IMDb RATING
6.6/10
6.6K
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A young girl lost in the loneliness and boredom of reality finds solace in an ill boy, whom she can visit in a surreal dream world that she drew in her school composition book.A young girl lost in the loneliness and boredom of reality finds solace in an ill boy, whom she can visit in a surreal dream world that she drew in her school composition book.A young girl lost in the loneliness and boredom of reality finds solace in an ill boy, whom she can visit in a surreal dream world that she drew in her school composition book.
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I just watched this remarkable 1988 film which somehow managed to escape my attention previously. It may have been the Vestron distribution that worked against it - the company went under, and the film was not released on a mass scale.
I have not seen a "horror" film which involved children that impressed me as much as this since "Curse of the Cat People." "The Innocents" has just been knocked out of second spot by my viewing of this stylish film that puts "The Other" and "The Others" to shame.
The film concerns young British teen Anna, who suffers fainting spells, and in her dreams visits the house which she had drawn on paper. As the dreams go on, she meets a young male teen named Mark, whom she had drawn in the window on paper. At first she couldn't get to visit his room - he tells her she has to go back and draw the stairs.
I won't reveal more of the plot, it would be doing the film a great disservice, even though most viewers will probably be one step ahead. That's not a negative in this case, as it enables one to be more attentive to the production design of Gemma Jackson and the direction of Bernard Rose, which combine to depict incredibly stark visuals - there's no cheating with splashes of color and hazy or overlit photography that are often erroneously used to indicate a dreamlike state.
Charlotte Burke will tear at your emotions as Anna, a shame she made this her solo acting experience. Elliott Spiers is equally impressive as Mark, but he only made one more film. Glenne Headly - a New London, Connecticut native, does remarkably well in her role as Anna's mother, her accent is impeccable. This one is not to be missed.
I have not seen a "horror" film which involved children that impressed me as much as this since "Curse of the Cat People." "The Innocents" has just been knocked out of second spot by my viewing of this stylish film that puts "The Other" and "The Others" to shame.
The film concerns young British teen Anna, who suffers fainting spells, and in her dreams visits the house which she had drawn on paper. As the dreams go on, she meets a young male teen named Mark, whom she had drawn in the window on paper. At first she couldn't get to visit his room - he tells her she has to go back and draw the stairs.
I won't reveal more of the plot, it would be doing the film a great disservice, even though most viewers will probably be one step ahead. That's not a negative in this case, as it enables one to be more attentive to the production design of Gemma Jackson and the direction of Bernard Rose, which combine to depict incredibly stark visuals - there's no cheating with splashes of color and hazy or overlit photography that are often erroneously used to indicate a dreamlike state.
Charlotte Burke will tear at your emotions as Anna, a shame she made this her solo acting experience. Elliott Spiers is equally impressive as Mark, but he only made one more film. Glenne Headly - a New London, Connecticut native, does remarkably well in her role as Anna's mother, her accent is impeccable. This one is not to be missed.
Paperhouse is a unique film which captures the imagination of an eleven year old girl through her continuing nightmares. Throughout the movie, the scenes are carefully thought out and the production of the 'dream house' is of superb quality. The lifeless pencil drawings of Anna's are sprung into life with an obvious amount of realism.
The horror within the film can be established during the scenes in which Anna and her father meet. The darkness of the sky during the nightmare as well as the music, come together to create a chilling atmosphere. This film should be watched.
The horror within the film can be established during the scenes in which Anna and her father meet. The darkness of the sky during the nightmare as well as the music, come together to create a chilling atmosphere. This film should be watched.
The best horror movie you've never heard of. Though calling it a horror may be selling it short. Paperhouse is a profound psychological drama that deftly deals with themes of growing up, regret, sorrow, loss, resentment and leaving childhood innocence behind. Director Bernard Rose made his feature debut with this film and truly gave us something for the ages. Shot in 1988 there is very little that dates Paperhouse and it has the lasting ability to make new impressions upon every new generation.
Liberally adapted from Catherine Storr's novel "Marianne Dreams" (and not the first live-action adaptation either) the film follows a girl called Anna who falls ill with glandular fever on her 11th birthday. She draws a house on a shred of paper from her exercise book and falls into a dream in which the house exists as a lonely structure on a desolate landscape. Each subsequent dream that she has is altered by the presence of whatever she adds to the picture. In her third dream she meets a boy she thinks she has created called Marc. She befriends him and their relationship becomes stronger as the dreams become darker and scarier.
Charlotte Burke who plays Anna is a terrific actress and it is very strange that, after just one film, she should disappear and never be in anything ever again. She really does give a great performance. Eliott Spiers died in 1994 giving his sorrowful performance as Marc, Anna's dreamworld friend, a bittersweet edge. But special mention has to be made of Hans Zimmer's wonderful score. Eerie, mysterious, joyful with a hint of sadness; his score to Paperhouse has it all. It sounds a little bit too close to main melody of Broken Arrow, but when it's this good who cares? Along with Total Recall, Paperhouse proves that architects of subversive dreamworlds existed in film long before Christopher Nolan made it Inception.
Liberally adapted from Catherine Storr's novel "Marianne Dreams" (and not the first live-action adaptation either) the film follows a girl called Anna who falls ill with glandular fever on her 11th birthday. She draws a house on a shred of paper from her exercise book and falls into a dream in which the house exists as a lonely structure on a desolate landscape. Each subsequent dream that she has is altered by the presence of whatever she adds to the picture. In her third dream she meets a boy she thinks she has created called Marc. She befriends him and their relationship becomes stronger as the dreams become darker and scarier.
Charlotte Burke who plays Anna is a terrific actress and it is very strange that, after just one film, she should disappear and never be in anything ever again. She really does give a great performance. Eliott Spiers died in 1994 giving his sorrowful performance as Marc, Anna's dreamworld friend, a bittersweet edge. But special mention has to be made of Hans Zimmer's wonderful score. Eerie, mysterious, joyful with a hint of sadness; his score to Paperhouse has it all. It sounds a little bit too close to main melody of Broken Arrow, but when it's this good who cares? Along with Total Recall, Paperhouse proves that architects of subversive dreamworlds existed in film long before Christopher Nolan made it Inception.
I would not call paperhouse a horror film but more like a PSYCHOLOGICAL FANTASY. This film is about a young schoolgirl who is drawing pictures of a house with a boy in it and she having dreams that are becoming real this is a really good PSYCHOLOGICAL film and somehow this film reminds of The Ring 2002 i mean the feeling to it has anyone notice it?? The acting was ok but not great had a good cast and thought the dad in the drawing was good and spooky abit. I am giving this film 9/10
I was absolutely stunned while watching this fantasy/horror film. The original plot has Anna (an eleven year old girl with glandular fever) sketching the crude drawing of a house during the opening scene. As her fever worsens, she repetedly dreams of the same house on an open field. In her dreams the house is brilliantly lit and looks like a real child's drawing, which I found a rather frightening image. Anna dreams of adventures in the house with a boy named Marc, and these adventures turn more sinister as her illness becomes more serious. There seems to be a link between her illness and the evil she must confront in the house, but like many things in this movie, this is only hinted at.
In many ways I found this movie better than the book, Marianne Dreams by Catherine Storr. Although the novel does contain some subtle horror, it is basically for children. However, the movie offers some real scares as well as an underlying atmosphere of suppressed horror. There is something unnerving in the scenes when Anna is exploring the empty house that is difficult to put your finger on.
Perhaps the reason this amazing film wasn't a huge commercial success was because it's difficult to determine it's intended audience. While the character of Anna might appeal to preteens, some scenes (in particular the one when the father tries to break into the house with a hammer) are far too intense for young children. Most adults will be put off by the plot, but if they're at all interested in child or dream psycology, or just want to see something different, I'd throughly reccomend it.
In many ways I found this movie better than the book, Marianne Dreams by Catherine Storr. Although the novel does contain some subtle horror, it is basically for children. However, the movie offers some real scares as well as an underlying atmosphere of suppressed horror. There is something unnerving in the scenes when Anna is exploring the empty house that is difficult to put your finger on.
Perhaps the reason this amazing film wasn't a huge commercial success was because it's difficult to determine it's intended audience. While the character of Anna might appeal to preteens, some scenes (in particular the one when the father tries to break into the house with a hammer) are far too intense for young children. Most adults will be put off by the plot, but if they're at all interested in child or dream psycology, or just want to see something different, I'd throughly reccomend it.
Did you know
- TriviaWhen it was decided two days before the film was theatrically released that the character of Kate should be British, American actress Glenne Headly had to very quickly dub all of her dialogue using an English accent.
- GoofsWhile in the car with her mother, Anna puts her father's telegram in her pocket twice.
- SoundtracksRequiem
Music by Gabriel Fauré
Performed by Choristers of Westminster Cathedral
Published by Editions Harnelle
Arranged by Stanley Myers (uncredited)
- How long is Paperhouse?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Paperhouse - Alpträume werden wahr
- Filming locations
- Brittania Hotel, Ilfracombe, Devon, England, UK(Anna and her parents stay here)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $241,278
- Opening weekend US & Canada
- $6,687
- Feb 20, 1989
- Gross worldwide
- $241,278
- Runtime
- 1h 32m(92 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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