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A family moves into an old house. They start getting harassed by a gang, who eventually invade the house while the parents are away and start terrorizing the kids, but they didn't account fo... Read allA family moves into an old house. They start getting harassed by a gang, who eventually invade the house while the parents are away and start terrorizing the kids, but they didn't account for the deadly supernatural presence in the house.A family moves into an old house. They start getting harassed by a gang, who eventually invade the house while the parents are away and start terrorizing the kids, but they didn't account for the deadly supernatural presence in the house.
- Director
- Writers
- Stars
Tom Bresnahan
- Scott Cates
- (as Tom Breznahan)
Bob Mclean
- Harry Cates, Sr.
- (as Bob McLean)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Cates family inherited an old mansion in Beverly Hills from their late uncle Tyler Walker, who was a well-known stage actor. When they get there, they find the rundown place to be overrun by some street punks who want nothing but trouble. After the Cates' teenagers make fools of those punks, they want to make their lives living hell. But also their uncle Tyler's spirit still hangs around the house, and doesn't seems to like the street punks' intrusion.
Roger Corman's Concorde churns out an uneven, but well intended low-rent b-horror film that stage an entertainingly weird mixture, where it has the story criss-crossing into campy fields of supernatural and revenge, and then finally combining the two. Everything about it is stereotypical with the usual shenanigans, but director Bert Dragin does a well enough job with his pacing and makes the twisty style unpredictable and always engaging. Limitations don't hold it back, as the competent make-up and special f/x generates some creative and effective moments. It slowly builds itself up, for a crackerjack closing half. Some demented scenes towards the end, are well worth the attention. Sure the technical side of the production might not be perfect (with the boom mike constantly becoming visible), but it was surefooted. Zoran Hochstatter's murky camera-work sometimes had a neat frenetic touch and dreary colour use, and David Bergeaud's simmering music score stewed up some spooky cues to add to the atmospheric urban setting of the grand looking mansion. The gimmicky screenplay by Bert Dragin and Robert McDonnell seems to work, but if you don't take it for what it is. The ludicrous, and somewhat illogical and loose nature might be hard to shake. Also its change in moods, from being broodingly dark to suddenly comically light might be an inconsistent turn off. The script feels one-note for most part, but weaves in some amusing flourishes of dark humour; jaw-dropping dialogues and an oddly unforeseeable twist here and there. The performances are well suited and come across fair. Tom Bresnahan and Jill Whitlow are likable as the siblings. Christopher Burgard chews it up as smarmy gang leader and Todd Bridges shows up in a little part.
Junky entertainment, but I wasn't expecting the modest quality that it dished up. Fans of low-budget horror should give it a try.
Roger Corman's Concorde churns out an uneven, but well intended low-rent b-horror film that stage an entertainingly weird mixture, where it has the story criss-crossing into campy fields of supernatural and revenge, and then finally combining the two. Everything about it is stereotypical with the usual shenanigans, but director Bert Dragin does a well enough job with his pacing and makes the twisty style unpredictable and always engaging. Limitations don't hold it back, as the competent make-up and special f/x generates some creative and effective moments. It slowly builds itself up, for a crackerjack closing half. Some demented scenes towards the end, are well worth the attention. Sure the technical side of the production might not be perfect (with the boom mike constantly becoming visible), but it was surefooted. Zoran Hochstatter's murky camera-work sometimes had a neat frenetic touch and dreary colour use, and David Bergeaud's simmering music score stewed up some spooky cues to add to the atmospheric urban setting of the grand looking mansion. The gimmicky screenplay by Bert Dragin and Robert McDonnell seems to work, but if you don't take it for what it is. The ludicrous, and somewhat illogical and loose nature might be hard to shake. Also its change in moods, from being broodingly dark to suddenly comically light might be an inconsistent turn off. The script feels one-note for most part, but weaves in some amusing flourishes of dark humour; jaw-dropping dialogues and an oddly unforeseeable twist here and there. The performances are well suited and come across fair. Tom Bresnahan and Jill Whitlow are likable as the siblings. Christopher Burgard chews it up as smarmy gang leader and Todd Bridges shows up in a little part.
Junky entertainment, but I wasn't expecting the modest quality that it dished up. Fans of low-budget horror should give it a try.
I recently watched Twice Dead (1989) on Tubi. The storyline follows a family that moves into a haunted house once owned by a deceased actor-or is he really gone? Meanwhile, a local gang takes a disliking to the kids in the family. When the parents leave the kids home alone, the gang breaks into the house to harass them, possibly with worse intentions. However, the gang doesn't realize they've intruded into a haunted house with a ghoul that might be deadlier than they are.
This film is directed by Bert L. Dragin (Summer Camp Nightmare) and stars Tom Bresnahan (The Kingdom), Jill Whitlow (Weird Science), Jonathan Chapin (Sixteen Candles), and Christopher Burgard (Border).
Twice Dead saves all the "good parts" for the end. It features classic 80s horror characters, attire, dialogue, and circumstances. The gang's outfits are hilariously fun. The acting is just okay, but the film makes good use of lighting, shadows, and colors to create intensity. For most of the film, kills and gore are limited, often showing someone about to die, then cutting to a corpse with blood. The motorcycle scene is hilarious and fun, and there's a memorable sex sequence kill. The film includes classic 80s horror nudity, and the absolute final scene is the best part of the movie.
In conclusion, Twice Dead is a fairly cliché and straightforward 80s horror film that doesn't stand out in the genre but is a must-see for fans of horror from this era. I would score this a 5/10 and recommend it only with appropriate expectations.
This film is directed by Bert L. Dragin (Summer Camp Nightmare) and stars Tom Bresnahan (The Kingdom), Jill Whitlow (Weird Science), Jonathan Chapin (Sixteen Candles), and Christopher Burgard (Border).
Twice Dead saves all the "good parts" for the end. It features classic 80s horror characters, attire, dialogue, and circumstances. The gang's outfits are hilariously fun. The acting is just okay, but the film makes good use of lighting, shadows, and colors to create intensity. For most of the film, kills and gore are limited, often showing someone about to die, then cutting to a corpse with blood. The motorcycle scene is hilarious and fun, and there's a memorable sex sequence kill. The film includes classic 80s horror nudity, and the absolute final scene is the best part of the movie.
In conclusion, Twice Dead is a fairly cliché and straightforward 80s horror film that doesn't stand out in the genre but is a must-see for fans of horror from this era. I would score this a 5/10 and recommend it only with appropriate expectations.
A bankrupt family are forced to move into an abandoned home in Los Angeles that they have inherited, only to find it occupied by a street gang when they arrive. The gang is ousted, but that doesn't put an end to the conflict. Complicating matters ... the house is haunted. While I admire the attempt to mix two genres here, neither genre is done particularly well. Still ... between the two, there's enough here to keep you moderately entertained. The actor and actress playing siblings in this film seem to forget these characters are related and play them as disturbingly flirty. The only actor you'll recognize here is Todd Bridges, which says volumes about the quality.
Sometime around the depression, film star Tyler Walker is dancing in his home with a lifeless-seeming woman. Two policemen and a man in furs arrive to take his home. While in good shape, the house is largely empty due to Tyler selling most of the contents. The three men burst into the third-story room Tyler is in, finding that he has stuck a knife in the woman, who is just a mannequin, and Tyler has hung himself.
Years later, a couple with a son, daughter and cat named "Meow" are moving into a house they've inherited from their Uncle. The neighborhood is not so nice, and as they arrive there's a gang hanging out on their front lawn. The cops chase them off, but it's clear they'll be back and that one of them has an unhealthy attraction to the daughter. The cops call the house the "old Tyler place," which is a bit odd; usually people call a house by the *last* name of the owner. It's now in pretty bad shape, and they set about fixing it up. It had at some point over the years been used as a funeral home, and there is an empty casket in the basement, and a broken-down hearse.
The son and daughter have several run-ins with the gang, who are pretty set on hurting people for fun. One of the women in the gang isn't too bad, and two of the members are mainly interested in making out with each other, but the rest would be perfectly happy to even kill someone.
The son and daughter glimpse Tyler in mirrors in the house, but aren't sure what they saw. Tyler's noose snakes itself around the son, but later in the movie Tyler helps protect the two from the gang.
The gang stages a couple assaults on the house. One time, the siblings scare them off with a combination of booby traps and special effects. Another time, Tyler starts killing people, including using a dumbwaiter.
There are a couple false ends to the movie, and it is unclear what might happen next. Pretty good movie, though.
Years later, a couple with a son, daughter and cat named "Meow" are moving into a house they've inherited from their Uncle. The neighborhood is not so nice, and as they arrive there's a gang hanging out on their front lawn. The cops chase them off, but it's clear they'll be back and that one of them has an unhealthy attraction to the daughter. The cops call the house the "old Tyler place," which is a bit odd; usually people call a house by the *last* name of the owner. It's now in pretty bad shape, and they set about fixing it up. It had at some point over the years been used as a funeral home, and there is an empty casket in the basement, and a broken-down hearse.
The son and daughter have several run-ins with the gang, who are pretty set on hurting people for fun. One of the women in the gang isn't too bad, and two of the members are mainly interested in making out with each other, but the rest would be perfectly happy to even kill someone.
The son and daughter glimpse Tyler in mirrors in the house, but aren't sure what they saw. Tyler's noose snakes itself around the son, but later in the movie Tyler helps protect the two from the gang.
The gang stages a couple assaults on the house. One time, the siblings scare them off with a combination of booby traps and special effects. Another time, Tyler starts killing people, including using a dumbwaiter.
There are a couple false ends to the movie, and it is unclear what might happen next. Pretty good movie, though.
One of the better examples of the 80's on how to mix the horror and comedy genres successfully. This film is about a family moving into a house that is haunted by the ghost of a once great actor. A few neighborhood punks cause trouble though and eventually try to take the house over and kill the family, but the ghost helps them out and dispatches of the punks in violent and creative ways.
Very low budgeted, but fast paced thriller with only average to poor performances and ok direction. It is extremely entertaining though with some very good f/x and an especially exciting finale.
Rated R; Graphic Violence, Nudity, Sexual Situations, and Profanity.
Very low budgeted, but fast paced thriller with only average to poor performances and ok direction. It is extremely entertaining though with some very good f/x and an especially exciting finale.
Rated R; Graphic Violence, Nudity, Sexual Situations, and Profanity.
Did you know
- TriviaCast as siblings, Tom Bresnahan (Scott) and Jill Whitlow (Robin) we're dating during production.
- GoofsWhen Scott and Robin are being chased in the hearse, a leather cap appears on Scotts head in one shot, and quickly disappears again.
- ConnectionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
- SoundtracksDancing in the Dark
Arranged by Terry Griffey
Performed by Mike Campbell
Written by Arthur Schwartz and Howard Dietz
Publisher: Warner Bros. Music, a division of Warner Bros. Inc.
- How long is Twice Dead?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Twice Dead - Du stirbst nur zweimal
- Filming locations
- 2218 S Harvard Blvd, Los Angeles, California, USA(Interior and exteriors. As the mansion.)
- Production companies
- See more company credits at IMDbPro
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