Moon 44

No, I'm not really a "fan" of Emmerich. That wouldn't be the right word. And yes, his films tend to strain credulity so much that it risks breaking. But let's admit it... he makes good popcorn flicks(with the exception of 10,000 B.C., that was awful). They tend to be enjoyable, exciting and just plain fun. And this really is no exception; while he gets larger budgets and more attention today, he could certainly deliver back then, as well. This does have a big name... I mean, Alexander Kruemmel, that's plenty of letters. Just kidding; I'm referring to McDowell, of course. The acting ranges, though this does manage to make Paré appear almost charming. I loved seeing Brian Thompson again(two appearances in Charmed, minor role in The Terminator, and he's played Klingons; what he may lack in range, he attempts to make up for in muscle, cool to see), even if they gave him unflattering facial hair. The FX are great. Dialog is pretty good, humorous and can be fairly sharp. The sets are reminiscent of Alien, and quite nice. This has guts. There is commentary on the world. The tension is reasonably effective. Arguably, there is not a ton of action(with that said, what there is usually is well-done)... then again, it's 92 minutes sans credits. There is plenty of strong language, disturbing content and a little moderate violence in this. I recommend this to anyone looking for a quick, easy to get into, cheap sci-fi B-movie. 5/10

Moon 44 is one of those little sci-fi films which really slipped through the cracks during the 1980s and early 90s. Sadly, these types of tales are nothing more than straight to video fodder with absolutely horrid acting, so this represents one of the last of the cool, dark sci-fi films. I was rather mesmerized the first time I watched this in 1992, and I thought it was better the second time around. This ranks as one of those dark films among the likes of Outland and Silent Running. Good show if I had seen any.

The film was interesting sci-fi fare. I felt for the characters in their pridicaments. Granted, it could have been much better, but it could have been worse to. I guess the biggest complaint that I have is that the DVD was released in the inferior format of full frame. I would like to have the opportunity to see the film in it's intended format so that I can get all the necessary information to determine if this is a better film than I think. Thus far all I have seen is the blur of the full frame destruction of the film. Come on Artisan, get with the program!

If "Moon 44" deserves to be remembered, it's for authentic atmosphere. It breathes 80's style SF realism, a cross between "Aliens" and "Blade Runner" -- did they pilfer Deckard's living room interior for their company headquarters scenes, by the way? Look closely...

It was Roland Emmerich's first genre movie before "Independence Day", and the two share the same flaws. Yes, it is full of stereotypes and the end is cheesy, by "B-movie" standards, but it also has some good drama and an interesting mix of characters. The real letdown is Michael Paré as the pretty face/mercenary hero -- a little more depth to his bleak and boring character might have improved the ratings. The main assets of the film are its visuals, they make for a totally believable outer space "mining" colony. This is a rather low budget production, but you don't see it. With some refinement to the story, and a few long shots and explosions more, it might have come out really good. This is one of those films that make you wonder, what if.

It's 2038. Earth's resources are depleted. Multinational corporations control far off mining operations in the outer zone. Moon 47 is attacked by robot fighters. With an expected attack on Moon 44, Galactic Mining sends in young tech nerd navigators to guide helicopter pilots. With no one for the dangerous piloting jobs, the company recruits willing prisoners. There is an issue with the situation and internal affairs is needed. The company offers the job to Felix Stone (Michael Paré) in exchange for cancelling his contract.

This is early B-movie Roland Emmerich. I remember watching some of this back in the day. It's got good miniatures but the action is limited filmmaking. Limited is the catch phrase for most of this movie. While I remember the conflict between navigators and pilots, the secret sabotage is forgettable. More than anything, the acting is B-level led by Michael Paré. They are perfectly fine for this solid B-movie. Perfectly fine B-movie defines everything aspect of this movie.