Under a dystopian religious tyranny, most women cannot conceive children. Those young women who can live in a form of sexual slavery to provide children for influential families.Under a dystopian religious tyranny, most women cannot conceive children. Those young women who can live in a form of sexual slavery to provide children for influential families.Under a dystopian religious tyranny, most women cannot conceive children. Those young women who can live in a form of sexual slavery to provide children for influential families.
- Director
- Writers
- Stars
- Awards
- 2 wins & 1 nomination total
Reiner Schöne
- Luke
- (as Rainer Schoene)
Robert D. Raiford
- Dick
- (as Robert Raiford)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Harold Pinter cheapens Atwood
An unfortunate movie which is definitely more like Harold Pinter's earlier plays than anything Margaret Atwood ever produced. No attempt is made to bring out Atwood's clever social message, and we're all supposed to be shocked at the sexual content. A shame, because Atwood's version might have made a good film.
Very disturbing and depressing
This is a nightmare vision of the future. It seems 1 out of every 100 women is fertile (for some reason). The ones who aren't perform slave labor. The ones that are are "sold" off to rich families where they have sex with the husband to produce a baby. Kate (the late and missed Natasha Richardson) is one such servant to Serena Joy (Faye Dunaway) and her husband the Commander (Robert Duvall). Kate wants out--but it seems there's no way.
The synopsis only scratches the surface of a VERY dark and disturbing movie. It slowly shows how women are treated and used and it just gets more horrifying as it unfolds. The parallels to Hitler's Nazi Germany are fairly obvious but here we have barren women instead of Jews and gays. The good acting by everybody makes this hard to shake off. Aidan Quinn (as Nick) and Duvall are OK; Victoria Tennant is chilling as a leader of the camps; Elizabeth McGovern is just great as a fellow prisoner who befriends Kate; Dunaway is also very good in her role. Best of all is Richardson. This couldn't have been an easy role but she pulls it off beautifully. She died at far too young an age. This is basically an unknown movie and it's easy to see why--it's far too dark and disturbing for a general audience. However the ending is (sort of) uplifting (and changed from the book). Grim, dark and depressing. View it at your own risk. The ceremony sequences are almost impossible to watch and shocked the hell out of me the first time I saw this.
The synopsis only scratches the surface of a VERY dark and disturbing movie. It slowly shows how women are treated and used and it just gets more horrifying as it unfolds. The parallels to Hitler's Nazi Germany are fairly obvious but here we have barren women instead of Jews and gays. The good acting by everybody makes this hard to shake off. Aidan Quinn (as Nick) and Duvall are OK; Victoria Tennant is chilling as a leader of the camps; Elizabeth McGovern is just great as a fellow prisoner who befriends Kate; Dunaway is also very good in her role. Best of all is Richardson. This couldn't have been an easy role but she pulls it off beautifully. She died at far too young an age. This is basically an unknown movie and it's easy to see why--it's far too dark and disturbing for a general audience. However the ending is (sort of) uplifting (and changed from the book). Grim, dark and depressing. View it at your own risk. The ceremony sequences are almost impossible to watch and shocked the hell out of me the first time I saw this.
Startling visual impact
The handmaids in brilliant red, the wives in electric blue, the children in white--Margaret Atwood's neo-fascist state comes startingly alive in Schloendorff's film. The bright colors are oppressive in their uniformity, whether in the "ceremony"--Robert Duvall's passionless copulation with Natasha Richardson as she lies in the lap of his sterile wife, Faye Dunaway--or in the party to celebrate the birth of a handmaid's child, or the execution of another handmaid for fornication. There are several fine actors--Elizabeth McGovern and Aidan Quinn also play memorable, if brief, roles--but the cinematography steals the show here, giving this anti-Utopia the same oppressive tension as the original 1984 and far surpassing any version of Brave New World. It may be that Atwood's book, which I haven't read, adds layers of depth to the characters and plot, but Schloendorff's visualisation is a real enhancement to the tale. He creates the tension of a police state with only momentary intrusions of brutality or machinery. A strong film that will gain its following with time.
An honest attempt
I finally watched this after watching the TV show and if anything, it shows that some books should not be adapted unless there is enough time to tell the story.
The film tries to feature the key moments that the TV show had time to bring up, and 90 minutes (or so) simply isn't enough.
The casting is flawed on several characters, like many reviewers point at, and the script feels rushed, which of course creates the feeling that the story progresses without any logic.
Nonetheless you will find some scenes are really good, and in fact, those same scenes found their way into the TV show.
The atmosphere of the book is well conveyed, I just wish they had had more time, which the largely superior TV show had.
Watch this for reference after reading the book, after watching the show : great books can make awesome TV shows but poor films sometimes.
The film tries to feature the key moments that the TV show had time to bring up, and 90 minutes (or so) simply isn't enough.
The casting is flawed on several characters, like many reviewers point at, and the script feels rushed, which of course creates the feeling that the story progresses without any logic.
Nonetheless you will find some scenes are really good, and in fact, those same scenes found their way into the TV show.
The atmosphere of the book is well conveyed, I just wish they had had more time, which the largely superior TV show had.
Watch this for reference after reading the book, after watching the show : great books can make awesome TV shows but poor films sometimes.
This is why there's a separation of church and state
This movie is about what can happen when religious nuts take over the country's government. People who are different are either killed or enslaved in one way or another. Let's see...we have murder and public display of anyone who isn't of the religion that took over....women who are fertile enslaved for religious higher-up's in the government...anyone who's different, and ISN'T killed enslaved in radioactive areas...makes you realize why people fight so hard against religion intruding into politics. Like the scholars from the future of this story who have a hard time believing it actually happened, despite hearing the story with their own ears, people nowadays don't believe that "people of God" in government would be so bad. Watch this movie and think on it. This is why there's a separation of church and state.
Did you know
- TriviaWhile working on the film, Robert Duvall became so fascinated with evangelism that it inspired him to write The Apostle (1997).
- GoofsWhen Moira ties up Aunt Lydia and escapes the Red Center, it is late at night, but moments later, when she exits, it is clearly daytime.
- SoundtracksWhispering Hope
Written by Septimus Winner as Alice Hawthorne
- How long is The Handmaid's Tale?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- El cuento de la doncella
- Filming locations
- James Adams Buchanan House, 1810 Cedar St, Durham, North Carolina, USA(Commander Fred's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,960,385
- Opening weekend US & Canada
- $738,578
- Mar 11, 1990
- Gross worldwide
- $4,960,385
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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