R.O.T.O.R.

There are bad movies that are funny. Bad movies that are boring. Bad movies that are offensive. And then there are bad movies that are just plain incompetent. You can't get angry at these movies, because it's obvious they were made by people who simply didn't have the talent or the budget to make something even halfway decent. "R.O.T.O.R" is one such movie. You know where you stand right from the beginning, where you can spot the most ludicrously mismatched day-and-night shots since "Plan 9 From Outer Space". Thankfully, the "filmmakers" don't take themselves too seriously, as is immediately evident by the continuous flow of campy and corny dialogue (about half of which is hard to understand anyway, due to its mumbled delivery). The leading actor gives an amazingly narcotized performance...and as for R.O.T.O.R., well, if Robocop had been so inept he wouldn't have lived to be in the sequels. I'd give it 0.5 stars out of 4.

R.O.T.O.R. is one of those films us Homo sapiens should put into a time capsule so that future generations/civilizations can witness a glorious achievement in 'film' which captures the zeitgeist of the nineteen eighties. Forget the Berlin wall falling or the end of the Cold War, R.O.T.O.R. is the greatest achievement of 1989 and director Cullen Blaine was Man of the Year. Not only is this the cinematic gem the worst thing ever put on celluloid, it also shares the dichotomous distinction of being the funniest film ever made. A perennial favorite at 'bad movie nights with friends', this piece of solid gold belongs in a film museum somewhere.

Richard Gesswein is Dr. Coldyron (if there's one thing I love about this movie, it's that name), a scientist working in the tactical / robotics department of a Texas police force. His big baby is the cutting edge robot R.O.T.O.R., which (accidentally) gets put into commission way ahead of schedule and predictably goes on a rampage. The good doctor must now go out and find his Frankenstein monster before it can harm too many people.

Man, I've seen a number of "so bad it's good" low budget B movies in my time, but this one really takes the cake. While silly and tiresome at times, it's SO bad it holds a certain fascination. It will likely have its viewers scratching / shaking their heads regularly. It's wall to wall with laughable performances and genuinely bad dialogue (and even some supposed attempts at profundity!). The action is pretty rote: our robotic villain barely roughs up a few people, kills even less, and spends most of the movies' running time relentlessly tracking down Sonia a.k.a. "Sony" (Margaret Trigg), who witnessed the killing of her ex-fiancée.

Gesswein is a dopey, mildly macho hero with a ranch and acres of goofy exposition to deliver. The memorable Jayne Smith plays an unlikely scientist who comes to the assistance of our hero. Trigg is a lovely woman and definitely appealing enough to keep us reasonably engaged through her protracted ordeal. Michael Hunter, who'd had a small role in "RoboCop" (viewers new to this one will likely automatically be reminded of that much more popular film), is the crooked commissioner Buglar, and he's a real ham.

"R.O.T.O.R." must be seen to be believed. If prospective viewers have a high tolerance for general cinematic stupidity, they just might have a high old time with it.

Five out of 10.

I have seen many terrible movies, most of which can be fun to watch if only to make fun of them. This movie is worse than those. The dialogue is terribly delivered (the best delivery is from the comic-relief robot!), terribly written (contrived, preachy, and generally painful). As an example, the dialogue is littered with things like "I am going to make more noise than two skeletons making love in a tin coffin." And by littered I don't mean a sprinkle, I mean virtually wall to wall, most of it is even completely gratuitous. Also any movie that has a line like "what is this some kind of bad sci-fi flick". Just avoid this movie. It sucks you in. I sat watching wondering how it could get any worse... and it does. Each twist and turn takes this movie deeper into the abyss. 1/10 (which is as low as it goes!)

You've heard the phrase "so bad it's good!" Well, most of the time it isn't true. It's so bad, it's just bad.

But this movie truly IS so bad it's good. The dialog is horrendous and sometimes nonsensical. And they really did try to be clever with it, for instance, there's a scene where the hero is giving a presentation on his robot to some scientists - each scientist's last name, along with the name of the place they work, is the name of a Beach Boy, and the dialog in the scene is full of really labored Beach Boys song references.

Once the robot starts following one woman and she calls the police, none of the decisions made by the hero make any sense at all.

Truly a prize turkey.