Lords of the Deep

It's the quickest cash-in on a popular sub-genre you'll ever see, appearing less than a year following "Leviathan", "The Abyss" and "Deepstar Six", starring the once-attractive Priscilla Barnes as a scientist aboard a deep-sea station who discovers a sinister plot to overcome the occupants of the expedition by a superior alien race via mind control.

Bradford Dillman plays the mothership's long-suffering skipper on his last voyage before a well-earned retirement, and among the otherwise undistinguished cast is John Lafayette as the commander of a satellite shuttle before his career accelerated culminating in back-to-back Tom Clancy inspired films ("Patriot Games" and "Clear and Present Danger").

Imagine "Alien" meets "The Abyss" while channelling "The Thing" on a tenth of the budget, and in half the time and you're somewhere in the vicinity of "Lords of the Deep". Claustrophobic with clunky cardboard sets (the eponymous creatures are truly absurd), limited (though sometimes gory) special effects (some of which is also blatant plagiarism) and astonishingly overwrought acting, it's tremendously bad, but if you're a fan of these types of C-grade rip-offs, and especially those conceived by the great Roger Corman, then it should nevertheless be enjoyable.

I gave my brother 5 bucks to go buy me a used movie because I was unable to go. He came home with "Lords of the Deep". He said he picked it out because I like underwater movies such as "The Abyss", "Leviathan", "Deep Star Six", and "Sphere". I knew I was in trouble when I looked on the credits and found that Roger Corman was the producer. "Lords of the Deep" ended up being so bad that I donated it to the library. What a horrible viewing experience!

Here's a strong contender for the questionable award of most redundant & time-wasting B-movie ever made! I wonder…does Roger Corman even know where his producing funds go? Or does he simply put his signature under the contracts without even reading the synopsis of these lousy Sci-Fi and horror duds? He must have read a little bit about "Lords of the Deep", since the King of the B's plays a minor role as the chief executive of a multinational mining corporation in the year 2020. Around this fine day & age, mankind is exploring the darkest depths of the oceans to create new living environments, because – of course – we careless humans nearly destroyed the earth. The expedition crew led by Captain Dobler made some real progress developing an undersea laboratory, but then they encounter the unknown rulers of the deep blue ocean: large, red-eyed creatures with the ability to influence human thoughts. Or at least something like that, I wasn't following closely. Despite just being 75 minutes long, "Lord of the Deep" manages to be incredibly boring and pointless. The inane dialogs and lame attempts at intrigues between the crew members make this film look like an amateur spoof of claustrophobic Sci-Fi thriller like "The Abyss" and "Alien" but, sadly, all the players take their roles too seriously. The special effects are too miserable for words. The sea-monsters look like fluffy teddy bears instead of menacing creatures and the hypnotizing light-flashes, indicating the monster search contact with the human mind, are headache inducing. Mary Ann Fisher's directing is uninspired and wildly uneven and the majority of the cast has nothing else to do than staring stupidly into the camera. What a totally inept film, avoid at all costs.

I maintain that the films in the preemptive strike against The Abyss's freshness are all more entertaining than James Cameron's odiously idealistic and cliché-ridden special effects bonanza of the same year. I can't stress enough, however, that Michael Biehn's performance as Coffi is the best performance out of the many films of this nature released that year.

LORDS OF THE DEEP is no exception despite the hindrances of its low production value. Unlike the other fairly rushed efforts it deals with peaceful aliens, much like THE ABYSS, and the problems come from its villain, played very well by Bradford Dillman. It deals with environmental issues and doesn't do it with the same nasty insubordinate tone of James Cameron's disgustingly evil ideas in the propaganda that is THE ABYSS.

The aliens themselves are a treat when you see them and they're quite cool to look at.

The plot itself, especially the actions of Dillman's villain, is absolutely serviceable, as is the music.

I wouldn't rate it as good as LEVIATHAN, DEEPSTAR SIX, or even THE RIFT, because it doesn't have much re-watchability, owing to the lack of special effects, but it's fine for chilling out to.

Pathetically poor production from Roger Corman and directed by Mary Ann Fisher about sometime in the future when more habitable living space is needed - so a company is trying to mine the depths of the oceans as a future home for mankind. We get to look in on the daily lives of a small group of scientists led by Bradford Dillman as they find another living form hitherto unknown to man. The plot pretext doesn't sound all that bad, but you are in store for a real "treat" as we get nowhere fast with the plot, some inane dialog, some incredibly poor special effects, a pace that would make the tortoise bored, and acting from a paper bag by Dillman and even worse pretty Priscella Barnes trying to convince the audience and the camera that she can act dramatically. There are a couple scenes, where Priscella has just witnessed a killing or heard of one, and she still looks like she smiles throughout the whole proceedings. But worst of all - this film is just plain boring. Nothing of any real note happens, and it has some ludicrous end to try and wrap it all up.