Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of sel... Read allMaverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.Maverick teacher John Keating returns in 1959 to the prestigious New England boys' boarding school where he was once a star student, using poetry to embolden his pupils to new heights of self-expression.
- Won 1 Oscar
- 20 wins & 19 nominations total
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Summary
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When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
The thing about this film is that it doesn't shorten its importance to Williams's performance. The supporting cast is one that balances the film like no other. Every one of those students that revived the DPS is, in one way or another, influenced by Mr. Keating, be that positively or, unfortunately, negatively. The story being an Oscar winning screenplay, is one that I think mostly resonates with younger people, and with this movie being part of my 10th grade Portuguese course, I, personally, embraced its essence and of course its driving message of seizing the day.
As I've seen here on IMDb, this movie might not gather nearly uncontested praise, but it is very much highly regarded today as it was 25 years ago. The final scene still gives me chills to this day, and in the midst of our sad goodbye to Mr. Williams I just wanna say Thank You My Captain. It was a pleasure learning to become my own motivated person. May we all Carpe Diem
Rating: 9/10
Did you know
- TriviaWhat attracted Robin Williams to the role of John Keating more than anything else was that he was the type of teacher he, in his school days, always wished he had.
- GoofsKeating's impression of Marlon Brando is not an anachronistic reference to The Godfather (1972) but to his role as Mark Antony in Julius Caesar (1953).
- Quotes
McAllister: "Show me the heart unfettered by foolish dreams and I'll show you a happy man."
John Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be."
McAllister: Tennyson?
John Keating: No, Keating.
- Alternate versionsTV version shown on USA Network (and released on laserdisc) includes 14 minutes of extra footage not included in the original theatrical release.
- Soundtracks'Water Music': Suite III in D 'Allegro'
Music by George Frideric Handel
Performed by Stuttgarter Kammerorchester (as The Stuttgart Chamber Orchestra)
Conducted by Karl Münchinger
Courtesy of London Records
A Division of PolyGram Classics
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Details
- Release date
- Country of origin
- Languages
- Also known as
- La sociedad de los poetas muertos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,400,000 (estimated)
- Gross US & Canada
- $95,860,116
- Opening weekend US & Canada
- $340,456
- Jun 4, 1989
- Gross worldwide
- $235,860,116