Mystery Train

Jim Jarmusch's follow-up to 1986's "Down By Law" is an engrossing trio of stories revolving around one night in a run-down Memphis hotel. Continuing his tradition of casting musicians as actors, he enlists Joe Strummer as a British Elvis and the late Screamin' Jay Hawkins as the hotel night clerk. R&B great Rufus Thomas appears in the train station, and Tom Waits is the voice of the radio DJ. John Lurie provides the score, along with a fabulous soundtrack of classic Memphis music (from Elvis Presley to the Bar-Kays). The stories are intertwined, with certain events being shown from the perspective of each of the three sets of characters. The town has fallen a bit since its heyday as a musical hotbed, but the spirits of its past can be sensed in the delapidated buildings and landscapes, all lovingly embraced by Jarmusch's lens. All of the night shots were actually filmed at night, and some scenes are subtitled in Japanese and Italian. As is typical with Jarmusch's work, the action unfolds at a leisurely pace, and not without some humor. The film's juxtaposing of cultures is a popular theme with the director, and one he would use again in his next anthology piece, "Night On Earth."

Three stories are connected by a Memphis hotel and the spirit of Elvis Presley.

I love how this film takes for granted the universality of Elvis -- he is not only synonymous with Memphis, but is well known to both Americans and foreigners (Italians and Japanese, in this film).

Indeed, director Jarmusch points out that with our crumbling American culture (his words, not mine) all that our culture ever offered was musicians and movie stars. American culture is not opera, painting or theater (though we may have these things) -- it is Elvis and Hollywood.

Throw in Steve Buscemi to an already great film, and you have gold. There is no film he cannot make better (even rather lackluster ones like "Floundering").

What a terrific film for us foreigners. The USA condensed into one bottle. Elvis, Screaming Jay Hawkins, a seedy hotel, an endless steamy night, the desolation, the Guide at the Sun Studios, the Japanese tourists: I don't want to say any more

The great medieval philosopher Duns Scotus said that whatever leaves a mark remains present in its trace, and by studying the trace, we may study the thing itself. There are traces of Rock'n'Roll everywhere in Memphis, Tennessee, and Jim Jarmusch digs them up for us to see and hear. The plot of "Mystery Train" itself has some semblance of a song. Money is spent, hearts are broken, a gunshot rings, the jukebox plays. When everybody else is playing it cool, Steve Buscemi is the soul of the story as Charlie the Barber, a coward with a heart of gold. For the first time in a long string of enigmatic guest appearances, Tom Waits provides voice-over as a late night radio DJ. "Mystery Train" is also a work of critical feminism. From the very beginning, the girls make all the calls: cheerful Mitsuko, no-nonsense Luisa, chatterbox Dee-Dee. As the King himself once observed, they are devils in disguise.

Mystery Train is the type of movie that is over before you know it. Serious and funny at the same time. I like the layout of the picture, how all the people's live inter-mingled without touching each other and time started over when the next group of people started their adventure.

Made in 1989, this movie still lives today, just like Elvis! Actually, this movie will be around for a very long time. With quirky being the "norm" for TV and movies now, it fits into the current movie atmosphere even more. I think this one fell in between the time of Twin Peaks & Northern Exposure on network TV and Six Feet Under and Dead Like Me on cable movie channels.

This one ranks way up there with Momento as one of my favorite movies.