Erik the Viking

This movie was a brainchild of the venerable Pythons (Monty python's flying circus, Yellowbeard, Monty Python and the Holy Grail, Life of Brian) and while only a couple of them are in it, it has their usual stamp of silliness and political incorrectness. The python troup has several history professors among it and thus their historical flicks, while silly, also usually manage to work some real history into the mix. Anyone familiar with the viking belief system and legends will really enjoy this movie for its correctness and attention to detail in that regard. While there are many amusing parts of the movie, I found the Christian priest that accompanyied them and couldn't see any of the viking gods (because that was not his belief system), perhaps the most amusing part of the whole movie.

In true Python alum fashion, this movie is rewatchable (despite what Maltin says) and a lot of fun each time you watch it. Tim Robbins does his usual good job in a light-hearted but sensitive role; and possibly the best line of the movie is John Cleese's reaction to Robbins when Robbins *believes* himself to be invisible, declaring: "Now you see me, now you don't!" Cleese's reaction has me laughing out loud every time.

Behind all the fun and games, though, Terry Jones has done some pretty darn clever commentary on belief systems and epistemology; the fact that you can only be affected by that particular brand of magic in which you believe is a strong idea which rings nicely throughout the movie. (The addition of the priest character drives the point home nicely.) Interesting ideas, which I'd bet are ignored by most people just out for a good time (which is okay too, since it's a funny movie).

Terry Jones is probably the least appreciated member of Monty Python, but viewing `Erik the Viking' should change your opinion on that. The movie's world is bleak and bitter (reading about Norse religion will show you that the Vikings lived in a bleak and bitter world), but Tim Robbins' idealistic and earnest Erik is just sweet and hopeful enough to keep things interesting, rather than completely depressing. The casting is excellent. Particularly noteworthy are Jones himself as a king who quite literally only sees what he wants to see; Eartha Kitt as a very effective and chilling Norse goddess (yeah, it sounds weird, but it's perfectly done); and Antony Sher, whose Loki is equal parts weasel and villain. You'll be disappointed if you come in expecting over-the-top Pythonesque zany-ness, but to me, this movie felt like a maturation of that style. The satire is still there but it's more sober than frenetic. I only rated this movie an 8 because I don't watch it very often, but it's probably my favorite of all the Pythons' solo projects.

'Erik' was quite cute and had some absolutely brilliant moments but overall wasn't as tight and consistently funny as I was hoping. There were quite a few sections that seemed to wander along pointlessly; what a pity!

Tim Robbins was fine in a cutesy, little boy way which is, I guess, what he was supposed to be. I couldn't help wishing he had a tad more substance. Cleese's role seemed generally uninspired with only brief moments of genius. It was fun, however, seeing Tim McInnerny pre-Blackadder-"Captain Darling" days and Antony Sher made an excellent "trickster" Loki.

It's possible that the print I rented from my local video shop was a bit more dingy than the original, but the stunning scenery (filmed in Norway, Malta and England) lost its effect.

Despite these negatives, it's certainly worth watching at least once, if only for those inspired moments of comedy it contains.

Not a great movie but very good & very watchable. I've seen it 3 times now over the last twelve years. Several very funny laughs and amusing throughout. I would recommend it to anyone who likes Tim Robbins or the Pythoner's