Miracle Mile

Stylistically unique examination of a concentrated cross-section of humanity's real-time reaction to the (potential?) prologue to the apocalypse. Swings effortlessly from quirky to grounded, sweet to severe, & hopeful to bleak. #nitrosMovieChallenge.

This is a find I will treasure, all the more because it's flawed. It has a plain TV-look and seems pretty straightforward, nothing that will pass muster for Criterion certainly, but if we learn to detach ourselves from aesthetic preoccupation and focus on meaning, we'll find it in the most inconpicuous of places. Such as here.

Imagine a fairy-tale fantasy about a man, who having stood up the one-in-a-million' girlfriend he just met, imagines a scenario of apocalyptic destruction that will permit him to redeem himself in her eyes and become the savior. When he rushes into her apartment to pick her up she is sleeping, a sleeping beauty and he the prince charming.

Now imagine this planted inside a world of chaotic synchronicity, the Los Angeles, nuclear-paranoid version of After Hours. Like the Scorsese film, this unfolds as latenight chance encounters - except at the doorstep of the end of the world. Lovely LA streets, empty, beckoning us to travel. Empty architecture, kitsch (the burger joint) or futuristic (the apartment high-rises). Clean looks, but things are delightfully askew. A gun-totting man walks into a gym and yells at a crowd of lycra and spandex that he needs a helicopter pilot (and finds one).

Better yet, consider this. The film starts with TV footage about the creation of life from the Bang onwards. Evident is a plan, a structure that births from nothing intelligent life. The actual story begins with the man finding perfect love, the soulmate that completes into one. This rare moment of attaining perfect balance in life, the rest of the film progressively assaults by showing how entropy and chaos foil the plan. There is no plan. Except it all begins with the man setting in motion the entire story of destruction, karmic or a deeper instinct of destrudo that overpowers the desire to love. Makers of our own fate.

Here the film falters, in the finale. The apocalyptic vision of an entire city in the grip of bloody frenzy is one of the most potent, better than most zombie films about the end of times ever achieved, but it ends the way it does. It's so strong it threatens to swallow everything into its black hole.

Others might like this last part more. Whatever you do, this is a sleeper you can't afford to miss. Criterion will not do the work for you on this one, this you have to seek out.

A story that begins like a romantic comedy and goes somewhere else. A disjointed plot, producing emotional confusion in those simple souls who go to the movies to have a piece of candy handed to them. It took courage to do this, and the result is an artistic success of the highest calibre.

The box-office story was probably not so good, but shame on those critics who helped send this movie to oblivion. Someday the Internet or something is going to bring back those few movies that stirred our emotions instead of putting them to sleep. There is no personified villain here. Time is the enemy, and The Bomb. How does it make you feel to be tricked? Maybe you deserve it. After all those countless, harmless, villains who've walked across your screen to fall like rags, here's a movie to shake you up instead. Oh never mind, just go back to sleep.

I didn't hold high hopes for 'Miracle Mile'. Directed by Steve De Jarnatt who made the cheesy but fun 'Cherry 2000', and starring two actors (Anthony Edwards and Mare Winningham) that I feel at best indifferent about, it starts off almost like a John Hughes romantic comedy, and your finger might begin to hover off the "off" button. But if you persevere it quickly becomes an utterly compelling thriller. It requires a certain amount of suspension of disbelief to accept the premise of the movie, but once the story kicks in you really get sucked into it! Edwards is actually very good in the lead role, and the film is full of all kinds of familiar faces and character actors like Mykelti Williamson ('Truth Or Consequences, NM'), Denise Crosby ('Star Trek TNG'), Robert DoQui ('RoboCop'), even b-grade SF legend John Agar ('The Brain From Planet Arous'), and 'Reservoir Dogs' Mr. Blue Edward Bunker! This movie really seems to split people down the middle. Some hate it, some love it. I'm in the latter camp. Highly recommended!

So, at first, Miracle Mile doesn't appear to be anything that special. Harry (Anthony Edwards) meets Julie (Mare Winningham) and things seem to go along well. But then he misses their date and happens to answer the payphone next to the diner. And from thereon out the film is pure bonkers.

Miracle Mile is the very definition of why you should see movies outside the mainstream media. Its premise is pure madness, its actors are relatively unknown, you won't have heard of anything its director has done. And yet it's one of the most profound films to have come out of the 80s.

Miracle Mile takes a fairly typical apocalypse setting and milks every single possible drop of drama out of it. It focuses on a single individual and their struggle to comprehend the unthinkable.

Definitely not something that could win over mainstream audiences. It's too focused, too out there, to win over audiences.

But for those of us that can see the shape of the forest for the trees, this is something special.