Dancin' Thru the Dark

A beautiful film, which captures the sadness, squalor and decay of post-Beatles Liverpool and the wasted young lives of those growing up there. It is a sort-of musical comedy, with a superb ensemble of well-rounded characters, all desperate in their different ways, with talents and flaws. Even Mark Womack as Eddie is not a mere stage villain, but rather an embittered and unstable but loyal friend.

The theme is simple - leaving home - and the execution brilliant. The early scenes, as a London rock group encounters the horrors of run-down Liverpool - predatory kids and a hostile pub - are hilarious. The theatrical origins of the film are retained with the most dramatic scenes staged in the ladies' and gents' toilets of a down-town disco. The plot is so straightforward as to be trite, but the writing (by Willy Russell from his stage play), the energetic direction by Mike Ockrent and the vitality of the performances make this a film to remember.

Dancin' through the Dark is a favourite nostalgia film about nightlife in the pre-britpop 90's. Nightclubs playing the most awful music, live here-today-gone-tomorrow bands, and a flotsam of characters who are obviously the fore-runners of today's Chavs.

We meet Dave, out on his stag night, soon to be almost comatose with drink, accompanied by his loyal mates, oh and some total animal who's idea of a good night out is a fight and a sh*g. His bride-to-be is having second thoughts, which are only intensified by the reappearance of a former beau who has made it big in the music industry and co-incidentally is appearing in the nightclub where she is enjoying her hen night.

To complicate issues further, Dave is also in the nightclub (throwing up in the toilet - a place he occupies for most of the rest of the film) causing mayhem amongst the Hen party who feel very bad ramifications will result if they meet prior to the nuptials.

I won't spoil the ending, but rest assured, the path of true love does not run smoothly, neither does a scouser scorned take betrayal lightly.

Favourite quote:

Man Dancing: Do you want to come back to my place tonight? Hen night girl: What for? Man Dancing: A F**k and a pizza. (Pause - music still playing and everyone dancing) Hen night girl: Is it a wholemeal pizza? (Man dancing is taken aback)

A gang of stags and hens end up in the same nightclub the night before a wedding with obvious and dramatic results.

Throw in a travelling band and a lead singer ( Con O'Neill ) who is an old flame of the bride to be and you have a very powerful mix indeed.

Most of the drama takes place in the toilets and themes explored previously by the writer are displayed here.

Class and escaping from the drabness of your lot like in his previous works are once again the main themes of this film .

However away from all this are some great comedy moments from a very good cast and also a great soundtrack.

All I will say is if you need cheering up watch this film and revel at some of the weird and wonderful scenes .

My favourite is the angry husband who come looking for his Madonna lookalike wife who has hooked up with one of the stags.

He turns up shouting whilst eating an apple and then drags her out. Quite what the relevance of this scene is I have no idea but it adds to the quirkiness of the whole thing .

True love overcomes in this brilliant film based on Willy Russell's play "Stags And Hens." Set in the pubs and clubs of Liverpool, a bride-to-be, her fiance and her ex-boyfriend are the main ingredients in a dry comedy where the dialogue is sharp and funny and the drama is surprisingly absorbing. Excellent casting with Con O'Neil and Claire Hackett performing superbly in the lead roles. The soundtrack is quite good too.

The only reason I give it a 9 is because of the lighting. It's so dark on the set that half the time I had trouble keeping track of the characters. Otherwise, I loved this oh-so-believable winking slice of working-class life. I have a couple of questions for other viewers: 1. I don't recall actually seeing the much-commented-upon boots that Peter is wearing. Did anyone? 2. I also don't recall the name of Peter's band ever being mentioned. Is this correct?

Also, when Linda's friends try to convince her to leave because it's bad luck for her to see her groom the night before the wedding, I'm surprised she didn't suggest that _he_ leave, not her.

I also was impressed with the building tension that climaxed in the two bathrooms (Ladies and Gents respectively). A Russell masterpiece.

Anyone else in love with Con O'Neill? I adore Blood Brothers too!!!