Balance

This short film was completely absorbing and finely worked out. It held my attention from the moment it began until the conundrum of an ending, which earned it a round of applause at the 19th Street Theatre in Allentown, PA, where I saw it. The film illustrates the need for humankind to cooperate and shows what happens when one doesn't do so, when he puts his selfish interest above the good of the group, even to sending others to their death. One's selfish pursuit cannot be justified, the film implies, even in the pursuit of art (after all, it was music in the box and the man wanted that music for himself or wanted to explore the interior of the box, i.e., the music, in greater depth). Film has many implications, would repay several viewings and stimulate much discussion.

A platform floats in a neutral space. Strange men, identical except for the numbers on their back, appearing as though out of some dystopian future, must work in concert to prevent the platform from tipping. The emergence of a strange box, a new development in this closed and sterile space, disrupts the tedium but also the teamwork, as each man wants to individually inspect and enjoy the box—threatening them all as the platform becomes increasingly unbalanced.

Add though a context. A time and place to the film's creation. Germany, 1989. The fact that the men are identical but for their numbers, is this not a oft-used symbol for the anonymity desired of those in a Communist society? That they are all the same and thus interchangeable? The cooperation they display at first is perhaps indicative of Socialism, and the box, what is the meaning of the music it plays, the dancing it inspired? Radio Free Europe used to broadcast American music, such as the jazz heard coming out of the box, into Communist countries throughout the Cold War. Perhaps the box is a symbol of possibility, of what is outside the closed system, which inevitably undermines said system.

And so a parable about selfishness becomes an allegory about German society and Soviet Communism at its fall. The sad and ironic ending of Balance, who is at fault? The men that fail to do what is best for them? Or the system that fails to acknowledge this human quality?

Read the full review at ShortoftheWeek.com

It's been several years since I saw this, but it sticks in my mind like I saw it recently. This short does one of the best jobs I've ever seen of making a point in minimal screen time.

I won't go into the plot of the moral; part of the joy of this film is figuring it out. When I saw it, you could watch the audience members individually recognize what was happening over the time of the film. It's under 10 minutes long (I believe), and it would be a shame to spoil it for someone.

The film is not something children would enjoy. While there's nothing objectionable about the film, it's not typical colorful, pretty animation. One thing that struck me is that the animation style is very Eastern European, while the plot is rather Asian (group dynamics).

The bottom line is that this is well worth seeing -- and it won't even take that much time out of your schedule!

I second the view of the Canadian commentator, who said this was the greatest animated short every made. It is perfect in a way only Chris Marker's "La Jetee" is--pure and simply, one of the best films ever made. Go out of your way to find it on video--it should be on one of the "International Tournee of Animation" videos or the video pictured above. 6 men. 1 platform. And a strange object.

Balance stresses the need for Cooperation in society when, in our present times, Individuality is paramount. In this film, the whole world is a raft in space, containing only four men, who are fishing. They must always work as a team, spreading out around the raft (world), to keep it in balance, or else they will all fall off into the void. To be together, they must all be in the middle, to keep the raft from tipping over. One man pulls up a chest that plays music very quietly. He desires to keep the chest for himself, so he does not move it to the middle of the raft, where all could enjoy it. The desire of all to be close to that chest undermines their teamwork, with dire results. It is fascinating to watch how, in their desire for the chest, they begin to test the limits of their environment, just as man is currently doing with pollution. This film stresses that when you finally do find out what the environmental limits are, the damage is already done: it is too late; disaster will ensue. It should be a requirement that all students study this film in class, every few years--since their understanding of it will grow as they do. This visual impression could have a profound impact on the environmental thinking of future generations, if we allow them to exist. Balance is the best allegory and the best short that I have ever seen. If you like Balance, then I would suggest that you watch Neighbours (1952) by the great Canadian animator Norman McLaren.