A psychologist, a psychiatrist and a prison warden open up a long-closed prison, unaware that the ghost of an electrocuted convict haunts it.A psychologist, a psychiatrist and a prison warden open up a long-closed prison, unaware that the ghost of an electrocuted convict haunts it.A psychologist, a psychiatrist and a prison warden open up a long-closed prison, unaware that the ghost of an electrocuted convict haunts it.
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Really cheesy.
"The Chair" is another set in prison horror film,which reminds me "Prison"(1988).I loved "Prison",but this one is pretty bad.The performances are mostly awful,the special effects are cheesy beyond belief and there's absolutely no suspense.The gore is also absent,so horror fans will certainly be disappointed with "The Chair".However if you have some time to waste,check it out-you have been warned!!!The plot:Twenty years later there was a riot in prison.During it one of the wardens was electrocuted.Now he is back for revenge...
No Blockbuster but still interesting
This film is okay for a 1988 B-movie. Feature released on HBO and direct to video in the day.
I remember renting it at a Blockbuster because Stephen Geoffreys (Fright Night) starred. The other core cast, Trini Alvarado, James Coco, Paul Benedict hold their own. The direction is mediocre at best, but Interesting. With the prisoners inflected in some lame rehabilitation program that lacks luster and goes nowhere. The plot surrounds the gruesome murder of the prison's former warden. And strange things begin happening. Which is typical for a horror suspense thriller. It has its moments. One area seems to highlight a potential romance between the female intern and a streetwise inmate.
I remember renting it at a Blockbuster because Stephen Geoffreys (Fright Night) starred. The other core cast, Trini Alvarado, James Coco, Paul Benedict hold their own. The direction is mediocre at best, but Interesting. With the prisoners inflected in some lame rehabilitation program that lacks luster and goes nowhere. The plot surrounds the gruesome murder of the prison's former warden. And strange things begin happening. Which is typical for a horror suspense thriller. It has its moments. One area seems to highlight a potential romance between the female intern and a streetwise inmate.
The most uncomfortable seat in the house
One thing there wasn't a shortage of during the late 80s were horror movies set in prisons and featuring electric chairs. "The Chair" is already the fourth I've seen, after the superior "Prison", the enjoyable "The Horror Show", and the lousy "Shocker".
Of those, "The Chair" is most reminiscent to Renny Harlin's "Prison" in terms of plot and storyline, but certainly not in terms of quality level and entertainment value. In fact, this might even be one of the weakest and dullest horror movies of the 1980s, and that is saying a lot. You know you're in trouble when an allegedly blood-soaked and grisly horror film opens with the mushiest tearjerker blues-song you ever heard. Those boring opening credits seemingly go on forever, by the way.
The set-up is decent, the locations and set pieces are more than adequate, and the cast is excellent. So where did the unknown and inexperienced director Waldemar Korzeniowsky mess up? Well, maybe partially because he's inexperienced, his film is woefully incoherent and uneven. It's harrowing drama mixed with (unintentional?) comedy and cheesy horror. For example, there are dead-serious psychiatric therapy sessions as well as goofy stop-motion eyeball in a light bulb. One scene luckily compensates for a lot namely, the electrocution footage in which we witness - in extreme closeup - eyes popping out of their sockets and exploding. Yay. Rewind this particular scene a few times, because the rest of the film is dreadfully boring.
Of those, "The Chair" is most reminiscent to Renny Harlin's "Prison" in terms of plot and storyline, but certainly not in terms of quality level and entertainment value. In fact, this might even be one of the weakest and dullest horror movies of the 1980s, and that is saying a lot. You know you're in trouble when an allegedly blood-soaked and grisly horror film opens with the mushiest tearjerker blues-song you ever heard. Those boring opening credits seemingly go on forever, by the way.
The set-up is decent, the locations and set pieces are more than adequate, and the cast is excellent. So where did the unknown and inexperienced director Waldemar Korzeniowsky mess up? Well, maybe partially because he's inexperienced, his film is woefully incoherent and uneven. It's harrowing drama mixed with (unintentional?) comedy and cheesy horror. For example, there are dead-serious psychiatric therapy sessions as well as goofy stop-motion eyeball in a light bulb. One scene luckily compensates for a lot namely, the electrocution footage in which we witness - in extreme closeup - eyes popping out of their sockets and exploding. Yay. Rewind this particular scene a few times, because the rest of the film is dreadfully boring.
Fails to jolt the audience
Warden Edward Dwyer (Paul Benedict of THE JEFFERSONS) re-opens a dilapidated prison with the help of 8 trustee inmates. Along for the ride are psychologist Dr. Langer (James Coco) and his assistant Lisa (Trini Alvarado), who try to help the prisoners with some 80s "I'm okay, you're okay" therapy. Of course, this prison has - I hope you have already guessed - a history and there is a ghost out for revenge. Believe it or not, this is one of the few flicks produced by Angelika Films, a production company offshoot that predated NYC's famous Angelika Film Center (same logo and everything). For a group known for having its finger on the indie pulse, they sure didn't know crap about making a viable commercial product. Actually, husband and wife industrial filmmakers Waldermar Korzenioswsky and Carolyn Swartz are mostly to blame here as they never make it horrific enough, unless you count their terrible attempts at comedy and the ill-fitting piano score and opening blues tune. Just what the hell was the film supposed to be? And how can you waste such a good location and actors? The film ends with an on screen dedication reading "For Jimmy" as Coco died during filming. Poor Jimmy (in both regards). Co-starring Mike Starr, Brad Greenquist, Stephen Geoffreys and a underutilized Richard Edson.
Avoid, avoid, avoid
When I went down to the video store to rent this movie I looked at the back of the film and read the short description of the movie. It looked kind of cool and had a somewhat interesting story so I decided to rent it.
In the introduction of the movie you see people cleaning out an old prison and in the background you hear this blues/soul music. This was the first hint that the movie was bad.
If I wanted blues I would have rented The Blues Brothers, but I wanted a horror movie so the tune felt all wrong.
To sum this up. The movie was bad and not really a horror movie. More of a drama/thriller. I have three carefully chosen words for this movie. Avoid, avoid and avoid.
In the introduction of the movie you see people cleaning out an old prison and in the background you hear this blues/soul music. This was the first hint that the movie was bad.
If I wanted blues I would have rented The Blues Brothers, but I wanted a horror movie so the tune felt all wrong.
To sum this up. The movie was bad and not really a horror movie. More of a drama/thriller. I have three carefully chosen words for this movie. Avoid, avoid and avoid.
Did you know
- TriviaJames Coco's final movie.
- Quotes
Warden Edward Dwyer: [on Warden Callahan's electrocution] I've seen plenty of executions... but I've never seen any like his was, his skin boiling... one eye forced out of his head... that smell of burning flesh
- ConnectionsReferenced in Rewind This! (2013)
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- Budget
- $3,000,000 (estimated)
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