Stars and Bars

"Stars and Bars" is not that bad, but it's not that good to warrant many words of praise. Without a doubt it's the weakest film on Daniel Day-Lewis resume, yet it's not his fault since he delivers a nice comedic performance. The story, as written by novelist William Boyd and directed by Pat O'Connor, is all over the place with its criticism on cultural clashes between Americans and British, with a series of unfunny moments, stereotypes and cliches. A couple of scenes work, the acting is quite good but the final result is awkward. It might be one of those cases that work best on a book, but doesn't translate well as a movie.

The premise is somewhat interesting and with a large ensamble cast we are easily seduced by everything, at first. Day-Lewis plays Henderson Dores, a shy and polite British art expert who is commissioned to purchase a rare Renoir painting that was somehow acquired by a hillbilly American family living down south.

The patriarch Loomis (Harry Dean Stanton) doesn't have a clue about the real worth of such lovely painting and accepts the other man's offer. The problem arises when other members of the family begin to interfere with the selling, ruining the foreign man's peace of mind, and a few women he's connected are also part of the confusion like his boss wife (Laurie Metcalf), her teenage daughter (Martha Plimpton) who invited herself to the trip as she's obsessed with him; and a potential girlfriend (Joan Cusack).

What's to like about "Stars and Bars"? The bond between Henderson and Loomis, the only meaningful interaction between characters despite the Brit sort of fooling the other guy. But it's a great connection as they share common values about what's important in life. The dinner scene with family and friends gathered is amazingly hilarious with many action going on but we're mostly focused on Spalding Gray making some on the teenage girl, and she surprises him in a painful manner. And the bookened scenes with Keith David as Henderson's fencing instructor.

As for the rest...it's simply a series of repetitive acts against the leading man, over-the-top anti-British scenarios that go nowhere, and some odd twists related with the family members - the blind woman who sees everything, the brother that never leaves the room to later appear on a key moment, etc. The generalization bias on both cultures were simply annoying and thrown in a dumb manner.

As said earlier, Daniel Day-Lewis was good in it, but not great. It's unlike anything we're used to see him doing, since he's mostly an amazing dramatic performer, and here he tries for many good humored moments and a very physical comedy. Had the filmmakers waited a little longer to make this film, the perfect choice for the role would be Hugh Grant, especially in the 1990's.

Anyway, they tried too hard to get some laughs from us, and I tried too hard to like it. Simply couldn't. 5/10.

William Boyd's "Stars and Bars" - the book - stands in the great tradition of the English comic novel (Evelyn Waugh being one of Boyd's masters and inspirators). Now, I've seen the film only in German language... That's a pity because of the resulting demi-lack of Englishman-in-New-York-effects. As you can image, the German translation cannot be that perfect. I guess that the linguistical misunderstandings between the "hero" (Day Lewis) and the bizarre Georgian family with Anglophobic slursare are ten times funnier in the original version (as they are in the book). Anyway, I liked the film immediately and I'm happy to have taped it. Great cast! Unforgettable: Maury Chaykin as Elvis-like Freeborn.

Oh, how I would love to own this on DVD! A marvelous job by Daniel Day Lewis, Harry Dean Stanton, Joan Cusack and Glann Headley. In my opinion it is a deep South tour-de-farce. I guess you have to have lived there to appreciate the humorous poke at what lies behind the moss-covered trees that line the backroads of the South. It reminds me of Out on a Limb, a similar Southern dark comedy with Matthew Broderick. Both are hysterical weekends with people whose family trees "don't branch!!" You'll never see Lewis doing this whimsy again, except perhaps as the pansy boyfriend in "Room with a View" which he did at about the same time. Both characters are played with equal artistic integrity he grants all his roles. Kudos and many laughs to all!

I stumbled across this film on HBO years ago, and am so glad I recorded it, as I could never find it on DVD. I have always been a big Daniel Day Lewis fan, and this is unlike anything else I have ever seen him do. It is hard to believe this is the same year he appeared in "The Unbearable Lightness of Being;" what a contrast! It truly demonstrates his range and willingness to completely inhabit any role he takes on. Make no mistake- it is a really quirky film, but there are hilarious moments, and the supporting cast contribute to the overall effect. Just go with the flow!

The cast includes Daniel Day Lewis and Joan Cusack, who one thinks could turn out stunning performances with the worst scripts. This isn't the case.

The main reason I actually wanted to watch this movie twice is because of the in-jokes that only Southerners, and Atlantans especially, would get.

In one scene at an Atlanta hotel, the Marriott Marquis was transformed into a parody of another major hotel which once had a "lake" in its lobby, and a long-standing restaurant with an overworked Civil War theme.

I highly recommend seeing this movie at least once if you lived in Atlanta in the 80's. It's also good, I would think, if you've had experience with stubborn patriarchs and traveling art buyers, but that's probably a smaller group.