John McClane must race against time to save hundreds of lives (including his wife's) when a group of terrorists take control of Washington Dulles Airport's systems, and threaten to crash sev... Read allJohn McClane must race against time to save hundreds of lives (including his wife's) when a group of terrorists take control of Washington Dulles Airport's systems, and threaten to crash several planes if their demands are not met.John McClane must race against time to save hundreds of lives (including his wife's) when a group of terrorists take control of Washington Dulles Airport's systems, and threaten to crash several planes if their demands are not met.
- Awards
- 1 win & 1 nomination total
- Trudeau
- (as Fred Dalton Thompson)
- Sheldon
- (as Michael Cunningham)
Featured reviews
Good action film - but no where near the original
This second of the exciting die hard series has a hard act to follow. The first film was amazing and broke the mould relating to action films, it showed that action could occur in everyday locations, caused English actors to get lots of work as bad guys and set many other copycat films in motion (die hard on a mountain, die hard on a bus etc). However this is nothing special. The plot tries to be similar to the original but it lacks as much originality as the first. The terrorist plot is not quite as likely and it doesn't have the same flow as the first. Story-wise the main flaw is in McClane's involvement - in the first film he was very much trapped and forced to take action, in fact his first instinct was to run away from the terrorists. Here the same is not true, Willis tries to make it seem that he doesn't want all this again ("how can the same **** happen to the same guy") but really he throws himself into the thick of the battle. This takes away from the image of him as an ordinary guy put into a difficult situation.
The action scenes don't help this problem. Yes all the action scenes are good and exciting, but many of them are too big. In the first the action occurred in short standoffs, usually with McClane running away or sneaking around. Here there's too many of one man v's the world style action with Willis running in against a large number of terrorists and winning. Again this takes away from the tension and claustrophobia of the other film and makes it feel like a Arnie blockbuster. That said the action is still good and won't disappoint action fans.
The main failing of the film is that it tries to be like the first film without success. It retains the same set-up (McClane trying to rescue his wife from terrorists), brings back the same Christmas time setting and music, it even wheels back in as many repeat characters as it can (Veljohnson as Sergeant Powell, Atherton as Thornburg) but it loses the most important item - the set parameters of the action. Die Hard was great because it had very tightly set locations for it's action in the office block. Here the action can spread out all over so a lot of the tension and claustrophobia is lost. The decision to make the second film so similar to the first can only lead us to comparing the two and seeing the inferiorities.
The performances are quite good generally. Willis can almost do this type of thing in his sleep while the other repeat characters simply redo their roles. Unfortunately many of the repeat characters don't have much to do and seem out of place. The 'new' characters fill the stereotyped shoes of previous actors. Dennis Franz takes on the mantle of incompetent cop standing in McClane's way by going by the book, Sheila McCarthy takes on the story hungry journalist role etc. The bad guys do have a lot to live up to by replacing Alan Rickman and they don't quite reach that standard. William Sadler is good as Colonel Stuart but doesn't have any style of his own, anyway it's good to see Franco Nero (cult star of western Django) in an American film.
The film has some nice twists towards the end but it just doesn't come close to the atmosphere of the first film. By trying to be similar to the first film, Renny Harlin shows that he's not as capable as McTiernan in creating a mood of tension mixed with the action. The result is a great action movie but one that cowers in the shadow of it's better bigger brother.
Die Silly
Set an unspecified number of years after Die Hard (I'll call it "Die Hard 1"), Die Hard 2 has John McClane (Bruce Willis) just outside of Washington, D.C. on Christmas Eve, where he is waiting for his wife, Holly (Bonnie Bedelia), to arrive at Dulles International Airport from Los Angeles so they can visit her mother for the holidays. Holly calls John from the plane to tell him that they're a half-hour behind schedule. While he's waiting in the crowded airport, he first sees a man he recognizes but can't place (it turns out to be one of the villains), then sees a couple other suspicious men heading into the restricted baggage area. He follows them in, has a confrontation, and eventually learns that one is a special ops military guy whose records say he's been dead for two years. That cues him in to the fact that something big is going to go down (as if he couldn't tell based on the fact that he's in another Die Hard film). Since a bigwig cocaine dealer from Latin America is on his way to Washington for extradition, that's a pretty big clue regarding what is about to go down. Shortly after chaos ensues, as "terrorists" take control of Dulles with dozens of planes in the air and no place to land--they're not able to talk to the tower, use their instruments properly or conduct a visual landing. How will they resolve the situation?
I'm not one to subtract points for a lack of realism, or "real world believability" in films. Because of that, Die Hard 2 poses a very interesting case study for me. Real world believability is very difficult to not think about when watching this film. Why wouldn't the planes just reroute to other nearby airports? There are a bunch less than an hour's flight away, including Baltimore, Philadelphia, the three New York City-area airports, and so on. Why wouldn't they be able to call another close airport, or the Pentagon, or somewhere else nearby to have them contact the planes? They're near Washington, D.C., after all (don't forget that Dulles is 26 miles away from D.C., in Virginia, making it unlikely that planes out of fuel would begin "dropping on the White House lawn"). It seems like maybe this film should have been set somewhere like Salt Lake City, Utah instead. Why wouldn't they be able to show the runways through some other means, like a line of emergency or police vehicles with their sirens on? If the "terrorists" started shooting at the vehicles, or trying to blow them up, at least they'd be given an indication where the fire is coming from/given their location. Just how likely would it be that there's a big storm in the area on the day when General Ramon Esperanza (Franco Nero) is being extradited? How likely is it that he'd be extradited on Christmas Eve? Why the hell is John standing out on the runway in the snow waving a couple of flaming poles--just what does he think that will do? And we can go on and on.
In the above, it becomes clear that maybe the problem isn't real-world believability but internal logic, although to an extent, some of the internal logic is extremely difficult to separate from facts we know about the real world that aren't mentioned in the film. But Die Hard 1 was an extremely taut film that had impeccable internal logic. The film itself gave reasons for the dilemmas that arose, and they were justifications that made the dilemmas inevitable. It doesn't matter that some of the "facts" or situations in Die Hard 1 were contrary to our beliefs about the real world. The film defined things to be the fictional way it defined them, and the logic was consistent and valid (in the formal sense) from within the film.
However, it becomes clear, not too far into Die Hard 2, that perhaps looking at it for things like real-world believability and logical consistency/validity is misconceiving it. My belief is that this film is meant to be a spoof of action films as much as it is meant to be a serious action film. _That's_ why John is standing out on the runway waving around flaming poles like a maniac. That's why baddies can easily shoot and kill 20 or so highly trained, highly armed S.W.A.T. team members wearing bulletproof vests but can't hit John, who is wearing street clothes and rolling around on the floor with a pistol. That's why the planes are stuck over D.C. with no options and the film doesn't even try to justify this. That's why there are scenes of John "riding explosions" like a cowboy (yippee-ki-yay mf'er indeed). That's why there are a number of "wink-wink" cracks about being in another Die Hard film. That's why there are a few scenes that look oddly similar to Airplane! (1980). That's why the film so frequently, joyously embraces silliness.
Director Renny Harlin and his bulletproof vested army of scriptwriters and producers apparently set out to make a cartoonish satire of action films, while still making a serious action film. In 1990, action films were just at the tail end of their domination of the U.S. box office, so it was a ripe time to spoof them. Harlin and company succeed fairly well. It might have been even more artistically successful if they had more firmly committed to one angle (cartoonish satire) or the other (serious actioner), but the performances are pretty good, the fistfights, gunfights, explosions and chases are very good, and the film is frequently funny if you have a taste for the absurd.
Dying Just Got That Little Harder!
On a snowy Christmas Eve in the nation's capital, a team of terrorist have seized a major international airport, and now holds thousands of holiday travellers hostage. The terrorists, a renegade band of crack military commandos led by murderous rogue officer, have come to rescue a drug lord from justice. They've prepared for every contingency, except one: John McClane, an off-duty cop seized by a feeling of deadly deja vu. The heroic cop not only has to battle terrorists, but also an incompetent airport police chief, the hard headed commander of the army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife is trapped on one of the planes circling somewhere overhead, desperately low on fuel!
Die Hard 2 makes Bruce Willis look better and better. The role of John McClane is one filled with the fight for right and to trying to stop the bad guys. Again a lot of the stunts would have been done by Willis considering the professionalism of the man. Running all over an airport in a fierce snowstorm, fighting scenes on the wing of a real 747 jet and trying to save lives he has no attachment to, L.A. cop John McClane puts his body on the line, so justice is served and so did the actor Bruce Willis in my view to bring a great action movie back for a second time. Willis is one of my favourite actors, but I have only started to watch his movies in about the last 2-3 years and what a mistake that has been.
This film has more freedom as it is held at an airport. McClane is like I have said all over the place. The freedom and space this story has makes this film much easier to watch. Another thing which is impressive about Die Hard 2 is the effort to put more thrills in the movie. The snow (which of course is man made) has a major role, so do all the planes making quite a crisis on their hands. Not only do they fight on the wing of a 747, but also fly a real helicopter on the wing of the plane also. The scene where McClane ejects himself from the exploding plane is another favourite scene of mine. Other parts of this movie which stunned me I wont tell you about as it will give too much away, but trust me they are exceptionally done.
Again the bad guys have a major role in this one. William Saddler is Colonial Stuart, a heartless leader, who only cares that a drug lord escapes and can get in on all the money making scheme. I loved his role in this. Another face that I remember in Die hard 2 who was a bad guy is Robert Patrick. I loved his role in Terminator 2. But the conflict between the good guys is extremely tense. Especially between McClane and Police Officer Lorenzo played by L.A law star Dennis Franz. It is hard to understand if this character is on the side for good or not.
Here comes another analogy on Die Hard 2, do you ever know who is on the side of good or bad? Well for at least three quarters of the film it is unsure. The storywriters need to be commended because the story left me intrigued and when you think you know what is about to happen, the circumstances change. Also having a different director, gave this sequel new prospective. Director Renny Harlin threw his hand into the ring. What a gamble? An unknown director, but to my surprise I say that it worked. His other films worth mentioning include A Nightmare on Elm Street 4 and Cliffhanger.
So overall Die Hard 2 was extremely enjoyable sequel to watch. The story, the characters and the situation are all of a great tension, which I love in a movie. So one cop who is so vulnerable and emotional ends up being the one person who you would most like to have save your life. Like Willis said in an interview Die Hard 2 - Die Harder - it's bigger, badder and louder. I will leave you with one question, the first Die Hard had approximately 20 people die, can you count for me how many perish in this film? It is quite a turn around!
Rating: 4/5 or 9/10
A solid sequel
You can't get too much of a good thing
Did you know
- TriviaIn the first Die Hard (1988), John McClane only had a few scripted one-liners. However, Bruce Willis ad-libbed many one-liners, and audiences liked them. So much so that in this sequel (and the next one), more gags were added, and Willis was told he could ad-lib as much as he saw fit.
- GoofsWhen Grant went through the engine it should have blown out, or more likely exploded.
- Quotes
Grant: You're the wrong guy in the wrong place at the wrong time.
John McClane: Story of my life.
- Alternate versionsTV Versions, including that shown on the WB Network, edit out much of the violence and much of the profane dialogue is redubbed. Willis's redubbing is quite obvious because the new voice sounds nothing like Willis. Despite the overt dubbing of Willis's dialogue by a sound-alike actor (who really doesn't sound like Willis, for that matter), this version also utilizes dialogue from other characters to replace John McClane's. As John is leaving the elevator through the roof, he tells Samantha to "Fuck off." In this TV version, the word "fuck" is dubbed over with William Sadler saying "joke" from earlier in the film.
- ConnectionsFeatured in Late Night with David Letterman: Episode dated 8 June 1990 (1990)
- SoundtracksOld Cape Cod
Written by Claire Rothrock, Milt Yakus and Allan Jeffrey
Performed by Patti Page
Courtesy of Polygram Special Projects
a division of Polygram Records, Inc.
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Duro de matar 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $117,540,947
- Opening weekend US & Canada
- $21,744,661
- Jul 8, 1990
- Gross worldwide
- $240,031,274
- Runtime
- 2h 4m(124 min)
- Color
- Aspect ratio
- 2.39 : 1






