Herdsmen of the Sun

Herzog with his usual interesting subject that just needs to be filmed and with the uneasy feeling that he is directing everyone's actions--- This is a good one to find if you are a Herzog fan--- stands tall to any of his best documentaries--- I felt that i was seeing something that could vanish in the near future--- one of Herzog's ideas about being 'outside' civilization to where nature is more powerful than man--- in this case i remember watching the film at a friend's place in Queens and felt that the whole movie was an good analogy to the dating scene in N.Y.C--- or in western culture--- where the 'image' of a person was a very important thing and somehow this film was about revealing how that isn't necessarily a superficial thing---

Werner Herzog considers his "Wodaabe - Die Hirten der Sonne. Nomaden am Südrand der Sahara" ("Herdsmen of the Sun" in English) not an ethnographic documentary, but simply a study of the human condition at that particular time on the planet. This look at the Wodaabe people of Niger gives one a glimpse into how people lived communally for centuries.

Watching it, I wondered if the Wodaabe still live as shown in the documentary. There's bound to have been all sorts of challenges to their way of life, whether environmental or political.

Anyway, this is one documentary that I highly recommend. You won't regret having watched it and learned about the Wodaabe.

This film leaves so many important details out. There are many questions I had after seeing the film that could have been answered easily.

In addition, the somber tone of the film, combined with the classical European songs dubbed over footage of the Wodaabe, gave the film a unique feeling of looking in from a colonialist perspective. Not the type of mood one wants to set when making an essentially anthropological film.

As a peek into the lifestyle and culture of a foreign people, the film did not fail completely. But, with so many other statements being made, the focus was really taken away from what would appear to be a really interesting group of people.

Werner Herzog's films are nothing if not a celebration of humanity in all its complexity. Many, whether fiction or non-fiction, also provide hard analysis in one fashion or another, or underhanded commentary. 'Herdsmen of the sun' is one of the filmmaker's most straightforward projects, as it is nothing more than an audiovisual record of a particular slice of the great diversity of culture around the world. This is, however, all that it needs to be. Interviews conducted through an interpreter provide some insight on the subjects' thoughts and feelings, more personal context for the ceremonies depicted herein, and background on the struggles of the Wodaabe. Herzog's own narration serenely informs of the meaning of the imagery we see before us, and one can only be awe-struck by how customs vary across the globe. Jörg Schmidt-Reitwein's cinematography, meanwhile, lovingly soaks in every detail that Herzog deems fit to present to us as a concise glimpse at this remote people, and Maximiliane Mainka's mindful editing shapes the picture into an easily digestible form. I can appreciate how documentaries don't appeal to all viewers, and some are easier to engage with than others. For those eager to learn, though, 'Herdsmen of the sun' is simply splendid.

Though surely only a small taste, the movie serves up a vibrant, flavorful portrait of the Wodaabe. We see their pastoral lifestyle, and the difficulty in maintaining it in light of shifting climates, government involvement, and the impact of the latter on the former. We see their marvelous, eye-catching clothes and makeup, especially those relative to the social rituals that lie at the heart of Herzog's picture. And for as outwardly different and subjectively strange as Wodaabe culture appears - just as with the people showcased in any of the filmmaker's productions, what becomes evident with the presentation is that all of humanity shares much in common with one another across time and space than it does not. Parallels can be drawn between any two societies, no matter how far-flung. And especially with that in mind, no matter how you look at it, 'Herdsmen of the sun' is wonderfully interesting, and altogether fascinating. Clocking in at a trim 50 minutes, this is worth more than the time it takes to watch.

Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young men strive to outshine each other and attract mates by means of lavish makeup, posturing and facial movements.

They are traditionally nomadic cattle-herders and traders in the Sahel, with migrations stretching from southern Niger, through northern Nigeria, northeastern Cameroon, southwestern Chad, and the western region of the Central African Republic. Today (2016) they are estimated to number around 100,000.

I have to thank Herzog for this document. I am not sure if I had heard of the Wodaabe before, but they are a fascinating people, mixing African traditions with Islamic culture, and certainly a variety of their own practices. The makeup and other modifications almost make them look fake, like china dolls or some such thing. Why they consider themselves such beautiful people is easy to see.