Zombie 3

From the word go, Zombie Flesheaters 2 (AKA Zombi 3) makes very little sense, but thankfully it's one of those trashy 80s Euro horrors that is so shoddy in virtually every department that one cannot fail to have some fun with it.

Just one look at the film's pedigree is enough to give a pretty good idea of how crap (and therefore how enjoyable) this film actually is: Lucio Fulci, fast approaching his end-of-career worst, directed some of the action before a stroke forced him to hand over the reins to Bruno 'Hell of the Living Dead' Mattei; actor turned TV director Deran Sarafian leads the incredible no-star cast; and Claudio Fragasso, the man responsible for Troll 2 (considered by many to be the worst horror film ever made), provided the derivative, nonsensical plot that gleefully rips off a variety of zombie/infection classics, including Romero's The Crazies and Dan O' Bannon's Return Of The Living Dead.

The cause of the zombie plague in Zombi Flesheaters 2 is a top secret genetically engineered virus called Death One, which is accidentally introduced into the atmosphere after a victim is cremated (on the orders of a contemptuous general, who ignores warnings from concerned army boffins, accusing them of "talking science fiction!"). Pretty soon, the area is not only crawling with flesh hungry reanimated corpses, but also squads of haz-mat suited soldiers who have orders to contain the virus by any means necessary—which isn't exactly great news for the small group of survivors trapped inside the contaminated zone (which, within a single day, has become inexplicably derelict and overgrown with vines!).

Lacking any sense of logic, the film stumbles awkwardly from one daft scene to another in a shambolic manner that makes its mouldy walking corpses seem positively well coordinated in comparison. For connoisseurs of extremely trashy horror, this can only be good news, with the complete absence of rationale resulting in some mind-bogglingly bonkers moments: zombie birds attack a bus full of babes; a severed zombie head, shrouded in an eerie green light and smoke, flies from inside a fridge to chow down on a man's throat; a survivor discovers a box full of weapons in an abandoned building ("I found a crate full of guns downstairs," he casually declares); a lady is attacked by an unborn zombie baby that tears its way from its mother's womb; and a hand grenade, conveniently found under a truck, not only knocks down several of the undead but also destroys an entire building!

Factor in some truly awful acting, unconvincing gore, dreadful direction, zombies that can talk, jump, fight, and use weapons, and a jive-talking radio DJ who joins the ranks of the living dead, but still carries on hosting his show, and what you have is one hell of a mess—but one that really needs to be seen to be believed.

It doesn't really deserve it, but I'll give Zombie Flesheaters 2 a rating of 5/10 just for being a genuine one-of-a-kind experience.

I was hoping this was going to be a good movie. "Ooooooh the next instalment." I thought to myself. I plonked the dvd in the player and sat back. The first promising scene with the zombie with a machete really made me sit up. I, like many, am used to zombies shuffling around and moaning a bit. For those few moments i was quite excited. Then nothing entertaining happens for ages as the dull story plods along with little gore to spice it up. Then there is the flying head in a fridge scene, which made me soil myself from laughing so hard. I am glad i have the dvd, just so i can replay that scene again and again. What else can i tell you? The rest of the film is instantly forgettable, horrible dubbing, naff music and so on. If it had more gore then i would be more inclined to recommend it (yes, it is the uncut version i have). I'm sure had Fulci been more involved it would have been better. Oh well. 3 out of 10 for the flying head!!

Zombi 3 is a sequel in name only to Fulci's classic Zombie. In Italy, Zombie was billed as a unofficial sequel to Dawn Of The Dead and was called Zombi 2 in that territory. Zombie has nothing to do with Dawn Of The Dead and was approached completely differently, but is also a classic. Zombi 3 has little in common with it's predecessor and has a different story that rips off Dawn Of The Dead and Return Of The Living Dead. Zombi 3 is not Lucio Fulci's best work, far from it and the production had a lot of problems. Fulci himself disowned the film and left the production in the middle of it due to health problems and disagreements with the producers. With the combination of a extremely low budget and it's creators not really agreeing on which direction to take the project, what is left is the result. The tone of the film does not feel like a Fulci film and falls flat on terror and atmosphere. The character development is weak and the movie as a whole looks and feels cheap. However, this is far from unwatchable and moves along at a quick pace with a good amount of action and gore. I can't regard Zombi 3 as a good film, it's crap But if ultra cheapie schlocky horror is your bag, you might find some enjoyment out of Zombi 3.

Off the blocks let me just say that I am a huge zombie fan so I don't make statements like the above lightly. Secondly let me say that this is an Italian zombie film and Fulci only directed 15 minutes of it before handing over to Bruno (Rats, Night Of Terror) Mattei. This is no Dawn of the Dead folks.

That said this is easily one of the most entertaining zombie films I have ever seen.

The script is wonderfully horrible. Just check out the two scientists trying to find an antidote ("Let's try putting these two molecules together").

The zombies come in all varieties. From moaning shufflers, to machete wielding maniacs, to birds!

The gore is plentiful. Legs are bitten off, arms amputated, stomachs burst open.

The pace is fast, flying from one zombie attack to the next.

Then there's the head in the fridge. Oh the head in the fridge! One of the greatest moments in horror since Ash got his hand possessed in Evil Dead 2.

You should know already whether you're the sort of person who's going to like this sort of film. Get some mates and some beer and you'll be in for a fun night.

Did I mention the head in the fridge?!?!?

This Italian, tropical ripoff of "Return of the Living Dead" by Lucio Fulci and Bruno Mattei was an awful, awful movie, but the story of its troubled production is much more interesting than the film itself.

Back in the 80s, some Italian filmmakers figured out that you could hang out in the Philippines to make movies incredibly cheap, all while blissfully ignoring every OSHA rule in the book. None were more successful at this than the studio employing director Bruno Mattei and writers Claudio Fragasso and Rosella Druidi. They made "Terminator 2" (no connection to Terminator), "Cruel Jaws" (no connection to Jaws), and countless other crazy, ballsy knock-offs of Hollywood hits. But their producer suddenly had a bout of ambition and wanted to produce a sequel to Lucio Fulci's legendary "Zombi 2" (which itself had no connection to Zombi, Italy's rename for Romero's "Dawn of the Dead"). So he dispatched Fragrasso and Druidi to Italy to write a script for "Zombi 3" and convince Fulci to direct it. Amazingly, they succeeded on both counts.

However, the problems began as soon as Fulci arrived in the Philippines. First, he was handed a budget many times smaller than he had been promised -- too small to complete the script as he, Fragrasso, and Druidi had envisioned it. Preparation was all over the place. He also had terminal liver cancer and other health problems, and the tropical heat and humidity was almost more than his failing body could handle. There was even an armed revolution going on in the country during the shoot, though not near the places where they were filming. In the end, the movie Fulci shot was still only about 70 minutes long (too short for the 90-minute minimum), so in a moment of legendary pettiness, he apparently filmed 20 minutes of footage of characters rowing canoes around and hopped back on a plane to Italy with two middle fingers proverbially in the air at the Filipino/Italian producers.

The producers were horrified at the extended canoe footage, which they knew was unusably boring, so they asked their mainstays Mattei, Fragrasso, and Druidi to do their magic and somehow redo enough of the movie to finish it. This required Fragrasso and Druidi to add scenes that fit with what Fulci shot -- but not the expensive scenes that they originally envisioned that had to be cut. They had to come up with something new on the spot to fit the bastardized end product. Somehow, they succeeded. Meanwhile, Mattei had an even bigger problem -- of the entire cast of the original movie, he was only able to convince 2 or 3 actors to return to the Philippines to do the reshoot. Amazingly, like an absolute madman, he managed to successfully add 20-30 minutes to the movie using only those three actors, an extended prologue, and many scenes with masked military personnel. Against incredible odds, the movie was successfully finished and released.

To be clear, it's a TERRIBLE movie, and not especially enjoyable even in the "so bad it's good" kind of way. "Zombi 3" has excellent makeup and special effects and a killer soundtrack, but those aren't enough to counteract its negatives. There is zero internal consistency with what the zombies can do or how they behave, disbelief gets snapped so often that it sounds like a bowl of wet Rice Crispies, and many scenes with the masked military personnel have them lining up like they're almost too tired to walk before lining up to shoot down zombies. (In that heat, wearing overalls, it was entirely possible the exhaustion was real.) In the commentaries I watched after the film, everyone gives Fulci credit for the heart and soul of the film... which, if I were them, I wouldn't want to claim it, either. It should not be possible for a movie with this many explosions and death to be tedious, but somehow it manages it for long stretches. Yet, at the end of the day, it's a *finished* film, and I believe one that made a decent profit.

In my book, this movie is a true credit to Mattei, Fragrasso, and Druidi, and a black mark against Fulci. I am far less impressed by the lackluster film he mostly put together and left to rot than by their herculean rescue of a seemingly-doomed project. Sometimes the ones who get a production over the finish line are not the sensitive artists, but the commercial workmen with a gift at getting things done on time and under budget... no matter how many zombies, actors, and vital plot points they have to blow up to do it. If you see this film, I highly recommend the outstanding release by Severin Films that contains extensive behind-the-scenes commentaries that tell the tale I mentioned above, plus more besides.