Speaking Parts

As my first approach to Egoyan's films, I must say it was a great experience. The movie is about lonely people searching for something or someone, about the influence of media, about life. Its ambientation works excellent. Not an easy movie to see, though; but it's really an experience.

A struggling actor's job as a hotel custodian is a front for his real job: being rented out as a gigolo by his supervisor. A co-worker is obsessed with him, but he ignores and avoids her.

I have come to really appreciate Atom Egoyan. A year ago (2015) I had barely heard of him, and now I have seen almost all of his work. Some I think is among the best that film has to offer, so I wonder why he is not consistently listed with today's top directors. But I guess that's not for me to decide.

"Speaking Parts" offers some interesting ideas, and I really appreciate how the film starts off with no one speaking for several minutes. The reason behind that decision is clever, and I will let the viewer see for themselves. Other aspects are less well-defined, and I did not think the role of Lance was as satisfying as his co-worker. I grew less and less interested in his film career, while the other characters became more intriguing.

Been in a mood to catch up with my Atom Egoyan and this is the first film! I a huge fan of this "out there" filmmaking and stories. They are never easy to categorize and he's just slightly more accessible than Lynch's films. This film leans heavy into style and film technique while presenting a film with complex and unusual characters. I really enjoyed this film but know that there are many out there who just want get into his style of films (especially his early and non-mainstream films).

In all candor, I rented this film because I found out that Michael McMannus was in it, and I respect the man's acting abilities. Suffice it to say, I wasn't disappointed.

Michael's character, Lance, is a young busboy at a hotel who wants desperately to get a speaking part in a movie, instead of background extra roles. Meanwhile, one of his fellow employees is obsessed with him, and she will do practically anything in order to receive his affections. Essentially a psychological drama, the story basically explores what they will and won't do in order to achieve their goals.

Despite it's "vocal" title, the film can be unnervingly quiet at times, however it's never dull. I couldn't help but get wrapped up in the story and entranced by the powerful performances of all the actors. It's a very powerful, raw and sensual film, definitely not for younger viewers, which is typical of Atom Egoyan films. I would highly recommend it. :)

Personally, I also enjoyed it because it was filmed here in Toronto. I found myself laughing and saying, "I know where that is!" ;)

The celebrated Canadian/Armenian filmmaker Atom Egoyan again trains his voyeuristic gaze on the numbing influence of video technology, showing some of the ways it can be (mis)used to short circuit human emotions. Egoyan's typically oblique and (deliberately) disjointed story of psycho-sexual obsession follows two women, a passive, repressed hotel maid and a frustrated screenwriter, both infatuated with the very same obscure object of desire: a narcissistic gigolo/actor looking for his first 'speaking part'. The scenario is more than a little contrived (among other plot holes is a never accounted for corpse), but the patchy script is offset by the director's eye for imagery and by some of the deadpan ironies of his observations (a video morgue, safe sex via closed-circuit TV, and so forth). Egoyan was one of the first movie makers to locate the real connection between sex, lies, and videotape, but the impression left here is of a talented director capable of something much better.