The Incident

Great story, sensitive direction and superb acting from Peter Firth and Walter Mathau. Firth best known for Flipside of Dominic Hide, Rome and Spooks plays against character but is utterly convincing as a Nazi charged with the murder of a fellow POW.

Mathau as always turns in wonderful performance as the small town lawyer his style contrasting brilliantly with Firth's powerful but minimalist acting. Story raises many issues that are especially powerful in today's highly partisan political climate when we strangers living in our midst.

Watch this movie you will not be disappointed.

As always, I was impressed by Walter Matthau's performance in this movie. Matthau played Harmon Cobb, a small town lawyer during the Second World War who is assigned to defend a German prisoner of war (Peter Firth) accused of murdering the local town doctor (Barnard Hughes.) The case seems open and shut, and Cobb's basic role - as he is clearly told by the presiding judge (Harry Morgan) - isn't to mount a serious defense; it's merely to make the process look good. (In fact, the judge makes it clear that he assigned Cobb because he believed Cobb to be incompetent.)

Cobb has to deal with the antipathy of the townsfolk, who are convinced of Geiger's guilt, as well as his own anti-German feelings (as a World War I vet, and especially after he receives news that his son was killed in Europe.) But he ultimately settles into the role he's been given, and gradually uncovers an unsavoury cover-up taking place at the POW camp with the full knowledge of its commander (Joe Horvath.)

This is a surprisingly good story that does keep the viewer guessing most of the way through. Ultimately, I found it to be a little too far fetched to really be believable (which knocked it down a couple of notches in my estimation) but it was still a pretty good who-dun-it sort of mystery.

7/10

I was pleasantly suprised by this made for TV murder movie.

Walter Matthau plays his part well and the storyline has enough twists and turns to keep your attention up. Added to this is that there is a strong storyline that doesn't insult the intelligence too much and has elements of realism to it (although not quite sure how German POW's managed to make it to the USA from Germany)

Worth a look 7/10

I've *just* finished watching this movie on a fuzzy, out-of-range over-the-air television station and I completely agree with the previous comment that this is a good little made for television movie and it could have made a pretty enjoyable series. It's undeniably Matlockesque, but with Walter Matthau as the nosy attorney it has a markedly different tone than that of the popular series starring Andy Griffith.

The "differentiator" for this show is that it's set as a period piece, though the writing isn't especially deft at pulling you into the time period and some of the details (such as prisoner's clothing) is likely incorrect for the period.

IMDb indicates that there are two more of these shows... and sure enough, even as I write this comment, the second "episode" of this "movie series" has started running on that over-the-air station. You can't help but think that this may have been an abortive (or unsteady) attempt to take these characters into a regular series.

Really, if you have the chance to catch it on cable or order it from your favorite DVD rental house, give this show a whirl. If nothing else, you'll enjoy seeing Harry Morgan (of M*A*S*H fame) playing a crusty old judge with a strange hate/pity relationship with Matthau's lazy-man attorney... good stuff!

One of the earlier reviews of this fine little TV movie suggested that it stretched credulity to believe that German POWs would be found so far from Europe. Yet by the end of the war, over 375,000 German POWs were in several hundred camps throughout the United States, mostly in the South and Southwest, far from critical war industries in the Midwest and along the Eastern seaboard. There were over 425,000 total Axis prisoners in the US by 1945.

The Incident is a really well-made movie. Director Joseph Sargent, still at it in his late 70s or early 80s, created memorable TV and theatrical films such as "The Marcus Nelson Murders" (to become Kojak), "The Taking of Pelham One Two Three", "Miss Evers' Boys", and "A Lesson Before Dying."