A Better Tomorrow III: Love and Death in Saigon

Different to John Woo's original two films, but it's almost as good. Chow (coolest man in the world) yun fat, gives a very charismatic performance, hilarious in the opening scenes when he walks around the airport with an unlit cigarette hanging from his lip, and gives a raw, powerful, emotional performance at the end. The action scenes although lacking the finesse of the John Woo trademark mayhem, are still high velocity and powerful. Aided well by the soaring soundtrack, this film although it can be a little slow, is a welcome and worthy addition to the better tomorrow films. I just loved every second of it. Although the subtitles were a little tricky to read in places but you can't blame the film for what someone else did to it. The major problem is the badly done music editing after the credits have rolled. However seeing as the actual film had finished by that point, not many people would notice.

A Better Tomorrow III:Love and death in Saigon (1989) is an underrated masterpiece. The film takes place during the final days of the Vietnam War. Mark Go (Yun-Fat Chow) and his friend (Tony Leung Ka-Fai) are in South Vietnam on a business trip and also to meet Leung's father. The two have a rough time getting into the country until they meet a mysterious gangster's moll (Anita Mui). Awhile later, the three form an unusual friendship. Mark Go learns a lot from Ms. Mui as she teaches him how to survive in a brutal environment.

A great film from the ever reliable Tsui Hark. What I like about his films is that he always has strong female characters. Anita Mui is simply wonderful in this movie. She also shows her vulnerable side (she's not always hard as steel). Mark grows up quick in war torn Saigon. Tony Leung Ka-Fai is good as well (serious for a change instead of playing his usual goofy gigolo persona). The action scenes are staged very well (they don't dominate the film). And what's a film starring Anita Mui without those skinny jokes (yes, a movie with Anita is not complete without a couple of skinny jokes at her expense. The movie was knocked in many ways because it's so different than the first two. I say,"So what!" The film is an essential action film from the master Tsui Hark.

Highly recommended.

Anita Mui also performs the songs in the film. Especially the haunting theme song heard in the middle and during the end credits of the film. A fitting song in so many ways.

Though people have been saying how much of a disappointment this prequel is, I watched it anyways, being a fan of the first two movies. And to be fair, it wasn't a bad experience at all.

I can see how people would be frustrated going in expecting more of the same and getting an action/drama movie instead, but I was told that it was less action and more romance beforehand. So I was prepared to take it for what it is worth. Which is an above average movie overall.

The Good: Chow Yun Fat returns to his character from the first film, which is great. Imagine the movie without him. Can you? Anita Mui plays her part very well and at times you really believe that she is upset or frustrated. The storyline is decent, and done pretty well. No, there are no scenes like the finale of A Better Tomorrow 2, but come on, did you really expect that kind of scene again? The ending of A Better Tomorrow 2 is so spectacular, can you blame the prequel for not trying to top it and go elsewhere instead? The chemistry between Chow Yun Fat's Mark and Anita Mui's Kit is great, especially with Kit. The viewer really feels for her. Great job.

The not so good: Many people accuse John Woo's films of totally ignoring women. But when it comes to A Better Tomorrow, many people criticize part three for placing a woman in the mix. It's supposed to be a story of brotherhood and friendship. In a way I agree. There should be more women representation is some of John Woo's work, but with this series, many fans prefer a team of friends, guys, more specifically Ho, Mark, and Kit from the first in the series. I would rather have had part three be a true sequel picking up where the second left off [with Ho and Mark's brother Ken (also played by Fat)] and tell about there struggles and how they are getting over the events of the last movie. Then you can put Anita Mui in the storyline somewhere and have her help them out in some way.

Overall, A Better Tomorrow 3 is pretty good. Not much like the first two, but an alternative that strays from the formula and may be accpted by some, and not by others.

ABTIII is easily the best of the entire series. While loyal John Woo fans (like myself) may feel offended that a sequel was done without his involvement, this film stands alone as a true masterpiece of Tsui Hark's. Anita Mui is fantastic and lends real credibility and sensitivity to this film as the woman who teaches Yun Fat's "Mark" how to both "be cool" and use 2 guns at once. This film also doubles as a sensitive portrayal of the Vietnam conflict from "the other side", a view most Americans are unfamiliar with. A superb, compelling film with excellent performances, ABTIII is a real treasure for those willing to give it a look.

A lot of people tend to think this movie is inferior to the first 2 ABT's. If you are one of these people, keep in mind that its pretty much due to the story. I think the direction and acting wasn't bad at all. Like many prequel/sequels, it suffers from hype and expectations. If its made exactly like the previous movies, then we have a rehash. If it goes in a different direction (like in this case) it runs the risk of alienating a lot of loyal fans.

Not sure how many of you knew the storyline prior to watching the film. I was at least privy to the plot summary before watching it in the theaters way back when. So I at least knew it took place in the 70s in Vietnam. Right there and then, I knew it would be very different from the first 2 films. War-torn Vietnam of the 70s would hardly be the kind of place where you find our heroes riding around in Rolls Royce's, making high stake deals in fancy hotels or mansions, wearing Fracescetti suits, etc. A lot of the "cool" element of the original is due to Chow of course, but settings and atmosphere had something to do with it as well. And Vietnam is not the kind of setting we're previously used to.

What the film does show, is probably a more realistic side of smuggling and counterfeitting. You make your deals at night in dark alley ways, your clothes are cars are are much less flashy (to avoid attracting attention to yourself). And of course, Mark hasn't acquired his cool persona yet, so we're missing that important element throughout most of the film.

In short, much of what we see is not entirely unexpected if you took the time to read the synopsis on the video box. Because the movie takes place at the time and place it did, I'd say the crew did an OK job.

As a prequel to ABT, I am a bit surprise at the choice of location if not the time. I remember a scene in the original ABT where Mark talks about the "old days" of making counterfeit deals with Ho in Indoesia!! That was suppose to be 12 years ago according to movie dialog, which would place us in the early 70s as well. So the movie would've been more continuous if we had Mark working for the H.K. crime organization already, and making drops in Indonesia (with or without Ho, depending on whether they can get Ti Lung back for the role). I also think it might have been more interesting this way. Anita can still play Mark's love interest, and much of the current ABT3 storyline can be incorporated; as long as Mark isn't so goofy and inexperienced.