Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of sel... Read allMaverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.
- Won 1 Oscar
- 20 wins & 19 nominations total
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When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
Dead Poets Society is a most underrated film by a most underrated director whose inspiring, uplifting and moral tales firmly grounded in reality are not nearly as appreciated as they should be. Here, we see one of his very personal and cradled projects, and he shows the visual style and concentration on characters in which he is so affluent. His control of the camera and the characters are very strong and very smooth. The cinematography is near perfect, with every shot, along with the editing, seamless. Also very compelling are the color-tones in every scene, perfectly matching the mood and events of the scene. Could you say this is art? Absolutely.
Then we have the performances. Robin Williams continues in stride as one who has to-date remained the most touching, heart-wrenching, awe-inspiring comedians with inarguable acting talent (he still remains my most favorite performer on the film screen). His Professor John Keating is a man who embodies every professor who you thought was cool and respectable, every person who taught or enlightened you in something out of the ordinary. In fact - dare I say it? - he teaches something EXTRAORDINARY! We have the tragically underrated Robert Sean Leonard in his role as the free-thinking catalyst student Neil. Why is this man not a household name/Hollywood heavyweight? His roles are always full of inspiration, energy, and tragic emotion that never fail to move an audience. His role in this movie is fresh, unhindered, and never pretentious as the cautionary tale of the movie. And then we have Ethan Hawke in one of his earliest roles as the point-of-view character. The entire supporting cast is very strong, also, providing the foundation and serve as the various emotional ties that further involve us in the story. Josh Charles's role as Knox Overstreet is a role that almost all guys can relate to wholeheartedly. And of course, all the actors who are in that Dead Poets Society do a fine job.
And lastly, the story. I won't summarize it since it's been summarized many times here, but I will say that it is one of the best coming of age stories for not only adolescents, but anyone. I have personally heard from nine-to-fivers who were inspired by this movie to change the situations of their jobs, careers, relationships for the better. I first saw this movie when I was 13, and immediately stamped, crowned and elevated this movie as my all-time favorite. Now that I am 18 and living on my own, with very different concerns than back then, I turn back to this movie over and over again, to find inspiration, solace and of course, entertainment. It is still my all-time favorite, and it still inspires me to seize the day and make my life extraordinary.
The movie plays in 1959 and centers around a private academy somewhere in New England. The curriculum is extremely difficult and the teachers have no humor and are very strict. The new English teacher though, Mr John Keating (Robin Williams), who graduated from the very same school, uses unorthodox, but quite effective methods to teach the students about literature, and poetry. During their first lesson, he tells them that they can either call him Mr. Keating or "Oh Captain, my Captain", based on a quote by Walt Whitman. He encourages them to come out of themselves, use their energy to make their lives worth living and beautiful - Carpe Diem, Seize the Day! The plot also centers around two students: Neil (Robert Sean Leonard), who is funny and popular, but fails to gain his fathers pride, because of his wish to become an actor, and Todd (Ethan Hawke), who is very shy and unsure of himself, and is inspired by Keating to use his imagination and eventually we find out that he is very talented when it comes to poetry. After they find out about a club Keating was a member of while he was a student, the Dead Poets Society, which was forbidden by the school, they decide to reestablish it, what ultimately gets them into a lot of trouble.
There are several key factors, that make this movie as brilliant as it is. First of all there is the acting. Robin Williams, who I really like as a Comedian, really proves that he is a great actor, who can get deep into a character and play him with such passion and energy that you will forget he's an actor. Keating, whose teaching methods are indeed unusual and will probably make you laugh a couple of times, is a very interesting role, the teacher we all would have wanted, but not because he doesn't give homework or makes up very easy, open-book tests. No, because Keating shows us that we have to come out of ourselves, make the best of our lives and especially that there is a poet in everyone of us. Then there is the terribly under-appreciated Robert Sean Leonard, who also gives a very moving performance as a student, who is kept back by his father, and therefore fails to make his dreams come true. In my opinion he is very underused as an actor, and should have gotten a lot more leading roles. As for Ethan Hawke, he definitely was the best choice for the character he plays. We can literally feel his fear and shyness when he stands in front of the class and gets no word out, because he's so embarrassed.
Peter Weir, who is probably most known for his recent movie "Master and Commander" shows what a great director he is with this film and it definitely deserved the Oscar for Best Original Screenplay, and the nominations for Best Picture, Director and Leading Actor for Robin Williams.
Some of you may have heard about Roger Ebert absolutely negative review of this movie and that "he wanted to throw up at the end of the film". I can understand why people might not like the ending (I won't put any spoilers), but I think it just adds to the the beauty and drama of this film, a film that should definitely be on the IMDb Top 250 Movies. This is a movie, you must have seen!!
This movie shattered me. There's the expression that something "tugs at your heartstrings," well this movie ripped mine out.
I'll be honest, I could find things to critique about this film, the instance of a scene that was used twice and felt sloppy perhaps; but this movie never claimed to be perfect, just to be emotionally moving, and that it certainly is. This review is written by a boy who also finds himself on the edge of adolescence and adulthood, does that mean I'm biased, absolutely, but everyone who watches this film is, everyone can relate. Your feelings I can assure you will be the same as mine when the credits start rolling, rolling like the tears down your cheeks.
This movie makes you think. Conformity is easy, conformity is comfortable, conformity gets you good grades, trust me you're listening right now to a past perfect GPA teacher's pet. The thing conformity doesn't give you though, is a life, one worth living. For something to be beautiful it must also have a side of danger, and that's what freedom of thought is, as is mentioned in the movie "we must constantly look at things in a different way," and that's beautiful! Yes, it means at times we don't agree, yes it means you might give this movie a 4/10 but I'll be damned if that changes my opinion of it.
The themes this movie explores such as, never letting a moment slip by where you don't think for yourself, where you don't seize an opportunity, it does so beautifully. Robin Williams was not acting he was believing, everything in this movie comes across as genuine, a slice of reality, a harsh but beautiful one at that.
Will I watch this movie again, I don't think so. But please, please watch it just once, you won't ever regret it.
Carpe Diem.
The setting is Weldon Academy, a very traditional New England boys' prep school in 1959. If I can find one flaw with the movie...and there certainly aren't many...it's the underlying premise that seems to worship free thought and implies that ALL tradition is of necessity undesirable and thus to be avoided. Frankly, compared to modern classrooms which are bastions of free expression, I found the Weldon students' respectful treatment of their teachers rather refreshing. (But perhaps that's just the ex-teacher in me coming out!) Some of Weldon's ideals, generally referred to in mocking tones, are actually qualities to which parents rightfully DO hope their offspring will aspire.
Robin Williams plays Mr. Keating, the English teacher we all wish we'd had. He brings warmth, passion, and an endearing quiet humor to the role as he fosters individualism in a school environment of total conformity, endeavoring to teach these young men both the beauty of the English language and the importance of living life to the full, of "seizing the day". How many of us mentally revolted at the dissection of poetry when we were in school? Many a viewer will both chortle and rejoice when Mr. Keating has his class rip out the methodical, emotionless "Introduction to Poetry" from the time honored Pritchard textbook!
The "Dead Poets Society", and the boys on which Mr. Keating has such a profound impact, include an interesting mix of characters...Neil Perry (the passionate young man at odds with his father's clearly defined expectations for his son's life), Todd Anderson (the classic shy adolescent, through whose eyes we view the unfolding drama), Charlie Dalton (the quintessential rebel), Knox Overstreet (the teen with whom most viewers can identify, deep in the throes of first love), and Richard Cameron (the mindless conformist).
Ethan Hawke gives a moving performance as Todd, the younger brother of a former Weldon valedictorian and my personal favorite, who undergoes a character transformation as the plot unfolds. In a sense, this movie is really Todd's story. As another reviewer has wisely pointed out, his best scenes are sometimes when he has no dialogue at all. Your heart will ache for him. The sub-plot of young Overstreet's romance with a girl from a nearby school may not be brilliant, but it provides some light, entertaining relief from the main drama.
Needless to say, Mr. Keating's unorthodox approach meets with obstacles...from his fellow teachers, from the school's ultra traditional Headmaster, from Neil's overbearing father and the other parents, who are depicted as a conservative, status conscious lot. His encouragement of adolescent individualism leads to dramatic consequences for one student in particular, triggering a dramatic scenario that engulfs most of his classmates. I don't want to give the plot away, but Dead Poets Society has the most powerful ending I've experienced in the cinematic world. I could watch it over and over, and tears would either come to my eyes or virtually stream down my cheeks every time.
It's an intelligent film, both gripping to watch and thought provoking afterward. Engaging plot, memorable characters, meaningful theme, wonderfully done scenes and atmosphere...Dead Poets Society has it all. A special tip of my hat to the cinematography; clearly, it should have won an Oscar for the final scene alone.
This is a must-see movie, especially if you're a high school student who hates English. It might just change your view of the subject, even if your actual teacher doesn't quite measure up to Mr. Keating. And for everyone...not only "Carpe Diem", but a certain phrase from a Walt Whitman poem will take on incredible meaning and be remembered forever.
Did you know
- TriviaWhat attracted Robin Williams to the role of John Keating more than anything else was that he was the type of teacher he, in his school days, always wished he had.
- GoofsKeating's impression of Marlon Brando is not an anachronistic reference to The Godfather (1972) but to his role as Mark Antony in Julius Caesar (1953).
- Quotes
McAllister: "Show me the heart unfettered by foolish dreams and I'll show you a happy man."
John Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be."
McAllister: Tennyson?
John Keating: No, Keating.
- Alternate versionsTV version shown on USA Network (and released on laserdisc) includes 14 minutes of extra footage not included in the original theatrical release.
- Soundtracks'Water Music': Suite III in D 'Allegro'
Music by George Frideric Handel
Performed by Stuttgarter Kammerorchester (as The Stuttgart Chamber Orchestra)
Conducted by Karl Münchinger
Courtesy of London Records
A Division of PolyGram Classics
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Details
- Release date
- Country of origin
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- Also known as
- La sociedad de los poetas muertos
- Filming locations
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Box office
- Budget
- $16,400,000 (estimated)
- Gross US & Canada
- $95,860,116
- Opening weekend US & Canada
- $340,456
- Jun 4, 1989
- Gross worldwide
- $235,860,116