Wicked Stepmother

As you probably know, Bette Davis walked off of "Wicked Stepmother" after just a week of filming, leaving writer/director Larry Cohen scrambling to rewrite his script and get the movie completed. While the end results make sense (sort of), what is really amazing is that Cohen not only managed to sell the completed movie to a major Hollywood studio, he made enough on the sale to make a profit. The movie simply isn't good, which is probably why the Hollywood studio barely released it to theaters. In her footage, Bette Davis not only looks and sounds extremely ill, she doesn't seem to give a darn about this project. The other actors come across somewhat better, but even they aren't able to generate laughs at any point in the movie. The screenplay they are stuck with simply isn't funny at all. The heavily rewritted screenplay also (perhaps inevitably) feels like Cohen is making things up as he goes along. It also doesn't help that the special effects are mostly pretty cheesy, even for an 1980s film. In short, the movie is a low point for Davis, Cohen, studio Metro Goldwyn Mayer, and everybody else involved with it.

Wicked Stepmother (1989)

* (out of 4)

Bette Davis, like so many other great actors and actresses, ended her career with a really embarrassing film. Depend on who you believe, Davis walked off the film after a week due to her not liking the screenplay, or, according to director Cohen, she was in such bad health that she had to walk off. Either way the film centers on a witch (Davis) who moves in with a family (Colleen Camp, David Rasche) and soon starts to take over the house. Her daughter (Barbara Carrera) then comes to stay and more trouble follows. The truth behind why Davis left this production will never be known but I seriously doubt the film would have turned out very good either way. Cohen, best known for various horror movies, doesn't have too much to work with his as his screenplay undoubtedly had to be rewritten with the daughter aspect added in. Some would say Davis walking off the film would ruin it all around but even the stuff she's in doesn't appear to be written overly well. We get a few campy moments because it's rather strange seeing someone like Davis doing a movie like this. She is over acting quite a lot but if she was really unhappy with the screenplay, I kept wondering if she was giving a bad performance on purpose. The comedy falls flat on its face but I must admit that there's some weird charm with the way Davis is delivering her lines. The supporting cast are all pretty bland and doesn't bring any energy to the film. Tom Bosley is pretty bad as a detective. Even with Davis walking off the film there's no excuse for all the other issues with the movie. This includes it not really knowing what it's trying to do because on one hand it tries to come off as a kids movie but then we'll have another scene, like the sex scene between the witch and the married father, which seems out of place. I find it shocking that the movie got a theatrical release because it looks like a TV movie at best and that might be an insult to TV movies. Fans of Davis might want to check this out just to see her final film but others should stay far, far away unless you're a fan of bad movies.

Of course this film will never be a classic film, but it does have some catchy and campy scenes and lines and it will keep you wondering "what's next?" Bette Davis looks like she has just risen from the dead both figuratively and literally speaking. In 1981, Kim Carnes sang the hit song Bette Davis Eyes but in this film the then 81 year old Bette Davis could be better associated with the 1980 song Welcome to THE MONSTER CLUB - theme by The Pretty Things.

The film is very fractured with scenes jumping all over the place as the witch Priscilla, (Barbara Carrera) places magical spells on anyone she seems to come in contact with, but eh, that's camp comedy for you.

I wouldn't call it a memorable camp film, but I wouldn't call it one of the worse in the camp/horror genre that I have seen in the past either.

I give it a bare passable 5 out of 10 IMDB rating. It will not be on my purchase list either.

Probably had Bette Davis been in better health and actually finished the film as planned Wicked Stepmother might have been a reasonably good black comedy about the occult. As it was with her walking out of the film for reasons of health I suspect we get both an incoherent story and only about 15 minutes of Bette Davis.

As it was she could have and should have took her final cinema curtain call with the wonderful Whales Of August. It's not as bad a valedictory as Cuban Rebel Girl with her old fellow Warner Brothers player Errol Flynn, but it's still a mess. And Bette looked positively terrible in her scenes.

Detective Tom Bosley is on the trail of a witch who ingratiates herself in a family, loots it and then does something to them for her amusement. In the case Bosley is on they're turned into puppetoons and are found in a shoe box.

His quarry has moved on to another family and vacationing Colleen Camp and David Rasche come home and find that her father Lionel Stander is now married again to Bette Davis. Things start happening to all of them even their son Shawn Donohue as the witch switches back and forth from Davis to Barbara Carrera with Stander not noticing or figuring how lucky can an old guy get. Camp sees her family being torn away from her and she's not taking it lying down.

Not only is this Bette Davis's farewell to the big screen, but also Evelyn Keyes who plays the owner of a shop on the occult who gives lessons in magic. Both Camp and Bosley get a crash course.

Wicked Stepmother is funny in spots and the climax is nicely done, but maybe if some insurmountable problems hadn't occurred we might have seen a better film.

In self-defense for this fiasco, writer-director Larry Cohen pointed out that, while every one else in the last years of her life were handing Bette Davis yet another meaningless award, he offered her the thing she sought most: work. Fair enough. But as it proved when this was new, I believe time will increasingly show this employment opportunity for Bette Davis was the equivalent of offering a starving man a meal of coffee grounds and egg shells.

David died of cancer in October 1989, and the illness was plainly visible on her in her few scenes here. It is mournfully painful to watch her skeletal appearance in `Wicked Stepmother' if you loved her.

Avoid this aggressively. If you liked Davis's 'old-lady' period and want to watch a dignified 'good-bye' movie, seek the warm and bittersweet Lindsay Anderson drama, "The Whales of August" (1987) in which she co-starred with Lillian Gish. It is not only a classy farewell to those two legends, but now Ann Sothern and Vincent Price as well.