Stars and Bars

The cast includes Daniel Day Lewis and Joan Cusack, who one thinks could turn out stunning performances with the worst scripts. This isn't the case.

The main reason I actually wanted to watch this movie twice is because of the in-jokes that only Southerners, and Atlantans especially, would get.

In one scene at an Atlanta hotel, the Marriott Marquis was transformed into a parody of another major hotel which once had a "lake" in its lobby, and a long-standing restaurant with an overworked Civil War theme.

I highly recommend seeing this movie at least once if you lived in Atlanta in the 80's. It's also good, I would think, if you've had experience with stubborn patriarchs and traveling art buyers, but that's probably a smaller group.

I stumbled across this film on HBO years ago, and am so glad I recorded it, as I could never find it on DVD. I have always been a big Daniel Day Lewis fan, and this is unlike anything else I have ever seen him do. It is hard to believe this is the same year he appeared in "The Unbearable Lightness of Being;" what a contrast! It truly demonstrates his range and willingness to completely inhabit any role he takes on. Make no mistake- it is a really quirky film, but there are hilarious moments, and the supporting cast contribute to the overall effect. Just go with the flow!

It may be a far cry from classic screwball comedy, but even during its many forgettable moments this fish-out-of-water farce isn't a total write-off. Certainly there's nothing in it to justify the cold-blooded lack of confidence that killed it at the Box Office: the throwaway release it received is usually reserved for lame dogs someone wants put out of misery, and in this case it worked.

At least the film never pretends to be anything more than what it is: a self-consciously wacky social comedy with an outsider's exaggerated, broad-as-a-barn-door view of American manners, starring Daniel Day Lewis as a dapper English art appraiser who runs into an oddball collection of cartoon Confederate rebels while investigating a lost Renoir in backwoods Georgia. All the film needs is a laugh-track to become a respectable TV sitcom (a degenerate Beverly Hillbillies?), but director Pat O'Connor doesn't show much aptitude for low comedy, and the laughs collapse into a feeble slapstick conclusion, leaving the door wide open for a sequel which will never be made.

Oh, how I would love to own this on DVD! A marvelous job by Daniel Day Lewis, Harry Dean Stanton, Joan Cusack and Glann Headley. In my opinion it is a deep South tour-de-farce. I guess you have to have lived there to appreciate the humorous poke at what lies behind the moss-covered trees that line the backroads of the South. It reminds me of Out on a Limb, a similar Southern dark comedy with Matthew Broderick. Both are hysterical weekends with people whose family trees "don't branch!!" You'll never see Lewis doing this whimsy again, except perhaps as the pansy boyfriend in "Room with a View" which he did at about the same time. Both characters are played with equal artistic integrity he grants all his roles. Kudos and many laughs to all!

William Boyd's "Stars and Bars" - the book - stands in the great tradition of the English comic novel (Evelyn Waugh being one of Boyd's masters and inspirators). Now, I've seen the film only in German language... That's a pity because of the resulting demi-lack of Englishman-in-New-York-effects. As you can image, the German translation cannot be that perfect. I guess that the linguistical misunderstandings between the "hero" (Day Lewis) and the bizarre Georgian family with Anglophobic slursare are ten times funnier in the original version (as they are in the book). Anyway, I liked the film immediately and I'm happy to have taped it. Great cast! Unforgettable: Maury Chaykin as Elvis-like Freeborn.