but in the end we're left with a rather bland film without any excitement and little entertainment. I think the biggest problem is the actual screenplay, which adds very little to the original movie and what it does add doesn't get the job done. On the cattle drive there's a kid involved but this goes no where. We also have a former slave along for the ride who gets racist cowboys after him but again, this adds nothing. The entire relationship between Arness and Boxleitner has no emotion behind it and everything that worked in the original is missing here. You don't care about either men, their cattle, their journey or anything else. The entire film is just a reenactment of the original and it just isn't entertaining. Both Arness and Boxleitner sleepwalk through their roles as does Gregory Harrison as Cherry Valance. Ray Walston takes over the role that Walter Brennan originally played and he's the best thing here. RED RIVER has very little going for it and if you think it's unfair to compare the film to the remake then I'd agree. The only problem is that the film doesn't work on its own either.
Amazing.
I would have thought Marshall Dillon could play John Wayne better than he did. But I wouldn't have thought there'd be a reason for having him do it in the first place. The confrontation scenes called for Wayne's swaggering in-your-face style, but, despite his lines, James Arness seemed to be trying to defuse his own fight, keeping law and order in Dodge City on Saturday night.
Taking a truly classic movie and trying to improve it by having different actors repeat the same lines is basically stupid. Adding a minor twist here and there in an otherwise identical plot only makes the viewer think someone made a mistake.
As for realism, where did they get the height-challenged cattle to walk around the street? Were they all calves born during the drive? I know the actors are tall, but not that tall. And need I mention the Indians that kept getting shot off their horses while the number riding in circles uselessly shaking tomahawks never decreased, and there were never any casualties lying on the ground?
If a band of village idiots ever remake The Good, the Bad, and the Ugly they'd better keep the original music, or they'll find that only it and Clint Eastwood made the movie a legend. If anyone doubts this, they need only watch the remake of Red River to understand.
I would have thought Marshall Dillon could play John Wayne better than he did. But I wouldn't have thought there'd be a reason for having him do it in the first place. The confrontation scenes called for Wayne's swaggering in-your-face style, but, despite his lines, James Arness seemed to be trying to defuse his own fight, keeping law and order in Dodge City on Saturday night.
Taking a truly classic movie and trying to improve it by having different actors repeat the same lines is basically stupid. Adding a minor twist here and there in an otherwise identical plot only makes the viewer think someone made a mistake.
As for realism, where did they get the height-challenged cattle to walk around the street? Were they all calves born during the drive? I know the actors are tall, but not that tall. And need I mention the Indians that kept getting shot off their horses while the number riding in circles uselessly shaking tomahawks never decreased, and there were never any casualties lying on the ground?
If a band of village idiots ever remake The Good, the Bad, and the Ugly they'd better keep the original music, or they'll find that only it and Clint Eastwood made the movie a legend. If anyone doubts this, they need only watch the remake of Red River to understand.
Did you know
- TriviaThis was the final screen role for Guy Madison.
- GoofsSince there is no "Errors in astronomy" category, I guess this goes here. When Gregory Harrison (Cherry Valance) is wooing Laura Johnson (Kate) at night under a tree with a canopy you couldn't possibly see through, while she's holding a child, and she says she has to go, and he points out the big dipper to her to get her to stay. But the view shows a thick patch of stars with no pattern. Not the Big Dipper, which is in a northern region with much fewer stars where it's easily visible year-round if it's view-able.
- ConnectionsRemake of Red River (1948)
- SoundtracksRed River Valley
Cowboy folksong circa 1890
Sung by James Arness
Details
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