Baby Blood

Here's an interesting concept;; Alien like pregnancy with a woman instead of the John Hurt character in that overrated bore fest. The unfortunate baby host is Yanka(Emmanuelle Escourrou). A reptile sort of creature wanders into her uterus and has a thirst for blood. The good mother travels from village to village, killing anyone available to feed her growing fetus's voracious need for plasma in order to grow into a really large and dangerous monster.

The little one is very verbose, having funny conversations with its' host. Yanka is sexy and often naked, which adds to the entertainment value this atmospheric thriller. Baby blood provides buckets of the red stuff, as expected, and I thought that the acting and script were pretty good for this genre.

The director, Alain Roback, has an eye for detail and a sense of humor. The talking baby is a different twist, and it works in Baby Blood.

French cinema isn't exactly known for its many horror masterpieces (the exceptions that prove this rule are "Les Yeux Sans Visage" and the more recent "Haute Tension") but, as much as in every other country, there are always some gore-loving genre fanatics that sooner or later direct their own independent cult gem. Alain Robak clearly is such an enthusiast filmmaker and his "Baby Blood" is a hugely entertaining and cheerful splatterfest, despite the poor and inept screenplay. The relatively unknown but impressively voluptuous Emmanuelle Escourrou (what's in a name) stars as the unhappy fiancée of a circus artist who gets impregnated by a parasite that burst out a newly imported cheetah. The fetus growing inside Yanka is pure evil and demands her to kill men so that it can feed on their blood. This results in some of the most over-the-top bloody and sadistic massacres ever shot on film, with cut off heads, slit throats and many outrageous knife-attacks. Of course, this exaggerated amount of bloodshed makes it all blackly comical and "Baby Blood" therefore shouldn't be taken too seriously. This isn't the fist horror film handling about ferocious fetuses/infants (there's also "It's Alive", "I don't want to be Born" and even the premise of "Rosemary's Baby" is remotely similar) but "Baby Blood" is much more creative and tongue-in-cheek than anything you've ever seen before. The camera-work is quite nifty and there are several cameos of eminent Frenchmen, like Jacques Audiard (director of "Read My Lips") and Alain Chabat (who played Caesar in "Asterix"). The script is very man-unfriendly, which is quite a new approach for exploitation! Nearly every male is presented as a weak and imbecile creature whereas Yanka gets stronger with every murder she commits. "Baby Blood" is ingenious, somewhat bizarre horror fun.

Well, The Evil Within (Baby Blood) is definitely a different sort of movie. It isn't just the loads of blood that make this movie a fun choice, it has good atmosphere and a great horror storyline that keep things interesting throughout.

The story circles around a young woman named Yonka. Yonka is a very unfortunate woman as she is impregnated by an alien being. Not from outer space, I might add. Anyway, poor Yonka, the baby inside of her can communicate with her telepathically and forces her to kill people and suck there blood to feed the creature inside. The whole story takes place over nine months and has one misadventure after the next, until the very bloody end.

I first saw this movie under the title of The Evil Within many years ago. It is better now then I remember it being when I first viewed it. The movie is incredibly bloody. Not so much during the first hour of the movie, but the last thirty minutes is something else. Of course, I have seen far more bloody, but, if you are not used to this type of thing, it can be quite disturbing.

The storyline in itself is quite original and simple at the same time. What makes it so cool to watch is the relationship Yonka is forced to have with this evil being inside of her. It can be quite horrific and humorous all at the same time.

If you like horror I don't see how you couldn't like this film. If you like Frank Henenlotter's work, movies like Brain Damage or Basket Case, I think this is right up your alley. 9/10

This Gallic horror oddity sees an ancient parasitic embryo burst out of its circus animal host in order to impregnate a big-breasted, gap toothed strumpet named Yanka (Emmanuelle Escourrou), who is then compelled by the creature to kill ugly French men (in order to feed her new 'baby' blood—hence the title).

Baby Blood is certainly quite splattery, with a lot of the red stuff splashed around and the occasional moment of graphic dismemberment, but even with the high gore content, I found the movie rather tedious in places, due to some rather drawn out and uneventful scenes between the visceral stuff. The story is way too simple to be stretched over feature length and needed more depth in order to fully hold this viewers attention.

Director Alain Robak shows some flair for the visuals (in fact, the opening scenes reminded me a bit of Peter Jackson's directorial style), but his treatment of the story—an uneasy mix of horror and bizarrely comic moments— ends up making the film feel disjointed. Had the film been either totally serious in tone or more outrageously silly, it might have impressed me more. As it stands, it all seems a little awkward in style.

On the plus side, the gore effects are well handled (lots of stabbing, a beheading, a head smashed in) and the Lovecraftian creature, seen towards the end of the film, is an impressively original looking critter—all slimy and pink, with moist quivering bits (which, for some strange reason, has reminded me to mention that star Emmanuelle Escourrou spends a lot of her time with her kit off!).

Baby Blood is filled to the brim with gore and haunting imagery, but it does leave a funky taste in one's mouth when all is said and done. The plot doesn't quite gel together as well as it should and it can be a frustrating, fragmented, and episodic viewing experience as the lead character goes from person to person on a mad killing spree, trying to satiate her unborn baby's appetite for human blood.