My Father's Glory

This beautiful, charming work (and its companion MY MOTHER'S CASTLE) is lifted from the memoirs of filmmaker/screenwriter Marcel Pagnol.

It is a loving, romanticized recreation of Pagnol's childhood trips to the south of France.

Director Yves Robert ices every scene with sweet affection and a seemingly effortless attention to detail.

There are so many moving, heart-tugging scenes.

Describing them all would spoil the confection.

I'll mention one. Young Marcel accompanies his father, Joseph, a school teacher, to school one day. Not believing that Marcel can read already, Joseph writes a simple declaration of his love for Marcel on the blackboard. Marcel then surprises his father by reading out loud what his father wrote. It is such a touching, affecting scene.

MY FATHER'S GLORY is bursting to the seams with such magic.

Vladimir Cosma's score perfectly captures the period and tone of Pagnol's memories.

Simply exquisite.

"My Father's Glory," and its sequel "My Mother's Castle," tell the story of a young boy's "wonder years" growing up in a family with an adored father, a lovely but frail mother, and assorted eccentric relatives and friends. These are incredibly charming films that feature none of the violent action and highly charged emotions that we've come to expect in popular films today. Instead, they celebrate the simple joys of life in a warm and loving family. When minor but unexpected events occasionally disrupt the day-to-day flow of events, they can seem like terrible disasters. On the other hand, a simple visit to the country can seem like a tremendous adventure. It's not necessary to have seen "My Father's Glory" to enjoy "My Mother's Castle." In fact, I happened to see them out of order and I loved them just the same. But if I had my preference, I'd watch them in order. The final scene of "My Mother's Castle" is emotionally powerful and satisfying; for me it confirmed that every minute I'd invested in these films was worthwhile. I wanted to get up there on the screen and help. In French with English subtitles.

This is a movie for those who enjoy magic and nostalgia while floating away in childhood memories. It is the calm and enchanting story of the adventures of Marcel Pagnol. Julien Ciamaca does an outstanding job, he is handsome, naive and buoyant. The landscape and the narrative style make this movie, at least in my eyes, a real masterpiece. The entire story is full of nostalgia and deals with Marcel's very own perception of life. His friendship with Lili is honestly depicted and wonderfully staged. The boys do a great job, indeed. It is a tale that takes you back to contemporary France and revives the summer in the Provence region, a summer full of innocent joy and adventures. Inspiring and well-acted, the setting is beautiful and the music just perfect. All characters are well cast.

This film takes us back to 1900 and depicts a family with children who are refreshingly innocent, yet believable and amusing every step of the way. The story takes us on a journey with Marcel, the narrator, who thinks his father is superhuman and refuses to see him as anything less. To view life through Marcel's eyes is enchanting; he is so easily spellbound by his surroundings, so in love with the hills of his native Provence.

The cinematography is absolutely breath-taking, giving one the feeling of watching poetry in motion. The scene at the park on a Sunday afternoon is like watching a painting come to life. But cinematography is only a feather on the cap of this first rate production. The direction is superb, and the performances very touching.

I recommend this film highly. It is good as a visual sedative, and the only side effect it might have is a possible urge to quit your job, pack it up, and move to the French countryside writer Marcel Pagnol so loved.

This film is simply beautiful. Loaded with emotion. Marcel Pagnol's story as a kid growing up in Southern France.

This is a film I saw for the first time about 10 years ago. 10 years later, I enjoyed it even more. Yves Robert makes you care for characters. Philippe Caubère is brilliant as the father, who's a teacher. The truly beautiful Nathalie Roussel: the caring mother and wife. Young Julien Ciamaca gives a strong performance as Marcel. And what about Didier Pain: I just love his way of playing Oncle Jules.

Perhaps the greatest accomplishment of this movie is to make you travel to this part of the world, to make you feel that you're there when the story unfolds.

87/100 (***½)

Seen at home, in Toronto, on June 16th, 2002.