Dick Tracy

This is amazing-looking movie with the whole thing done in just six or seven colors. When it came out over 15 years ago, it stunned audiences with its color scheme, being so different from anything else that had ever been put on film. Those colors, for me at least, make this an absolutely fascinating film to watch. There are literally thousands of scenes I wish could freeze and somehow convert them to a painting to study for their artwork.

The characters and the story don't match up to the greatness of the photography, but they are all over-the-top, especially the villains. The famous actors who played them here must have a had a lot of fun on the set playing "Flatop," "Pruneface," "Lips," "Mumbles," etc.

Meanwhile, Warren Beatty and Gleanne Hedley are good as Dick Tracey and girlfriend Tess Truehart, and she's as sweet and soft as her name. Another good addition is Charlie Korsmo as the delinquent young boy Dick and Tess take under their wing. The colorful other characters are played by Al Pacino, Dustin Hoffman, William Forysthe, Paul Sorvino, Mandy Patinkin, Madona and other names you know but are too numerous to list here. Check the full credits on the main page and you'll amazed.

The only negatives I found were Pacino's voice which grates on you after awhile, Madonna's off-key singing voice and the fact that the film would have been better trimmed about 10 minutes. Those "faults" are all minor because overall, this is a fun movie....a cartoon strip coming to life in an incredibly-colorful fashion.....like nothing you have ever seen.

First and Formost, this movie hits the comic strip right on the nose (it was goofy looking and freak'n violent). The one thing that always gets me is that we have detectives, feme fatales, rutheless gangsters, exploding cars and machine guns, all done in super bright rainbow colors. I find that the bright colors really pull this movie off, It conveys the whole "comic book" idea, better than the giant balloons from Batman, the verbaitum sound effects from X men, and certainly those annoying "panel" shots from hulk.

If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.

Warren Beatty successfully bringing the comic strip to life , the renowned police detective Dick Tracy who this time tries to solve a case involving Big Boy , the public enemy nº 1 . Beatty wears the caps on all fronts , as he is actor , writer , producer and filmmaker , incarnating the legendary police detective Dick Tracy from Chester Gould's comics and his relentless crusade against crime . However his Tracy is somewhat flat in comparison other comic book heroes . Dick Tracy is the only man tough enough to take on ranting mobster boss Big Boy Caprice (Al Pacino) and his band of menacing mobsters (William Forsythe and Dustin Hoffman who made a small character as Mumbles as a favor for Warren Beatty) . Big Boy and his gang set out a wave of crime that bring them face to face with dapper Tracy . Dedicated to his work but at the same time devoted to his loyal sweetheart (Glenne Headly ), Tracy find himself torn between love and duty . Tracy becomes even more difficult when he gets saddled with an engaging orphan (Charlie Korsmo) . The comic strip detective finds his life vastly complicated when a singing siren named Mahoney (a seductive Madonna) makes advances towards him while he is attempting to fight Big Boy Caprice's united mob . Later on , Tracy tries to find his kidnapped girlfriend while Big Boy is on the loose .

This comic strip spring to life similarly the original drawings and being faithfully recreated , though sometimes looks like an extended stage musical . The bad guys all have overblown features and they and the cops , journalists all wear different coloured coats to correspond to the drawings in the original comic strips created by Chester Gould . The timeless and imaginative settings capture the essence rather than reality of the city . There's so much music in the movie mostly from Mandy Patinkin and especially Madonna as the singer Breathless Mahoney doing her best screen acting to date . Good though excessive performances from Al Pacino who is perfectly cast as the gangster Big Boy looking like a caricaturist impression of a cartoon and splendid Dustin Hoffman as his hoodlum named Mumbles . The make-up used for all of the villains was based directly on how they were drawn by Chester Gould in the original comic strip , the only exception was Big Boy Caprice, whose make-up was designed by Al Pacino himself. People expecting Gothic scenarios and spectacular action of Batman may be disappointed , but moviegoers will be thrilled . Colorful and stylistically superior cinematography by the Italian Vittorio Storaro , shot in a few colors , the main colors in the film are only six that the original comic strip appeared in: red, blue, yellow, green, orange, purple, plus black and white . Jolly and amusing musical score by Danny Elffman .

Other films about this classic comic book character are the followings : ¨Dick Tracy¨ (1947) 15 chapters starred by Ralph Byrd and directed by John English and Ray Taylor ; ¨Dick Tracy Detective¨ (1945) the first feature movie directed by William Berke with Morgan Conway and Jane Greer ; ¨Tracy returns¨ 15 chapter serial directed by William Witney with Ralph Byrd ; ¨Tracy meets gruesome ¨(1947) with Ralph Byrd and Boris Karloff ; ¨Tracy vs Crime Inc¨; ¨Tracy vs Cueball¨(1946) by Gordon Douglas with Morgan Conway and Anne Jeffreys ; ¨Tracy's dilemma¨ by John Rawlins with Ralph Byrd and Jack Lambert , among others .

This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.