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Robert Beltran, Jacqueline Bisset, Paul Bartel, Ed Begley Jr., Wallace Shawn, Mary Woronov, Paul Mazursky, Edith Diaz, Barret Oliver, Rebecca Schaeffer, Ray Sharkey, and Arnetia Walker in Scenes from the Class Struggle in Beverly Hills (1989)

Arnetia Walker: To-Bel

Scenes from the Class Struggle in Beverly Hills

Arnetia Walker credited as playing...

To-Bel

Photos5

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Quotes13

  • To-Bel: [to her husband] A few months ago, your buddy Howard, here, did some exploration of certain dark parts of my continent.
  • Howard: I don't know what you're talking about. I never met this woman before in my life.
  • To-Bel: The fuck you didn't! Dr. Doolittle, here, went so deep into areas unexplored by your feeble playwrightin' ass, that I got to thinkin' he was Lewis *and* Clark.
  • Howard: Mrs. Lipkin said there'd be some suppositories in here!
  • To-Bel: Why dontcha try heatin' up some nice corn-on-the-cob and shovin' that up y'ass?
  • Frank: I knew a girl that looked just like you.
  • To-Bel: Really?
  • Frank: I wrote a poem about her. Do you want to hear it? Hey, Chocolate Mama, She's got a stomach like a Hershey snare drum, She's got an ass like a nasty heart, Beating on the other side, Like a dark globe of every place a man could want to go.
  • To-Bel: Oh, how you talk.
  • Frank: You're pretty easy on the eyes.
  • To-Bel: That's what they called me in Philly. Philadelphia. Nice and easy. Those are my dispositions.
  • Dr. Van Kamp: I respect Peter Hepburn. I respect his vision. I respect his courage to continue to do the kind of work he knows will never bring him the big money.
  • To-Bel: But, eh, but, we live so well? He spends *and* he knows Shirley MacLaine.
  • Dr. Van Kamp: The money's just the last scraps of a niggardly inheritance. His mother was a suspicious woman. She left them what I call a 'distrust' fund.
  • Peter: We met five days ago in Hawaii.
  • To-Bel: In Kom-On-I-Wanna-Lei-Ya.
  • To-Bel: I *love* what you've done with your home.
  • Clare Lipkin: Oh, well, my late husband liked the idea of an English manor, trapped inside an Italian villa, and me trapped right along with it.
  • To-Bel: I really think that we should check into a hotel.
  • Peter: No, no. I - I want to be here for my sister and I don't want to insult her friend. Hey, everything gonna be fine. Okay? You know, we'll go shopping, we'll come home...
  • To-Bel: I don't like parties for dead people.
  • Peter: We'll sneak upstairs, we'll fool around. How long has it been? Four hours?
  • Lisabeth Hepburn-Saravian: Why are you telling me this?
  • To-Bel: Shall I be honest?
  • Lisabeth Hepburn-Saravian: Please.
  • To-Bel: Just the mood I was in.
  • To-Bel: It happens to everybody, Willie.
  • Willie Saravian: I feel awful.
  • To-Bel: Shit, that always the measure of a man. With what you face, you mo' man than most I been with.
  • Willie Saravian: Really?
  • To-Bel: Why, sure. Lots of boys get nervous the first time. And - if its any consolation to you, you're a whole lot better equipped than your Daddy. So, why don't you go on and get some sleep.
  • Willie Saravian: To-Bel, you're the best Aunt a boy could have.
  • Lisabeth Hepburn-Saravian: You screwed Juan?
  • To-Bel: The other one, eh, what's his name? Um, Frank. It was so degrading. I felt like some fabulous farm animal.
  • To-Bel: You humiliated me! Here I am, prime time, and you fukin' the rerun!
  • To-Bel: What goes around comes around. Now, you get outta my goddamn way. I'm goin' to get me some Louis Vuitton.

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