Cookie

I just Today Saw This movie on Sunday Matanee. It Was as Previously stated Funny, It had some great humor and was not as boring as The previous review I read said it was.I actually Enjoyed this movie. Please If ya have a chance Watch it and give it a chance it is NOT THAT BAD

One viewer wrote that this is kind of movie you should try for lazy Saturday afternoon viewing. I agree. Cookie is no grand royal of fans, but rather a fun little film that works in the spirit of Desperately Seeking Susan, which is no surprise that the film is directed by the same person, Susan Sneidman. Emily Lloyd has to goofy, hip kind of attitude that Madonna did as "Susan." She, mixed with the stuffy business-minded mafia family makes for a fun time.

I was drawn to this film as a Peter Falk fan. He is Dino Capisco, a mob boss released from prison. His estranged daughter is Cookie is sent to work for him. He needs to get some money back from an associate before making a break from the mafia life. However, his associate went and sold off his shares and basically says, live with it. But not Dino. And not Cookie, neither.

Diana Wiest plays Cookie's absolutely wacky mother and Dino's girlfriend who's waiting to get married to Dino when he does make his break from the mob. Jerry Lewis has a small part as a rival associate. And to my surprise, the movie also stars a very young Adrian Pasdar, which current viewers of Judging Amy will recognize as the D.A. and Amy Gray's love interest. He's a hubba hubba.

For you eighties fans out there, this movie is probably right up your alley. It's good times!

It was planned as a feel good movie like 'Desperately Seeking Susan' but in fact it is unfortunately only goofy and boring. I don't know why such a accomplished writer like Nora Ephron had written such a bad screenplay and the poor actors and actresses like Ricki Lake, Dianne Wiest, Peter Falk, Brenda Vaccaro, Lionel Stander or Jerry Lewis have had no chance to show their talents. And poor Emily Lloyd. I think it costs her a lot of sympathy in Hollywood and have had prevented to become such a big star like Gwyneth Paltrow or Winona Ryder in the USA.

The usual suspects support Peter Falk and Emily Lloyd in Susan Seidelman's mob comedy. He's coming out of prison after thirteen years and wants his money from Michael Gazzo. She's his illegitimate daughter by Dianne Wiest, a street kid and "famous screwup" who winds up driving for him. Gazzo has no intention of paying him, of course. In fact, Falk is so annoying that Gazzo wants him dead, and with guys like these, the wish is usually father to the deed.

After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.

Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.

This was about a godfather type mafioso (Peter Falk) that was just released after spending 19 years in prison. He makes up with his daughter (Emily Lloyd) and together they pull a real caper on the other head of the crime family, in addition to doing a con job on the local DA to help him snuff out the other family head. A very funny movie. It was good to see Peter Falk in a part where he was the criminal instead of the detective. Bob Gunton, who played the warden in the Shawshank Redemption is the DA. Also watch for Jerry Lewis.