Downtown

Here is another of my personal favourites 80's comedies. A solid production with a marvellous Anthony Edwards and a bad-ass Forest Whitaker. Lots of the scenes have an unique Choreography.

A good surprise for 80's fans!!

I had been eying this movie for a while in cheap DVD bins but didn't think I would risk spending all the money I had in my pocket at the time on it. Luckily I found it at a video library so decided to check it out.

Forest Whitaker did a good job acting in this one. He's a skilled actor. He's been in a lot of movies I've seen but I didn't know it was him at the time because he wasn't one of the main characters so I couldn't pick him in the credits.

It is a good blend of action and comedy. There are some exciting chase scenes and good jokes.

Overall I thought it probably isn't worth all the money I had in my pocket at the time but is still worth a rent. It is a good buddy cop movie, any fans of the Lethal Weapon series will probably find this enjoyable.

I really enjoyed this film. It was a perfect cop/buddy movie. The story is cool and it has a lot of comedy for an action film, but not too much. If you are a fan of Lethal Weapon or Bad Boys, then this is for you!

My review was written in January 1990 after watching the movie at a Chelsea theater in Manhattan.

"Downtown" is a routine buddy cops film, with no chance to give 20th Century Fox a hit in the genre to parallel its loner cop annuity, "Die Hard".

Scripter Nat Mauldin's by-the-numbers premise has white bread young cop Anthony Edwards become the fish out of water transferred from the comfy suburbs to Philadelphia's inner-city Diamond Street district. He's had a run-in trying to arrest powerful businessman David Clennon for speeding. It's telegraphed tha Clennon will be back as the main plot cog.

Emphasizing his flair for slapstick (with oodles of blood and bruises that the Three Stooges never incurred), Edwards displays myriad forms of incompetence, instantly incurring the wrath of his new boss (Art Evans). He attaches himself, unwanted, to young but seasoned black detective Forest Whitakr and tries to solve the murder of his former partner from the 'burgs, perpetrated near the Diamond Street police station. A scam involving stolen Mercedes autos and corrupt police provides some interest along the way.

Chemistry between the two leads occasionally works, but helmer Richard Benjamin fails to maintain a consistent tone. Atop the slapstick and black humor there is some unnecessary ultra-violence and both mawkish and dramatic scenes that clash with the intended good-timey feel. Best attempt at injecting depth beyond the surface gags is Whitaker's lengthy monolog recalling the death of his first partner, delivered movingly by the "Bird" star.

Supporting turns by Penelope Ann Miller and Kimberly Scott as the leads' wives are well-played, and ic's most memorable role is Evans' showy effort as the foul-mouthed, explosive top cop downtown. Villains Clennon and Joe Pantoliano seem miscast and he thesps play it tongue-in-cheek and way too light.

Pic's biggest bone comes when Whitake is written out of the film before the last reel. It's designed as a plot twist, but comes off as pointless -one infe4rs while watching that the thesp had to run off and fulfill another film assignment. He pops back in for a coda scene but it's too late since he's missing at the de rigeur shootout with the heavies.

Tech credits are impressive, notably Terry Leonard's frequent and scary car chases and stunts. War zone atmosphere of the Philly setting is well conveyed, though the film was shot primarily in L. A.

Simply a boisterous, if run-of-the-mill buddy cop action comedy that won't offer much in a way of surprises, but delivers a good amount of laughs, action, "Beach Boys" tunes and actor chemistry between Anthony Edwards and Forest Whitaker as two mismatched cops. One that is a rookie, by-the-book civil officer compared to the other who's a rogue, street-smart cop who does anything to get the job done. This wouldn't have been the first time these guys shared the screen, as Edwards and Whitaker had worked with each other in the classic 1982 teen comedy "Fast times in Ridgemont High". The plot follows that of a idealistic young rookie cop Kearny of a rich, peaceful suburb taking a transfer to downtown; Diamond street the most brutal and crime-ridden district. When his ex-police partner is brutally murdered in the area, he goes about trying to get those responsible but he will need the help of a detective Curren who knows how to get around this neighbourhood. Director Richard Benjamin provides many chaotic situations, clichéd but amusing and surprisingly brutal at times with its war zone like feel etched out from its urban settings. The bad guys here really do earn their strips. David Clennon is perfectly smug and showy as a rich, important community figure and Joe Pantoliano is effective as the ruthlessly psychotic hired killer who goes out in a very memorable manner. But where the amusement arises is the constant clashes between Edwards and Whitaker. Also showing up is Penelope Ann Millar, Ricky Aiello, Art Evans and Roger Aaron Brown. Generic, but still a fine addition to the fold.

"See I have this problem with authority".