A Better Tomorrow III: Love and Death in Saigon

Different to John Woo's original two films, but it's almost as good. Chow (coolest man in the world) yun fat, gives a very charismatic performance, hilarious in the opening scenes when he walks around the airport with an unlit cigarette hanging from his lip, and gives a raw, powerful, emotional performance at the end. The action scenes although lacking the finesse of the John Woo trademark mayhem, are still high velocity and powerful. Aided well by the soaring soundtrack, this film although it can be a little slow, is a welcome and worthy addition to the better tomorrow films. I just loved every second of it. Although the subtitles were a little tricky to read in places but you can't blame the film for what someone else did to it. The major problem is the badly done music editing after the credits have rolled. However seeing as the actual film had finished by that point, not many people would notice.

Though people have been saying how much of a disappointment this prequel is, I watched it anyways, being a fan of the first two movies. And to be fair, it wasn't a bad experience at all.

I can see how people would be frustrated going in expecting more of the same and getting an action/drama movie instead, but I was told that it was less action and more romance beforehand. So I was prepared to take it for what it is worth. Which is an above average movie overall.

The Good: Chow Yun Fat returns to his character from the first film, which is great. Imagine the movie without him. Can you? Anita Mui plays her part very well and at times you really believe that she is upset or frustrated. The storyline is decent, and done pretty well. No, there are no scenes like the finale of A Better Tomorrow 2, but come on, did you really expect that kind of scene again? The ending of A Better Tomorrow 2 is so spectacular, can you blame the prequel for not trying to top it and go elsewhere instead? The chemistry between Chow Yun Fat's Mark and Anita Mui's Kit is great, especially with Kit. The viewer really feels for her. Great job.

The not so good: Many people accuse John Woo's films of totally ignoring women. But when it comes to A Better Tomorrow, many people criticize part three for placing a woman in the mix. It's supposed to be a story of brotherhood and friendship. In a way I agree. There should be more women representation is some of John Woo's work, but with this series, many fans prefer a team of friends, guys, more specifically Ho, Mark, and Kit from the first in the series. I would rather have had part three be a true sequel picking up where the second left off [with Ho and Mark's brother Ken (also played by Fat)] and tell about there struggles and how they are getting over the events of the last movie. Then you can put Anita Mui in the storyline somewhere and have her help them out in some way.

Overall, A Better Tomorrow 3 is pretty good. Not much like the first two, but an alternative that strays from the formula and may be accpted by some, and not by others.

Tsui Hark directed this sequel (1989) to John Woo's classic heroic bloodshed films Better Tomorrow 1 and 2 made couple of years earlier, and this third installment is more a prequel than sequel. It concentrates on what happened before the first two films and has more drama than action in it. Chow Yun Fat is again Mark Gor who is in Vietnam and meets there his cousin Mun (Leslie Cheung) who is just released from prison when Mark arrives in Vietnam. They meet mysterious female assassin Kit (the beautiful sweetheart Anita Mui) and both of the men are attracted by Kit. The film concentrates pretty much on the war infested Saigon and the hell that's free in there, so there isn't any particular plot in the film, but that doesn't mean it's not interesting.

I think there's couple of strong scenes of social criticism, mostly the horrific "customs scene" at the airport when Mark, Mun, Kit and Mun's father try to travel away from the country and are abused by the corrupted custom officers. Also the scene at the hospital is very harrowing and is there to underline righteously the state of the world of that time, and unfortunately there are even today places with same kind of circumstances in our world. Fortunately Tsui's attitude isn't this time as underlining as in his Once Upon a Time in China (1991), and Tomorrow 3 is therefore perhaps more noteworthy film as commenting society.

The visuals are also brilliant as can be expected from this director. There are great use of blue smoke again and the gun fights are incredibly beautifully shot and are more effective than any gun fight in some Western effort. The slow motion death scene of one important character in the film's finale is perhaps among the most beautiful "heroic death scenes" I've seen and it is finished very carefully and thus it has such a power. After that scene everyone should know what this name "heroic bloodshed" for this genre means and what makes it so unique. The end is very sad, too, but as we know how Mark ends up in his subsequent adventures, it gives some positivism for the sad ending of this third film. The ending is little irritating due to it's prolonged gun battles and fire power, and I think it should have stopped little earlier in order to be more effective finale for the otherwise pretty great film.

Better Tomorrow 3 is not as great and interesting as Woo's films, but still this is much more than average effort from Hollywood, and due to Tomorrow 3's great look and visuals, I give this gladly 8/10 rating and think this is among the greatest films Tsui Hark has directed himself. He has produced perhaps as many films as he has actually directed and many have said he is better producer than director, but this film shows that he really knows how to direct noteworthy films, too.

A Better Tomorrow 3 is not a sequel to A Better Tomorrow 2, but a prequel to A Better Tomorrow 1. We get to know how Mark Gor(Yun-Fat`s legendary ultracool gangster from ABT1) became a gun-toting gangster in Vietnam in the 1970`s. The movie itself is okay, but a lot worse than its legendary older brothers. The action is directed by Tsui Hark, a very good actiondirector, but not a patch on John Woo. Also, the gunfights lacks the intensity, smoothness and violence that we have come to expect from the ABT-series. If you`re a fan of Hong-Kong-cinema, ABT3 is worth a go, but remember that the other two are a lot better. 5/10

There are two great heroic bloodshed films by John Woo, and this irksome slog of a prequel.

Mark (Chow Yun Fat) owes everything to Anita Yuen- his shades, gunmanship, matchstick & trench coat- Anita is too amazing... she can fire a machine gun with one arm,pointing wildly around the room yet still mow down dozens of inept military personnel who just run into rooms. Her skills derive from being a nightclub singer, as they would.

The direction is clunky, editing laboriously bad , the dialogue cringeworthy. The love triangle is mawkish and feeble. The action scenes are uninvolving & predictable.

I watched this film not long after its release and actually enjoyed it mildly (though overall was disappointed) due to CYF's typically charismatic performance. I watched it again recently & it was an utter chore & bore to get through.

Its just far too contrived. Everything is a bit daft... eg- Opening scene- Mark has a cigarette in his mouth & the passport control admin points to a no-smoking sign. Mark hides the cigarette in his mouth, but could have just put it in his top pocket. Moments later he coughs up the now soggy mess of the cigarette for comic effect.

The is also a perfect leitmotif for the rest of the film-It is a soggy mess.

Others may claim this is a masterpiece, even the best of the series, I would seriously disagree and could list 50 films off the top of my head that were similar, yet far better made between the mid 80s to 90's in HK.