Desperate Hours

Wow... huge fan of Mickey Rourke here, and all I can says is this was really NOT a good film! A thriller with BOTH Rourke AND Anthony Hopkins... how could it be bad? I was stoked when this came up as a recommendation. I'm sure I saw it years ago, but I really didn't remember anything. This is before Rourke destroyed his career (well, right in the middle of all this) with bad behavior, boxing, botched plastic surgery, and just plain bad decisions.

The Razzie nomination for worst actor was well deserved... he was unconvincing as a psycho in this. The rest of the cast were pretty awful as well. The only bright spot was Hopkins, and let's face it... he wasn't given much to work with.

Bad story, bad directing, bad casting.

A peculiar piece of entertainment, Michael Cimino's Desperate Hours feels rather odd for a number of reasons. Not the least of which is the off kilter performance of Lindsay Crouse as the FBI agent from another galaxy. Was that lady weird or what? I couldn't understand 50% of what she said throughout this very watchable mess of a movie. Not surprisingly, Cimino's pacing is somehow frustrating and gripping at the same time. This aspect of his films seem to linger in my memory for awhile. Fans of Kelly Lynch should realize that she's topless for much of her screen time. Finally, I found the score to be very unique in flavor. Most movies of this type have a dark, menacing soundtrack. The music here is often lush,ethereal sentimental even. Not much tension sustained, but this alternates nicely with the over the top performances of Rourke, Rogers and Hopkins. All in all I think this an enjoyable flick for those looking for something slightly different in their suspense movie.

Lawyer Nancy Breyers (Kelly Lynch) is defending robber and murderer Michael Bosworth (Mickey Rourke) for killing a guard in prison. She helps him escape but she falls behind. Albert (David Morse) and his brother Wally Bosworth (Elias Koteas) drive the getaway. Brenda Chandler (Lindsay Crouse) releases Nancy to track down Bosworth. Tim (Anthony Hopkins) and Nora Cornell (Mimi Rogers) are splitting up their family with their children (Shawnee Smith, Danny Gerard). He's broken up with his girlfriend and looking to reunite but she insists on selling the house. Michael and his men take over the house and keep the Cornells hostage. He makes contact with Nancy as he waits for her to join them.

Director Michael Cimino remakes the 1955 film. He's trying way too hard to be stylish. Some of the acting is too over-the-top. If he could dial some of it back, the movie could be an intense crime thriller. Micky Rourke can be an intense bad guy without any help but Cimino insists on pushing it. Everybody is overacting. The worst is probably Lindsay Crouse. Cimino is using every camera move and dramatic music. It's a little ridiculous to release Nancy but the call to her apartment is a little more ridiculous. The cops could easily be listening on the other end. It's not as if the message is in code. The movie could have been great but Cimino's relentlessness squanders the work of some great actors.

I think on a certain level this film works quite well. First, throw out everything you know about the 1955 version. Next, abandon paying too much attention to how the plot progresses (gee, Kelly Lynch's character seems to disappear for extended periods of time, and it's amazing that the FBI ever found following her to be worth it. And she is supposed to be one of the smarter characters, but then again, you took what Lindsay Crouse's character said about her too seriously.) The film has a most curious tone, and just when you think it's going to turn into an art film, we get a shoot-em-up or some other plot contrivance to bring it back to earth. The soundtrack is a moody pastiche of 50's style orchestrations (no rock music!) and recalls moody post-noir thrillers of the late 50's-early 60's.

And what a fascinating line-up of players, performances, and characters. Kelly Lynch's acting directions must have been "look snappy, especially topless, act like you just ingested a gram of cocaine, and all will go well."

One of these first years Cimino will put together all the pieces and come up with a really good, coherent film. For a really good obtuse film, reference Walter Hill's "The Driver" with Ryan O'Neal.

Oh, and if you ever thought you could mess with Lindsay Crouse, this film should dispel that notion. She's much badder than Mickey Rourke - and that's the biggest surprise of the whole picture! And with a lot less screen time, too. And by golly I guess Mickey Rourke's character is just an obsessive lover of the enigmatic Lynch. That explains a lot.

Coolest line in the film: FBI agent says to Crouse (after she got shot in the leg) : "Where are you hit?" Answer: "In the ego."

I am a big Mickey Rourke fan from his string of hits in the 80's. I kind of fell off the bandwagon during the 90's, finding his choice of films to be somewhat uninspiring. Still a great actor, just seemed to be having some trouble picking quality projects. Seeing 'Sin City' brought me back (great role, great acting, great film!), so I picked up 'Desperate Hours' and watched it last night. While the supporting characters could have been better written (Kelly Lynch & Mimi Rogers' characters fell flat), the scenes between Rourke & Anthony Hopkins were wonderful! Elias Koteas as Rourke's brother was forgettable, but David Morse's character of Albert was very interesting. Somewhat like a big dumb 'Lenny' to Rourke's 'George'. Like another reviewer I was reminded of Humphrey Bogart's 'Duke Mantee' in the 1936 film 'Petrified Forest', but Rourke's 'Michael Bosworth' was a little more homicidal and more of a loose cannon. If you like Rourke & Hopkins, you will enjoy watching 'Desperate Hours.'