In the Line of Duty IV

This movie is really just an excuse for a series of superb action scenes. The stunts are awe inspiring. There is one very funny moment at the end of a crazy motorbike chase /fight sequence involving hatchets which reminded me of The Marx Brothers.

I have seen the first two movies. Both get an 8 from me. I still have to watch the third.

Highly Recommended.

It's non-stop fight action all the way in director Yuen Woo-ping's amazing martial arts classic 'In The Line Of Duty'.

Sporting a great line in blouson jackets (leather AND tassled suede) and tight snow-washed jeans, feisty female fight star Cynthia Khan, aided by high-kicker Donnie Yen, battles nasty gangsters and corrupt cops in this prime slice of 80s kung fu cinema.

OK, the story might not be anything special—a witness to a crime is hunted by both the police and the gangsters—but with blistering chop-socky and dangerous stunts from the opening frames to the end credits, those who enjoy Hong Kong mayhem will be in heaven when they watch this.

Using virtually none of his trademark wire-work (that, in my opinion, ruins many of his films), Woo-ping presents the viewer with a roller-coaster ride of top action set-pieces and amazing acrobatic mêlées that show off his stars' skills to great effect. Khan is easy on the eye, but deadly in a fight, and gives her all in several brutal battles, one of which sees her performing an amazing routine with a couple of spanners standing in for a pair of nunchakus, and another which has her fighting atop a moving ambulance. Yen is also on fine form, performing more than his fair share of life-threatening action, but his best moment is undoubtedly the final rooftop punch-up with the massive Michael Woods—David and Goliath, kung fu style!

Throw in some great motorcycle-fu, loads of energetic gun fights, a sword fight or two, and good support from both Yat Chor Yuen (as the unlucky witness Luk) and Michael Wong (as a traitorous CIA agent), and the result is a hugely enjoyable masterpiece of the genre.

Pretty much an obscure Donnie Yen action flick in the States when compared to the Ip Man series or Flashpoint. Which mean while this one is not an essential Donnie Yen movie to watch for martial arts/action movie fans, this is still a solid action film nevertheless.

This is the 4th films in the In The Line Of Duty series in which I never seen the previous films, so I don't know if this a standalone or a continuation of the series.

After watching it, I don't even think this is a Donnie Yen vehicle, Yen only seem to be starring in this instead of being the real lead.

Because the real scene stealer is actress Cynthia Khan who played Madam Yeung, most of the best action scenes belong to her. Her fight scenes are better choreographed than Donnie Yen IMO. There's one notable scene involving a police van featuring dangerous stunts, but that scene feature Khan instead of Yen who is suppose to be the main hero.

Check out this one if you can find it but no need to rush. There are probably better retro Hong Kong action movies you haven't seen yet.

I think this fourth installment to the In The Line Of Duty series is the first that I have seen. If you like cop action movies In The Line Of Duty 4 is truly first rate. This was made in the prime Golden Era of Hong Kong cinema, which means you are getting some of the best action, fights and stunts on Planet Earth. It's directed and choreographed by Yuen Woo Ping( who is one of the best of the best action chreographers in HK and the world). Yuen Woo Ping adapted well from period martial arts films to modern action pictures like this. Cynthia Khan is the leading lady and Donnie Yen teams up for a early performance. This fits into the "girls with guns" subgenre that was popular in HK, but also has lots of great fight sequences. The stunts are insane and as a whole this stands up to pretty much any action movies coming out of the east or the west. I definitely need to check out the rest of the series as I really enjoyed this fourth installment.

Between 1984 and 1991, after the demise of the traditional kung fu film, and before things really started going downhill with excessive wire-work, Hong Kong action movies moved through a kick-boxing phase which introduced more pragmatic fighting but retained some old-school sensibilities. Of all the films produced in these five/six years "Witness: ITLOD 4" is hands down the best. Here's my reasons why:

• the pacing is superb. You watch action films for action - and Yuan Ho-Ping,as is his wont, keeps the movie going at a breathless pace with a fight or chase almost every five minutes.

• Yuan Ho-Ping uses his strict rhythmic parameters so the action is clear and we can enjoy every movement. Some classical moves are dropped in just to make the action a little prettier. Long shots and close ups are used when appropriate and to give variety - all typical Yuan Ho-Ping trademarks and this is what sets him apart from inferior filmmakers in the genre. He also introduces some great novelty fighters - the female foreign fighter who looks like an English teacher with a heroin habit, the crazy eyed foreigner in the alley with the eccentric fighting style and of course Michael Woods.

• The syncronisation of the action and sound effects is SO crisp here and the sound effects have never sounded better - deep body blows and crisp "pak" sounds - music to my ears!

• The soundtrack music is superb! A little bit like the repeated theme of "Halloween" - it's icy and sinister - a delicious backdrop for the brutal and surgically precise action. There's a way that the theme anticipates the action in the way that a repeated theme introduces particularly nasty sequences in a Lucio Fulci film.

• Silence accompanying action. I love the way that characters roll over, across in and out of cars and buildings in silence. It may not have been a deliberate device - but the fact that HK films are shot silent and then dubbed later sometimes results in some very interesting dynamics.

• You enter into a world of claustrophobic and relentless brutality - which slips in and out of a cartoon universe where people take beatings with tire-irons and walk away intact one minute, and end up bleeding and lifeless in lift shafts in another. Yet in this icy universe of remorseless violence there are moments of compassion - for example when the "witness" is allowed to visit his mother - but this touching scene is, once again, abruptly terminated and violence resumes.

On top of the best action you will ever see, there are also the qualities to the film I have listed above. This all results in a quite extraordinary film with a very distinctive feel and ambiance. It's strange - I've never experienced the same kind of quality with any other Hong Kong film. When I first showed this to friends they demanded repeat viewings - it's like a roller-coaster ride that leaves you craving yet another adrenalin rush.