Relentless

Two Los Angeles detectives (one a veteran, the other a rookie) work the case of a psychopath who is killing people in the Sunset Blvd. area of L.A. The film is not a whodunit. The script's POV alternates between the Sunset killer (played by Judd Nelson), and the two cops (played by Robert Loggia and Leo Rossi).

The only mystery is at the beginning, with the killer's motivation. But that clears up as the plot moves along. The film offers a fair amount of suspense, as the killer pops into scenes unexpectedly to assault his victim. Some of the drama involves feisty banter between the two detectives, with the rookie showing insight and unorthodox determination, while the veteran seems slightly bored and wants to follow conventional police procedures.

Though fictional, the overall story is believable enough that something like this could happen in real life, if the dreadfully clichéd ending had been excised and replaced with an unexpected and more potent climax.

Visuals are dark, consistent with the thriller genre. Cinematography is conventional but competent. I really liked the opening credits' sequence with that overhead perspective that traverses a stretch of Sunset Blvd. Acting is competent.

"Relentless" manages to present a more believable villain than what we typically see in fictional serial killer scripts. And the plot steers clear of silly absurdities that plague similar films. I just wish the ending had been stronger and more original.

This one's funny because it's your basic procedural potboiler about a hotshot rookie detective and his grizzled old partner tracking a murderer, which, yeah, is pretty standard, except here the grizzled old partner doesn't really do anything. He doesn't help solve the case, he doesn't mentor the rookie in any meaningful way, he doesn't offer any profound insights into life… all he does is sit around and bitch and moan about how work sucks and how the boys at the crime lab can take care of it. It'd be like if Morgan Freeman had spent the whole run-time of 'Seven' playing cards with that crew in the library and let Lab Tech #1 do all the work.

There have been a million wackos on the loose with two determined cops on his trial type of movies, but this one at least tries something new with the murders. They are your standard knifed or strangled variety but the killer doesn't just do it. He makes the victim help out somewhat, by putting the knife, piano wire, etc. into their hands and then forcing them to effectively off themselves.

Judd Nelson rules in this flick. I'm surprised nobody seems to know about this one. If you see in the store, give it a try. I think you'll be entertained. Rossi is pretty good in this too. His banter with Loggia is straight out of a buddy-cop movie encyclopedia, but it works.

The first entry in this series is mediocre. Although it's okay to watch if you have nothing else to do or watch, it really isn't more than that. Resembles a made-for-tv movie.

Give this movie a go, its a pretty good one.

8/10

A demented serial killer is wrecking havoc on the streets of L.A. It's up to a rookie and a veteran cop to stop him.

Sound familiar? You bet. Yet this film seems to creep up above most other films of the similar genre, thanks in most parts to an unusually effective performance from Judd Nelson. Most of the times I don't particularly like him, but here he fits the bill perfectly.

The supporting performances are also quite good. Robert Loggia plays it straight as the veteran cop and Leo Rossi has never been as appealing as here. Director William Lustic creates a reasonable amount of suspense and keeps things moving at an adequate pace. But mostly, this film will be remembered (by me anyway) as the best Judd Nelson film, and his best performance. He plays a psychopath to a tee.

I am a really big fan of Judd Nelson and he ruled in this movie. He's so good at being the bad guy. Judd plays Buck Taylor, a demented serial killer who picks his victims from a phone book and calls them before he enters their house and kills them. And the victims' names resemble his. And he tears the pages out with the victims' names underlined in red with messages like "catch me if you can" that he leaves on the dead bodies for the police. Buck does these horrid things because his father was abusive and he kills to show his dad that he's good at something. I really enjoyed this movie and it showed how good of an actor Judd is. Great film!